Behringer Neutron Patches

Browse for patches created by others or create your own patch sheet.
Click the 'Create new patch' button to create a blank sheet. Then drag some cables between outputs and inputs, turn the knobs, press the switches. Enter a title and your name, perhaps some notes and an audio preview, then save your patch.

Happy patching!

Electric Threat Jack Smack

autocompo Nic

Self Generating Bleeps and Bloops MChristian

1. Use Delay knobs to affect the sound. 2. Set Resonance to full and Mod Depth to 0 to create a wild drone sound, then

Rage Against the Machine Guitar LogicalPhallusy

ASSIGN: OSC2 CV (to lock its pitch setting -- the relationship between OSC2.FREQ and OSC1.FREQ determines the timbre. Lo

Lead Sync guitar

🔊 Kubrick-ian Nonashima

Synthwave Dark Ambient

Spit VCOs -- Filtered / Unfiltered Matt Jones

Using a 3.5mm splitter adapter it is possible to separate the VCO signals, have one VCO filtered whilst the other bypass

Matt Jones's Talking Neutron -- modified by LogicalPhallusy Amendment. Matt Jones

Amendment - I discovered that attenuation of VCO 2 isn't required*. I must have just made a mistake with the original pa

Formant Voice S&H sample and hold filter voice robot

Matt Jones's Talking Neutron -- modified LogicalPhallusy

Changes: 1. Simply patched the S&H output into OD instead of VCA to provide access to the overdrive, ove

Formant Voice S&H sample and hold filter voice robot

Various Hats/Crashes LogicalPhallusy

Assign: Velocity Play with Env1.D/Env1.R for open/closed hats, crashes, stick hits Adjust in real time for open/closed

sweep Bass Line Antonio Elias

170bpm tech step

🔊 Talking Neutron / Robot Formant Voice - cloned Matt Jones

(Listen to audio preview for end result) Turn off osc shape blend mode. With the second osc set to full freq range, we c

Formant Voice S&H sample and hold filter voice robot

Raspy Drone csr

Works well with low BPM Turing sequencer via Organelle. Still experimenting with patch cable so maybe some settings (and

drone raspy low frequency sequenced

🔊 Talking Neutron / Robot Formant Voice Matt Jones

(Listen to audio preview for end result) Turn off osc shape blend mode. With the second osc set to full freq range, we c

Formant Voice S&H sample and hold filter voice robot

anotcher clonn

Experimental lead

noise experimental

patch69 nonGiovanni

patch68 by Giovanni, plus PWM Play around with LFO rate and ATT1.

The Bad Faith Actor BAD FAITH ACTOR

EBM Electro Bassline with modulation on pitch. Work on ATT1 and 2 to modify, also LFO for filtering

🔊 patch68 Giovanni

Gargling Glass EisForErik

🔊 Wood Bass Alin Dimitriu

A short woody punchy bass, deep house inclined.

Wood Bass Deep House Short Punchy

🔊 Moogy Bass 5th Alin Dimitriu

A moogy (ish) sounding 5th bass that ca also be used as a lead. Play with the mod depth / attenuators.

Moog Bass Lead 5th

Contemplative Drums 2 (generative) LogicalPhallusy

This is way more than just drums but it's based of my Contemplative drums patch. Similar to contemplative Drums but this

Contemplative Drums (generative) LogicalPhallusy

1 stackable patch cable for random drum pitch can. be substituted with the mult. Att1 here is simply acting as a VCA wi

acid perso DjMmix

just use the freq fader for another sound,i'm use the midi in ableton

acid techno hard sound

R4D7 aliendna

adjust envelope depth/change oscillator range/osc sync and paraphonic/ change sound/turn attenuator 1 all the way down ,

random self generative glitchy

The Electrocutioner LogicalPhallusy

Make music with it. Kicks Noise hits Polyrhythms Short circuit sounds electric percussive sounds Level control Delay fu

Generative rhythm bass performance

Objectively Thicc Kick And PolyRhythm Mangler LogicalPhallusy

This patch uses a very low frequency saw wave as a sort of pulse to generate a simple sound which works together with th

Kick drum generative glitch

Noise-scapes LogicalPhallusy

Makes a wide range of textured noise-scapes, rainstorms wind Whales in the sea Whales in space Some creepy thing scream

Plucky Bass UFO Club

Increase Env 1 R and Mod Depth for wobble bass Used in Deca-Dance

Ampless Driveless sidechained

Patch which does away with the overdrive and VCA stages of the Neutron, instead focusing on modulation of OSC1 shape and

Analog bass beast ExLvr

Held notes sound even better, will shake walls.

