Behringer Neutron Patches

Browse for patches created by others or create your own patch sheet.
Click the 'Create new patch' button to create a blank sheet. Then drag some cables between outputs and inputs, turn the knobs, press the switches. Enter a title and your name, perhaps some notes and an audio preview, then save your patch.

Happy patching!

Basst1 Basst

Alien Soundscape Otto van Zanten

Try turning up Att 2, turning down Width Osc 2 or removing the LFO Uni > Res patchcable and turning up Resonance to 3 o'

alien sound scape sfx fx weird bleeps bloops control panel

analog raindrop machine kosmotix

OSC1 -> LFO RATE OSC MIX -> LFO SHAPE OUTPUT -> LFO TRIG play with freq, reso and mod depth or the delay knobs

Dreamy Reed Nikki Alexander

Gentle analog reed-like sound. Designed for an ethereal arpeggio (just add lots of shimmer verb and it sings), but also

Ozric Bubbles RabbitC

Ozric style fast descending bubble effects - descend on release. Att1 mutes oscillators, reso set to full for self-osci

effects ambient

🔊 Hang Bell Domicidre

Play with the filter to get it more or less dark. Add Some good reverb!

bell melodic ambient

paraphonic pulse width modulation kostas

based on hints from the manual. Envelope 2 controls pulse width, and LFO controls the pitch of the oscilators

pulse width lead pw

🔊 Unstable Personality yellowmix

Osc and LFO should be set to Blend. Osc 2 should be mainly on pulse, the double square light flickering rapidly. LFO is

Ploink de Luxe pojo

S&H -> att2 in Att1 -> lfo Freq att2 -> lfo shape ext mod wheel -> att1 in ((external modwheel (keystep) not neede

Twinkle bell - cloned Mr. Randomizer

Twinkling bell sound (osc1 sine, osc2 pulse), best sounding with a hint of quality reverb.

KOMA KOMMANDER EFFECTS PROCESSOR Mikey slime

For use with the Koma Kommander CV/GATE motion controller Line in processing for guitar/mic GATE 2 To VCF IN CV2 TO EN

USE WITH GUITAR/MIC kommander komaelektronik

marbles matthew

porta time is optional.

iNtox-Z - The Dark Side Of Neutron. Vitalik Kuprin

Ok... if you need to check sound from this creation, check my video on YouTube. https://www.youtube.com/watch?v=AgfhO5f

Noise Ultra Distortion iNtox-Z Harsh High Gain High Resonance

Ethreal Synth anirudh

Give some glide / portamento for more magic and check volume level as the drive is high.

Lead Moog Ethreal

🔊 Awakening the Krell KastleRyne

Sounds like something from Forbidden Planet. Increase the Mod Depth knob to engage the transporter beam.

ambient self-oscillating sci-fi

Nice ticking sound with PW-modulation Mr. Randomizer

Patch LFO to mult and then mult1 to PW1 and mult2 to invert in -> invert out to PW2.

#PW #modulation

Deep bass to rule 'em all Mr. Randomizer

Deep bass to take care of the low end.

Twinkle bell Mr. Randomizer

Twinkling bell sound (osc1 sine, osc2 pulse), best sounding with a hint of quality reverb.

very basic matthew

osc sync bass or lead matthew

decrease or increase the attack to suit.. I personally like a softer attack. also, play with delay time to your liking.

Pudding on the Floor the Spoon & the Milk

it just feels like a pudding on the floor. taste it, promise on the spoon and the milk. run a nice 4 step sequence.

Drifty 80s Lead Nikki Alexander

Very, very 80s-ish lead sound. Add some chorus, fatten up the mids a bit with an EQ and you're ready to enter all your n

Basic Snare Nikki Alexander

Simple snare patch based on the Layered Snare patch found on YouTube, limited by my as of yet extremely limited knowledg

Robot Vox Matt Marguerite

You can disconnect the patch cabe and tweak the shape of OSC2 in the mood and the tempo you want ! Enjoy ! M.

Plantasia Intro Arp Dakota Estes

My attempt at recreating the opening synth sound from the first track of Mother Earth's Plantasia. Play around with the

Pluck Arp Recreation

Fat Talking Bass Otto van Zanten

https://youtu.be/ZON_kvIYWxM Patchcables are optional, patching the S&H to the Filter Cutoff adds some randomization.

Fat Talking Filter Bass

Part 2 (Delay Overdrive) Jonathan Tremblay

Second part. MS-20 output goes to DELAY IN, OVERDRIVE OUT goes to mains.

Weird Alien Soundscape (Modulating Delay Time) Otto van Zanten

https://soundcloud.com/ottovanzanten/behringer-neutron-weird-alien-soundscape

alien soundscape strange modulating delay time envelope

Fun Stuff Jonathan Tremblay

Clock source is S&H, change rate to control the patch.

🔊 Flute Dokmai

Add or remove noise to taste. If you set OSC 2 to square wave, the tone softens when WIDTH is fully down

🔊 Forest Kingdom yellowmix

Jumping from tree branch to elevated hut. Use Attenuators, Drive, and Tone to rebalance. Mix in delay to taste. Uses sl

Percussive Slew

The workers Portable

Env 1 - att1 - att1 - osc2- Os2 - att2-att2-pw1

Random Squelchi Psy Patch Ollie Music

Please note : The Assign output is set to Velocity, so basically the velocity of the midi notes is modulating the filte

Psy Psychadelic

INIT Patch Bart

Starting point fo a new patch

Quantum Loop 3ver

Also from the original manual: "Quantum Loop - A Sub Sawtooth sound with VCF squelch. A sample & hold noise loop is adde

from the manual Sub Sawtooth VCF squelch sample & hold

Edge Synth 3ver

Also from the neutrons manual: "A slow evolving sound using frequency modulation and wave shape blending to create eithe

FM wave shape bending evolving from the manual

Out Of This World 3ver

This is actually from the neutron manual: "A Sci-fi style sound showing off the S&H function of the Neutron. Here, the V

experimental from the manual self-resonance

Fat Doubler Cello_789

Att 2 sets an envelope amount to att1 (which is how much the LFO affects the filter) With these settings, you get a thi

OB6 String Bass Thick Juicy Analog

Synth+Bass Tono & Harry Fader

sequenced by Korg SQ-1 cv A out to OSC 1+2 in gate A out to e.gate 2 in cv B out to freqMod in

Distorientor Halidex

The LFO was set to switch not blend. The shape of OSC 2 is set to blend.

distortion saw bass lead

🔊 Neutron 303 onionpsy

So it's just a simple emulation of the classic 303. I'm using the ring mod tricks. Obviously doesn't sound exactly like

303 bassline bass acid

basson FraZae

Cute Vibrato Lead - cloned Ethan-William

Attach the Assign to the mod wheel in the Neutron Software for vibrato use. Mess with OSC 2 Tune

Lead Vibrato Saw

🔊 Pulse width Bass/Lead Mesa

Use attenuators 1

Bass Lead Pulse width modulation

SUPERGUITAR PSYELECTRIC STEREOPANIC

Just move cut off freq and combine with reso and you get lots of distortion

Bubbles Lurch

Works well with: Arturia Keystep sync out >>Delay time Sequence on Keystep A,G,F#,F, E

Kick Gomchen

Kick Variations -> Att1 + Filter + Env1 & 2 + Overdrive Thanks to Rishabh Rajan

FM Sync Bass Adaerus

Attenuator 1 = Env FM amount

Confused Lead McMurphy

🔊 BASS ANIMAL

Cybery WOW Bass 0Day

Just a neat little 'wow' sounding bass. Playing with LFO shape makes some interesting changes to the bass, try toggling

🔊 jacobs ladder _martin__f_

control - tune1+2 speed - lfo rate

generative industrial noise

Ambientish 2th

Pulsating Lead David Gallagher

Sounds good as a lead on both high and low octaves. After patching you can try some of the following to alter the sound

Pulsing electricity PanOS

Fully electrified pusle. LFO rate controls the pulse speed. OSC shapes the electricity :). Attenuator 2 the pulse width

Cute Vibrato Lead Vestra

Attach the Assign to the mod wheel in the Neutron Software for vibrato use. Mess with OSC 2 Tune

#Lead #Vibrato #Saw

Projet 1 Gigot Bitume

91319swellish M4D

🔊 Volcanic eruption 　火山大爆発 Tomo

Drummy wavy Oim

Use with sequencer, tweak lfo raye, here you go

happy winning theme mdvn

VCA BIAS for long base note

Wat e boetifoel noeus pojo

noise with choppers

noise random ambient

pojo own Lamentia 2 - cloned pojo

pad atmospheric dark

Alien Bass Ass Tacos NoSit

a fat Bass being played from an alien's ass after 3 tacos. adjust the ATK on ENV 2 to control the speed of the Shape Swe

bass FM Shape MOD Detune Short Stab

paraphowave matthew

🔊 Flickering Sequence Dr. Dicktitty

I used sequencer for the audio preview, but it's fun little patch without it as well.

Ultra Bass McMurphy

Lamentia 2 MFMAD

tweak the osc shape for viscosity of sound. Add a little bit of mod depth if you want some grit. have fun with it!

pad atmospheric

Lamentia MFMAD

distortion electric guitar delay

Thunder Storm 雷鳴 Tomo

🔊 Volcanic eruption 　火山大爆発 Tomo

Plucky Cerulean

plucky patch, play witch VCA BIAS, filter and noise to make it cooler

plucked strings

Solid/Lately Bass - cloned Patrick Muthler

As close as I could get to the DX family's famous preset. Get your oscillators are in tune with ATT1, or tweak with OSC

Default Square Chad K

Initialized patching.

🔊 Intense AF Dr. Dicktitty

Noisy and unpredictable, yet melodic. Go crazy. Fiddle with mod depth and att2 for more cosmic fun. Control the amount

Bass with major 3 harmony mdvn

Perfect for short / plucky bass notes, with proper EQ enhancement can be made to a phat and funky sound. Long notes star

pop vengaboys earlyCalvinHarris

Bubbling Brook East Jackson

Ambient Life - Random S&H oscillator shapes and LFO self modulation Soren Lemmike