Thick heavy industrial bass

FM Close Sound Tex-Rec

If you get some better Neutron FM sound please show me , as im hunting for the closest one. Contact : https://www.faceb

FM Oscillator 1 Pitch 8 Pitch 16 Synth

Lysergic Cello NAI SAMMON

If you set the octavos low you'll get a whacked out Cello effect, it you lay on it and let go it'll keep rollin and doin

Cello ambiant foreboding

Undulating Bass NAI SAMMON

Like the title this is a very smooth fluctuating bass sound-the higher notes are silky smooth as well but the bass is wh

Bass smooth latching wavering undulating

Cream your Jeans NAI SAMMOMN

use the rate knob to go from a thin buzzy tone to a monsterous, creamy bass tone that will vibrate the pictures off your

swelling sweeping creamy

Future Bass jekapeli

turn attenuator 1 up slightly to get pitch wobble (vibrato)

DropsnRythm TomK

Percussive Organ-ish F. Mundo

Percussive Organ, heavy on the percussion. Almost like wooden blocks.

percussive organ

🔊 Ravey Bass Stab DiegoLooseTrax

Simple punchy bass with some old skool attitude. Lots of options for tweaking, Mod Depth, Env Depth and a touch of VCA B

Bass Rave Techno

🔊 Bassoon-esque Velocity to PW and VCA Autosuggestion

ASSIGN is set to Keyboard Velocity, which modulates volume and Oscillator 1 pulse width. If I had another MULT, I'd hav

Porrompompero clonn

Some dark lead or bass, I don't know. Sounds okay. Based on Dnb Vacuum but simpler.

Metallic Bite Talk Bass NoSit

use ATT1 to emphasize Bite use ATT2 to emphasize Talk use ENV1's Release for longer delay tail

bass Metalic LFO MOD Talk Hard

Plain Bass Rory the Border

Simple bass tone in the two or so octaves needed. Formant overtones can be had by subtle tweaking in the VCF area.

Wobbel ACID-BEE Ti MoBail,

Ti MoBail - BASS LEAD Ti MoBail

Sip Trunk Antek

Metallo & the cheesecake clonn

Acid metal bass. can do some crazy clickery with attn 1

bass metal modulation

Storm Todd Williams

Sounds like rain and wind.. used applause as an audio in source..

Neutron Acid Red Noise

303ish with some modulation.

🔊 House-y Saw Arpeggs Autosuggestion

Like my previous patch, Florid Bass, but this time the modulating oscillator (#2) is a sawtooth, which tends to cut out

house fm frequency modulation arpeggio

🔊 Florid Bass Autosuggestion

Oscillator 2, pitched at a strange sweet spot around a major second + 2 octaves over Oscillator 1, frequency modulates O

bass fm frequency modulation

Roubaix user99

Move filter 9 to 12 o'clock

Lite Pitch LFO Vincent P

🔊 Mellow FM Autosuggestion

Oscillator 2 modulates itself: try it an octave above or below 1 in addition to unison. LFO slowly modulates the Delay

feedback modular frequency modulation fm

DIrty Minor Third brnb

EHX Crayon : Vol 50 % / Gain 0% / Bass 50% / Treble 35% MS70 : HD Hall reverb PreD 0 / Decay 90 / Mix 54 / Low DMP 89 /

Soft Lead Ethan Smith

Using the assign option on something like your Mod Wheel allows for playable vibrato, and the amount of vibrato is affec

Lead Vibrato Soft Filtered

Audio Processing Metron67

Audio in -> VCF IN Audio out -> VCF1

audio in audio processing

Desert Jawhinge

ambient texture

Napal Antek

🔊 How's Annie Theme Gruia

Sample has some reverb on it from Octatrack

BladeRunner type lead up high and meaty when played low Leon Switch

Slightly modified version of 'Slow attack pad by Chris Liberti' I ran this through VCV rack and added a filter with ano

leod bladerunner grittylow

Electro pop Pulse Beat Sandamn

I just leave the VCF IN hanging. I have a sequencer connected through the Freq Mod In

Sine wave subbass einarIndra

Really simple patch for subbass overdrive to make it cut through in a mix

Storm Tom_K

Turn Volume low Play any note on first Octave

BASS - Mild Envelop tayr_

Tweak filter section + delay for color.