This patch sounds nice with semi-random sequenced midi notes in minor scale at a slow tempo with lots of reverb after th

ambient S&H slew delay reverb

🔊 Solid/Lately Bass David

As close as I could get to the DX family's famous preset. Get your oscillators are in tune with ATT1, or tweak with OSC

self playing Cerulean

pluck lead 1 - cloned pojo

pluck lead pluked lead

pojo ambient drops extra pojo

fine tune with vcf- freq and lfo-rate

ambient drops soundeffect

Idk but it sounds nice Parallel Figure

Shape 2 -> Arturia Keystep Velocity or Aftertouch Neutron "Assign" set to whichever is not affecting shape 2

Birds PanOS

This is a natural birds soundscape with the VCF resonance & LFO VCF IN is patched to nothing to mute the oscillators Use

🔊 997 psy gated lead Ceteract

In stead of Assign, use sequenced cv out from Deluge (or whatever) , then insert/remove the S&H jack in Sum 2(A) to togg

pojo-drops - cloned pojo

You need an attenuator between an osc and the VCF. Just open the att1 a little bit. Fine tune with...LFO rate, VCF fre

🔊 Kick hardcore DjMmix

Reproduction hardkick in 90's, 95's ,note play is a G0 and play seq is a C1 velocity in seq is 76

Hardcore Kick 90's

pluck lead 1 DjMmix

pluck lead pluked lead

🔊 different hithat DjMmix

E4,F4 and G4 tone is good for hithat, tune osc 1 and 2 on C4

pojo-drops pojo

0sc1 --> att1 in Vcf1 --> vca in att 1 --> VCF in You need an attenuator between an osc and the VCF. Just open the att

multiosc lfo DjMmix

use a différent lfo rate for fun !!!

🔊 Alien drone LASUN

Static noise is from shitty usb hub. pls ignore.

Alien Drone bass drop low rumble

BoC ish matthew

Simple detuned waves with a dash of noise. Set the attack to a lower level for cool arpeggiations, or a higher attack f

Space Cake Break Zemftee

I'm a complete beginner when it comes to synthesizers, so I'm not sure whether what I've done (e.g. the patch cables) ma

atmospheric ambient pad-ish

ModWheel-Lead ATI

ASSIGN output jack = ModWheel The patch is good for Lead with application of the ModWheels The Mod-Depth it is fixed. Th

Random Stutters Logarhythmic

This adds random "stutters" at varying rates. It works best with a sequencer, and the Sample and Hold being clocked by t

909 Kick HWO

It's like a 909 but not really but kinda but close enough

The Great Destroyer (NIN inspired) Jobst M. Feit

Tweaking Cutoff Freq, Filter Mod Depth and LFO Rate gives you some great results. The path is a little tribute to the so

noise s&h resonant drone

🔊 Snare DjMmix

play the snare on a key note A for better snare

🔊 paraphonic drone - cloned Ceteract

You can keep a drone note which whill take osc1 and play a line over it with osc2 as it morphs.

paraphonic drone Ceteract

You can keep a drone note which whill take osc1 and play a line over it with osc2 as it morphs.

Strange Voices Antithesis

This patch creates random voice like sounds that is both creepy and cool. I use a single note arpeggio as a trigger/gate

Wobble bass acid DjMmix

coupled with the beatstep pro CV in OSC1+2 , Gate in E.GATE1 and Velocity in ATT1IN in patch bay

bass techno Wobble bass acid

Huge Bass McMurphy

pojo-nerves pojo

s&h - att1in att1-lfo rate -------------- extern: (sq-1) Cv-a out - freq mod tweak with env dep (vcf) and decay (envelo

Flying Away The Doctor

Wobbly pad/lead sound. A touch of noise give a nice character you can avoid the Drive if you want a more mellow sound.

night1 jfrey

First at patching something with the neutron.

Electro Style Bass ElectroDude

Play it with a simple delay.

#Electro #Bass #Techno

Wobbler Factor Mason Hollis

If you like Dave Tipper you will like this

bass wobble crunchy

Clicky Bubbles Swan

Tweak LFO Rate, ENV Depth

Grunge Lead UL

Play slowly and low

Lead Noise Overdrive Delay

Metroid Prime Lead Swan

Sounds just like the lead synth in the opening song for Metroid Prime

Belgian LFO Brass Burntweenie

Belgian Hoover with heavy LFO. Very funky when used in a quarter/eighth note sequence.

Random Chaos Bubbles Holger Rohmann

Self oscillating, no midi input needed Try changing - LFO Rate - VCF Resonance - VCF Modulation - Delay (all settin

random chaos noise bubbles

Soothing Rhythmic Growl jdorwin

This makes a pleasant repeated growl noise. I included optional randomness; just turn up Attenuator 1 to randomly vary

ambient drone growl

I can't believe its not a Hang Drum Sam

Got to this sound on the way to a high hat, its almost like ring modulation

Bass Overdrive II McMurphy

My First Lead Fredd

gen1.0 meadow

tunable random behaviours

Subterranean Steam Dream iAi

Mess with attenuator 1 for more LFO into the delay time, and attenuator 2 to put more S&H into the LFO shape. Filter res

Simple Square NoSit

very simple and deep square bass with just a little movement.

Simple Snare NoSit

a simple snare sound (Credit to "Graydon Audio" on YouTube)

Simple Kick NoSit

a very versatile basic Kick sound, play with the D&R of ENV2 and ATT1 to Make it beam like.

Bass Overdrive McMurphy

DEEP HOUSE, TECHNO or HIP HOP SUBBY BASSLINE Henry Navarro SF

DESCRIPTION: This is a simple patch, however it is a sure bet for any subby deep house, techno or hip hop/ trap track,

deep house house tech house techno sub hip hop trap subby minimal minimal techno

Nights Teaser Sound Adam King

Event Horizon bricky

Cello Sound jdorwin

Was creating a lead sound and accidentally ended up with a nice cello sound.

bass Ras Tumo

GD BASS 1 Estuardo

BRAK Adam King

Blade Runner Style - use loads of shimmer verb

Death Whistle/ Scream Jake Herrington

Can be extremley loud. Sounds best in a slighly higher octave. Go too low and it truly sounds like a fart.

noise scream whistle

🔊 Boards of Germany KKO

Better for bass leads. 2 slightly detuned oscillators are low-pass filtered with it's filter frequency being controlled

lead boards of canada analog

Retro Bleeps Potreba

Autoplaying patch. Similar to mwandishi intro

Shapeshifter Bass Potreba

Funky Bass. Velocity is Assign.

Starter Kick - cloned mike

Modifiers: VCF Freq, Reso, + Env Dep shape kick sound Try Env2 Decay to change Tone

Sci-Fi Sweeps TeknoRebel

Nice melodic drone as is. Pull the VCA in to start the crazy Sci-Fi sounding sweeps.

Crazed jazz birdhouse Burntweenie

Sounds best with a short arp pattern or sequence. Fiddle with ATT 1, PW 1&2, FREQ, RES, LFO rate. Bizarre birdhouse with

Jazz bass crazed birdies

Eterna | Ambient Drone ALMANACS

Watch this patch playing: https://www.youtube.com/watch?v=I-RDvJBTZ5c

ambient lead drone pad

Cars Hard Sync hoggernick

Adjust ATT1 knob and OSC2 tune knob to adjust as needed.

Distorted Wind michal

use VCF KNOBS for fun

noise wind distorted lfo

self-evolving drone Kecap Tuyul

This patch create a slowly evolving drone full of harmonics without changing anything. Tweaking the OSC MIX value can ad

drone ambient experimental generative

MIDI Note Velocity with Overdrive bypass Bendy Bus

Classic Dubstep Wobble Swan

ATT2 to Mod Wheel to control LFO Rate Play with the envelope controls on ENV 2 and ATT 1 Knob

Rythmic BAss synth Matt Marguerite

synth rythmic S&H

Starter Kick Matt Clark

Modifiers: VCF Freq, Reso, + Env Dep shape kick sound Try Env2 Decay to change Tone

Silly Pet FUN_ENV

Funky brass shots! You can use the LFO (downwards saw wave) to cut the filter in addition to the envelope2 but you can

funky brass short VCF_Env comic

LFO to AMP "tremolo"• godolonky

LFO affects only VCA (amplitude) Control clean signal with ATT and tremolo with ATT2

lfo vca amplitude tremolo

Stefaan Van Hoof - Bodzin simple Stefaan

RED ALERT BLEECHN NEADLE

Hmm Interesting Bråkmaskin

Fun to play with a drone on a lower octave and short staccato lead on top.

Boards of canada Lead/Bass - cloned - Beefier Nico Tdl

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Generative Patch Experiment, Krell inspired Relative Ability

Love to tweak all the parameters! Specially delay repeats, filter, both oscillator tune and envelopes. Sometimes a bit o

Generative Krell

TD flute spacedrifter1961

Play through reverb and delay. spacedrifter1961 Youtube channel

ambient Berlin School

Cruel World Jonny Schwanz

Dual Rising Suns JAsh

Needs MIDI input; 1 octave down ::natch::. Get the ATTACKs close, but not the same, and play with the SUSTAINs to get a

Space Kitties Parallel Figure

Mess with the delay time knob to get better meows

Forbidden Planet/50's sci-fi style spacedrifter1961

Provides an ideal background soundscape for Berlin School-style sequences. Slow adjustments can be made to the followin

Space Dark Ambient Self-generating

4 voice drone NTRMN

Tune OSC2 to a low root, OSC1 to a 5th below, LFO to an octave, and adjust the FREQ resonance to whatever you feel like.

drone self generating 4 voices

Forbidden Planet/50's sci-fi style Spacedrifter1961/youtube channel

Provides an ideal background soundscape for Berlin School-style sequences. Slow adjustments can be made to the followin

Space Dark Ambient Self-generating

evolving drone henk

this patch uses an arturia microbrute as external LFO. patch the LFO out of the microbrute to OSC1. use reverb (a lot!)

drone selfgenerating dark

Hoover Bass ElectroDude

Osc. 2 slightly detuned Play with Att. 1 and Envelope 2 Sustain Chorus as effect

#Techno #Hardcore

🔊 Growling Shape Changer JohnD

Adjust Shape 1 knob so it cycles between tone mod and triangle spending roughly the same amount of time on each shape.

dirty pseudosequence ernie

Rather a raw one here. Also add sync out from your Keystep or whatever to LFO Shape in to sync with external clock. Whe

Beating Pulsar (Credit to CHI) NOSIT

i played around with CHI's awesome Patch and added a little LFO and envelope movement. the LFO is modulating OSC1's Sha

ambient evolving delay

🔊 Boards of canada Lead/Bass - cloned WH

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Boards of canada Lead/Bass WH

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Formant "Pony" Bass NTRMN

This is tricky and it's all about messing around with the LFO rate, FREQ, RESO, MOD DEPTH, and ENV DEPTH until it's just

formant vocal bass ginuwine

An alternative to using up an attenuator to tame the oscillators. You can use the VCA (distortion on part of the AD) or

OD to VCF V.Stegeman

Playing with routing to lower the overdriven input to the VCF, as well as putting the OD before the VCF so that gets fil

"VCF In" "Overdriven VCOs to VCF" "S&H to Delay"

Organiser Wiel

ceva ceva teknetium.23

a bit of buzz and a bit of crack, i need more patch cables

Ambient Para phonic

bleep Jerem Wlderz

play with attenuator 1 / Noise and Mod Depth #DON'T PATCH ATT1 -> OSC1# (can't remove the cable on the website)#

bleep sequence phone dark

Auto lifeForms - electro jungle Mileto

___________ You can listen this patch (plus obviously just a little of reverb) @ https://soundcloud.com/user-339685912/

Drone Swell Pad duilio pasquale

adjust lfo to match swell to length of note. current rate setting calibrated to four bars @ 125 bpm

drone pad ambient dark

Space Bubble Riser duilio pasquale

use vca bias & lfo rate for space generator

drone riser ambient pad

Living Crunch Lead Conversion

Screaming Lead or Harsh Pad. Ride Mod Depth Knob. Filter cutoff can be adjusted subtly for accentuation of relevant fre

MultiLead deejef

2 osc 2 leads Attenuator 1 for OSC pitch LFO

Ambient 2 CarlJaz

TWO MINUTES REMAINING @pthelo

DO NOT USE AS SHOWN!! The patch was created using a HOSA Knucklebones 5>1Splitter. In the real patch, I've connected t

pthelo.patch001 OM SHAPTA Drone Knucklebones Delay

3rd Oscillator LFO drone NTRMN

Patching an audio rate LFO into the filter then the VCA and it acts kinda like a higher "harmonic" drone. Tune the LFO w

ambient feedback heavy delay drone

Deep PWM Zone1Music

Beautiful undulating PWM patch. Deep with big swells.

Kick 1 tomachiavelli

kick bassdrum d&b

🔊 Strange SAW Matt Klam (klamecki)

inspired by strange things

Test Stefaan

elysion Philipp

Generative I - Krellesque tomachiavelli

generative krell

Blips Philipp

To be controlled via Step Sequencer at around 90BPM 1/16 notes. Creates nice sounds. External Reverb could be added (I u

Flowers Love Lead - cloned Author

Lead of "Flowers Love" from Joel Fajerman , a try to get close. 2 sawtooths with sync A BP filter with resonance and

Flowers Love Lead John lois

Lead of "Flowers Love" from Joel Fajerman , a try to get close. 2 sawtooths with sync A BP filter with resonance and

Neutron as External Signal Processor (Guitars, Vocals, Other Synths) SpontaneousLightBulb

1. Plug your external signal source into the Input Jack of the Neutron with a TRS cable.* 2. Open and close the Filter

External Signal Processing Guitar Vocals Filter Only MIDI

Organic BP PW sweep John lois

A slow LFO modulating a resonant BP filter and the PW of both oscillators with slight detune. And a little random modula

D-Drive SofaKissen

OSC's, Filter and LFO to Model-D: OSC-Mix to Model-D FC-Gate; LFO-Uni to Model-D LC-Gate; ATT1 to Model-D Ext Change Rh

Exoteristic Talk carsten.p

Play any Key and listen

🔊 Effervescent pad/lead wmbrchmby

A bubbly pad sound with the Sample & Hold section playing a starring role. OSC 2 tuned a fifth above OSC 1. Increase

industrial 1 killeragnew

Ambient 1 CarlJaz

Separate the keyboard by using the editing APP

broadcast halidex

in the software the LFO depth is set to around 18% and the assignable out it set to mod

Delayed Arp Kvn Kvn

could use for techno, adjust lfo for bpm to match ~16 bars

Self generating weirdness - updated Staubi

The sample and hold (S&H) is used to generate ramdom voltages. The S&H is triggered by the LFO. The random voltages cont

self generating

Winter Organ (Bass/Lead) Der Stresssenat

Use Reverb in large and meaningful doses. Fiddle with Filter, Resonance, Envelope 1 Attack/Release.

Moody Organ Noise Atmospheric

BsPro prj05 ext clock midiMe

siqqqbass yotoss the batch

wowe, start with just one oscillator then mix both, play arounud with PW of both for some gnarly waves, don't forget abo

Sweeping Grit Generator 2 The Chad

FM AcidBass - ed Manu ponce

play with both oscillators play with att2 play with att1 to modulate Osc2 Fm Shape with Env2 for a more drastic mod Env

🔊 FM AcidBass Manu Ponce

play with both oscillators play with att2 play with att1 to modulate Osc2 Fm Shape with Env2 for a more drastic mod

Self generating weirdness Staubi

The sample and hold (S&H) is used to generate ramdom voltages. The S&H is triggered by the LFO. The random voltages cont

self generating

Sweeping Grit Pulse The Chad

Skinny Fat Lead Kvn Kvn

Mess with LFO rate (11 and 3 for best results IMO) and Attenuators for character. Do w/e you wanna with the second OSC,

Filter AM Macio

Contoured Pad spontaneouslightbulb

Working with this Patch: This patch attempts to create a complex pad through the use of harmonics and an almost constant

pad monophonic delay patch shimmer aftertouch

8-bit NTRMN

Adjust ATT2 to give you that rhythmic "trill" you hear in those classic games.

8-bit video game lead

Pulswaermer SofaKissen

play with all the knobs. needs a nice sequencer like StepPolyArp

Sustained NeuOrgan spontaneouslightbulb

Tuning: OSC 1 and OSC 2 are tuned 3 octaves away from each other. Tune knob OSC1 until it is at C5. Tune knob OSC2 un

patch hold organ monophonic

Electric Bell KangiSapa

Has a nice low, resonant sustained bell tone quality with a soft, almost percussive sound at key release.

HELLS BELLS HAZAEL

DARK AMBIENT GENERATIVE PATCH USE WITH LOT OF REVERB/SHIMMER REPLIKA (vst) Dotted 1/8 Mix 55/45% feedback : 60% ST MOD

GENERATIVE DRONE NOISE DARK AMBIENT

Kick hardcore Didi

Boards Of Canada Style Bass Infatuation.PSA

Play with the OSC mix & tone of the overdrive to change up the sound. Make sure the attenuator (1) is almost closed for

Boards of Canada

Rusty Breathing The Chad

gritty atmospheric

Dirty Pulse The Chad

OSC MIX to the left to add more dirt.

Marimba with an LFO Jonathan

Great for rhythmic melody lines. Similar to a marimba or clavinet sound but with variations. Change Env 2 Decay setting

keyboard classic staccato

Fast Sequence Mr.Randomizer

Patch for fast (1/32 notes) sequences. S&H randomizes osc1. Twiching resonance, envelope depth and both envelope paramet

#s&h #fast sequence

Inverted LFO waveshapes NTRMN

Increase ATT1 if you want a larger spread across the waveshapes. And mess around with the OSC MIX if you want more or le

drone paraphonic waveshape

🔊 Sleepy Phatland shtreebun

Tweak ENV DEPTH for sharpness

LFO S&H fun Wim Wijnhoven

LFO in to S&H and from there to the osc 1&2 and Att2 to the gate. Play with LFO rate, S&H rate, and Attenuators. See vid

Thunderiser Jan Sominka

Square Electro Bass ElectroDude

Put a chorus effect on it.

Sin titulo1 CL

Rain Bricky

Run through tape echo effect & reverb

Purring Bass Arkadiusz Stawicki

Don`t tweak reso above half of the knob - headphone alert

Laser Blaster Sides

Quick note release for best results. Play around w/ mod depth & LFO shape for variations

Experimental FX

🔊 Black Hole Confusion Ari Ahrendt

S&H triggered patch with LFO rate modulation, pitch variation and a dry sounding reso filter. LFO also modulates Delay T

Effects S&H Atmo

Naked City Mstislav Kazakov

At some point it would remind tunes of John Zorn's noise-project Naked City. Play with octaves, frequency and resonance,

noise experimental pseudosax metallic scratching falling john zorn

Adjustable muted bass mdwrfld

Big Horn Vansun

Important! Use external effect reverb in logic or ableton on the soudn form neutron synth.

Techno Horn Neutron reverb

Bouncing ball Theo Carbo

Tweak envelope 2 (decay), sample and hold glide, mod. depth

Saxy Violin Infatuation.PSA

Keyboard pitch to OSC 1+2, keyboard gate to a MALT then to E. Gate 1 & 2

Sax Violin Sax Violijn

Day Cold Glass Talons

Adjust OSC 2 width to taste.

Lead Grit Raspy

a sound w/ext.res ctrl

Space Insects Dushan

Sunn 0))) Ghoulcaller

Mess with the res and cutoff for harmonics/feedback

Drone feedback noise doom

Trigger Bass Zetmech

Bass sound that triggers from LFO Keys not used Freq mod depth is dramatic Can patch OSC2->LFO TRIG instead Play with OS

Ambient Short Delay Modulated LFO

Modbass Zetmech

EBM short MIDI patched

OM Drohn bricky

twist osc shape / osc mix, s&h, att1knobs. reverb reccomended

drone ambient generative

Square and rhythm 2 players

Add a cable from the pitch cv out of a keybord to the osc1+2 in

unreveal Beanz

adjust mod depth for a bass sound adjust vca bias for highpass resonance

United Kecap Tuyul

a resonating beat, used without keyboard Variations : tweaking osc2 width, disconnecting LFO -> FREQ MOD

PWM Delay allcaps

a bit of pwm movement into the delay, good for 16 step loops

Kick/Bongo/Xylophone schwiz

Tweak Att1 and LFO rate/shape to go from a kick like sound to more of a bongo or even piped xylphone sound

Woblywop Snugglio

BlurbleBlipSnaplyPlimps Eric Bertrand

The audio example is just the patch and me turning the attenuator 1, frequency and resolution of the VCF and the osc mix

weird generative sizzle

view Kecap Tuyul

For variations, disconnect OSC MIX -> OSC1+2 or LFO -> VCF IN play with OSC 1 while disconecting OSC1 -> OSC2

Creamy Roller Adam S

Use this with some nice external distortion and delay (Soundtoys radiator and echoboy for example). Sidechained to the k

Lusca Lusca

techJam seq Wim Wijnhoven

Nice tech jam base sequence, so use a sequencer, as seen here: https://www.youtube.com/watch?v=_KKqmeyBVt4

techno Sequencer

Kinda Pad Francesco Gentile

Crunchy up and down Alan E

Using an outboard mult for the att1 out

Oscilating Crunchy

🔊 Bass-ic Eric Eaton

Basic bass patch using the second envelope to allow for some harmonic variation within a held note. If you switch the At

2 independent voices Omri Cohen

Like this you can send different pitch information to each oscillator, and also trigger them with 2 different sequences

Destructive Playground R. Gerritsen

Use the FREQ, and LFO controls, and experiment with the waveshapes of the 3340 VCO's. Adding noise with another slow LFO

Curious Swell bricky

fiddle with the s&h, osc shapes, resonance etc. hold paraphonic until blinky

ambient generative

industrial harmonics bricky

hold osc sync til blinking, play with ocs waves, s&h

generative ambient

Bass Lead Pulse Michi

Bass to Lead Bass

Pluck Piano Gameboy Michi

Play it with Reverb or Delay! Have Fun!

Paraphonic Pluck Piano

papatch pipitch

Harley cycle engine sound Saint Drew

Play subtle with the knobs of the both envelopes. Tweak the Vcf (freq). I have used slow tempo low sequencer notes. BTW

#Envelope #Foleysound

Declining LFO Ricardo di Lago

Mechanical sounding, Hi to low speed LFO.

protect Kecap Tuyul

Play with OSC MIX (drone provided by OSC 1, ryhtmic sound by OSC 2)

generative sound vargan or voice OlegSlu

OSC1 - voice frequency control (optimally 186 hertz) OSC2 - speed control

generative vargan

Won't You Kecap Tuyul

patch used for playing without keybaord Variations adjust OSC2 and FREQ values to your taste changing RESO values and so

THX Deep Note Joseph Rapisardi

As seen/heard in this video: https://youtu.be/NvVsvsufZRQ OSC1 and 2 are slightly detuned. Attenuator 1 sets the starti

Robot Indgestion bricky

play with envelopes, attenuator knobs and s&h to get some funky glitch on inspiration: https://youtu.be/GjfUUWPYrxI

glitch generative

LMNOFKick Seabearho

In C. Pick a lower octave (C0 or less). Adjust Envelope 2 Decay, Attenuator 1, Tone, Freq, to dial it in.

I just called Kecap Tuyul

Another patch for an experimental song played without keyboard Variations Unplugging OSC MIX -> OSC2 Playing with VCOs a

Drone I - cloned Pedrothe_Communist

Saddle: changes with the attenuator 2 Dramatic MOD DEPTH + RESO Output from the patch bay (Avalanche Run, Normal Rev

Drone Experimental

Basse les roses 2019 Deejef

Drone I Pedrothe_Communist

Saddle: changes with the attenuator 2 Dramatic MOD DEPTH + RESO Output from the patch bay (Avalanche Run, Normal Rev

Drone Experimental

If you were Kecap Tuyul

I Used this patch in a song with minimal playing (no keyboard used) Tweaks : playing with FREQ & RESO of the filter unpl

Auto Fm obscuroz

Auto Fm obscuroz

Beep-s and glicths obscuroz

Control on e.gate 1 for diferent taste

Control on decay, change bands on filter for different tastes

Basic Kick Drum MONO-X

Analog Kick Drum

BöserSynth MONO-X

Externer Sequencer & ARP-UP im Einsatz

Lebendiger Synth Sound

hardstyle kick wizai

A basic hardstyle kick. turn Freq knob and att1 to adjust the sound,

R El Bass rhzm

Fatty Saw Bass rhzm

bass cj polyakoff

соединить дополнительно !!! e gate2+lfo trig, lfo shape+att1 in

TwoTone Brian

Alternating oscillators sound like european police siren at low speed.

Inverter thru-zero PWM

🔊 SL Neutron Moving Bass SEQ Andy Franke

Made to be played by an arpeggiator. LFO MIDI Sync is on in this Patch. OSC 1 tuned to C, OSC 2 tuned to G. Move the sh

🔊 SL Neutron Snare Andy Franke

SL Neutron Kick - cloned Andy Franke

Simple Kick patch with a minimum of filter modulation, so every hit is slightly different. Made it to build a round-robi

Kick Andy Franke Drums

🔊 Binary Star Snig Fargle

This is a description of the patch used on the "Binary Star - Neutron Ambient" track by Snig Fargle on YouTube.

Ambient Delay S&H

You name it Dushan

Shape Osc control Karadok

Different variants : Simple : S&H to MULT and MULT1 ->ATT1 -> SHAPE1 ; MULT2 -> SHAPE2 ( VCF1 -> VCA ; LFO UNI -> ATT 1

bar led bar

SuperSaw - cloned luis

A supersaw with 3 saw+sq oscillators. The LFO is used for the 3rd osc. LFO key rate track should be enabled (hold lfo ke

Bassmeleon ïookem

bass herbie hancock chameleon

🔊 Random Dark Jorge Avendaño

1.- Set the oscillators on the note C3 via midi. 2.- Tune the oscillators as shown in the diagram. 3.- Open the VCA BIAS

Ambient Jam Semi-Modular

🔊 SL Neutron Kick Andy Franke

Simple Kick patch with a minimum of filter modulation, so every hit is slightly different. Made it to build a round-robi

Kick Andy Franke

Lost in Space Xiny6581

Tweak the VCF and VCA Bias for some crazy depth. Also cross fade the LFO for organic changes.

Stranger sounds

Random Seq fall Cigno Sound

Open up Lfo rating to get sound and turn down the Lfo rate when there is sound

Neuro recording Drum and Bass Reese

Wah-bull bass El Lumpo

Assign to mod wheel. Mod wheel opens wah-like filter and pushes in a bit of vibrator on osc-2, which is synced at a litt

Tom's Egg - cloned Ey

Inspired by Tom Waits distorted shaker on "All stripped down". Very noisy with a small bouncing or screaming note (OS

Tom's Egg fruktkonfekt

Inspired by Tom Waits distorted shaker on "All stripped down". Very noisy with a small bouncing or screaming note (OS

Attenuated Filter > Attenuated VCA beto_t

Reduces clipping of Osc Mix into the VCF, and clipping of VCF into VCA.

Promenade sur Triton ïookem

Test different combinations of OSC1 & 2 tunes with OSC MIX. VCA BIAS maximum, trigger some notes with low velocity. Then

Mécanique rouillée ïookem

Fishy El Lumpo

Assign to mod wheel.

Yee Yay Yoy El Lumpo

Playing second notes while holding first note down in paraphonic mode with sync on gives sort of wah sounding toggles. A

PWM MOD-y Breath Control - BD Brandon Dorris

Aftertouch breath patch. PWM with attenuated LFO modulating pulse width on each oscillator in opposite directions.

pwm breath lead

Basic Aftertouch Breath Control - BD Brandon Dorris

This patch is for basic breath control from a MIDI controller such as the Akai EWI4000s.* Neutron Assign must be configu

aftertouch assign modulate frequency midi to cv

🔊 Pigmented lead ariander

Assign = midi velocity input

9/8 arpeggiator Petri

Using olegtron to alter the osc2 shape

Generative StruKtur

Stacked FM jowala

Wide palette of FM sounds by tweaking OSC2 tune, OSC mix, LFO rate, ENV2 sus, and attenuaters. Enable LFO key tracking.

Essexual inspace Audio

play with both ENV use a ARP sequence Bit of a UK garage vibe.

Vibrato Mod jowala

Use mod wheel (CC1) to add vibrato. Set ASSIGN to mod. ATT 1 and 2 slightly up.

Ramdrones Marcelo Machaczko

Generative Drones sonund Main Waveform SIN, a little Triangle could be used. Rate an ATT1 modifies speed

Drones Generative

FM Shape Phin

R2D2 Marcelo Machaczko

The Voice of R2-D2

SuperSaw jowala

A supersaw with 3 saw+sq oscillators. The LFO is used for the 3rd osc. LFO key rate track should be enabled (hold lfo ke

Default patch - to check everything is 'working' Graeme

In your Bass AE

You can decrease the attackand the sustain of ENV 1 for more clicky bass And of course play with the FREQ and RESO

DFAM Emulation Attempt 1 Neutron Noob

I have velocity modulating cut off frequency. Osc2 is ignoring incoming note info, which I believe is called Hold(as op

Belly Bell Fruktkonfekt

Play around with sh-rate, vcf freq/mode and res, shape2 Ok to turn down delay

S&h machine Gibson

Play with the s&h

Simple kick Gibson

Play with the decay(env1 and ev2) and the attenuator 1 to reach the kick you want. Use a low note.

Easy simple kick

Overdrive Bypass Will

Patch for overdrive bypass

overdrive bypass

Woaw Bass Evolutive Alex

Simple Bass Move Alex

Basic Kick AE

Play with OSC type Slight move on : - ATT 1and ENV 2 Decay

Screaming vox AE

Play with ENV 1 Release for madness

Basic - Acid AE

Play with ENV DEPTH

Lead - Simple Acid

Drone Karadok

Use Att1 & 2 for rate & shape LFO ( Mode blend ) Assign : VCO1

New Toys FM

Bionic Detune Xiny6581

To change the detune use Attenuator2 and S&H. Small values will make huge impact. Also play around with the LFO to chang

variabass deejef

AK47 Drone Blancman

Adjust ENV 1 for more extreme madness :o)

Mean Machine Toni Stolt

twk filter frequency and envelope depth

Double Delay moth

Regular Neutron's delay on top of Mod Freq pseudo delay effect. LFO Rate controls pseudo "delay" rate (note KEY SYNC on

Gory Eyes Blancman

Can't get much simpler.... Adjust Reso mod and env depth to taste :o)

🔊 Stuttiklang fruktkonfekt

OSC mix slightly for adding sluggish noise unplug and replug LFO shape for rhythm variations

Attenuated Overdrive Klar Kinelis

Attenuated oscillators balanced with the Overdrive. NOTE: Set 'Attenuator 1' knob to 50% (twelve) Use SUM1 [B] as (sec

Skip Overdrive II Klar Kinelis

Use SUM1 [B] as (second) VCA IN.

Skip Overdrive Klar Kinelis

nasty Mr scary

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