New order - blue Monday bass Damian

This is the bass from New order blue monday. This sound has been released in a new version remixed by Above and Beyond D

New order Trance 80's Newwave Bass Electronic

House_Beats Tom_K

Psychotic Bass Geraeusch

*Second patch cable has to be set between INPUT OSC1 and INPUT LFO Rate. Patch library doesn't allow that but

Nasty Electro EisForErik

Winding Down EisForErik

Using a sequence I was having fun playing with the attack & reverb

Dirty Lead EisForErik

Sauerkraut Bass/Lead tayr_

Find sweet spot with OSC 2 pitch. Tweak FREQ and RESO together (inverse). Tweak SHAPES.

bass dark electro

everything not entirely in its right place BCK

iNtox-Z - NOISE Protocol System - cloned [THIS is Work] Vitaliy Kuprin

If you drive a balloon with a wet finger, then it will be something like this sound, you can also play with: Attenuatror

Harsh Noise Psychedelic Scream Real Frog

PATCH24 CORRUPT DRIVE

Forest Psy Lead Glitch Bioteq

LFO RATE + SHAPE MOD DEPTH

Psy forest glitch lfo lead fx psytrance trance

Mod Wheel Vibrato denkom

Mod wheel control of vibrato. Set assign output to Mod Wheel. Attenuator 1 sets minimum amount of vibrato; attenuator

Vibrato Attenuators Mod Wheel LFO

Feed-Forward VCF 2 Mario Guida

sum VCF 2 and Signal Flow from sources to Overdrive out to VCA 1 LFO (or other external CV) is used for sync/Beat. Envel

Two Layer & external gate Mario Guida

Patch two external gate on E. Gate 2 and on E.Gate 1 (i use A/B Out -Gate of Korg SQ-1) In ATT1 IN you can use OSC1/2

Phaedra 2020 user99

ATT1 to destroy the second osc.

dream sync Mario Guida

Melodie Tristi Mario Guida

neutron-vcvrack-1 Gabriel Rey-Goodlatte

A.15 peura r3p

tweak : mod depth / reso

Fizzy Electrics Remy H

Heavy Dirty EisForErik

Try different filters

heavy dirty distortion

Dropping Water Tap in a cave Tom_K

play a low f. the lower the better. Try it. Mix Hall to it as you want

Bass / synthwave lead Stormofvisions

Att1 -> add LFO freq, osc mix, mod depth Add delay, reverb and play higher -> synthwave lead

bass synthwave lead

Nice bass Stormofvisions

Att1 -> add LFO freq, osc mix, mod depth

🔊 Space Echoes D*Time

I would add some external delay and reverb to get it more spacey. First part of the audio is Neutron; second part has ad

delay echo space

Stormys Bells Martin Gerken

use LFO to controll the speed of the swelling storm use OSC MIX to change from OSC1 (simple sine) to OSC2 (FM) and cont

🔊 iNtox-Z - NOISE Protocol System Vitaliy Kuprin

If you drive a balloon with a wet finger, then it will be something like this sound, you can also play with: Attenuatror

Harsh Noise Psychedelic Scream Real Frog

feedback kick clonn

Do crazy feedback loops with resonance, mod depth, and osc2. And then play a kick. All in one.

Scifi tv show Avrilcadabra

This is to accompany tutorial video at open the cutoff freq to make the sound less distant and ethereal. osc mix to cha

LFO delay portamento delay

FM Blues FatBerg

midi randomized blues arpeggio, C-Eflat-Gflat-Bflat

frequency modulation

Dirty Noise EisForErik

Distortion Noise Dirty

Bass Stormofvisions

Filter freq, reso, env depth key trk off = wobble bass

bass wobble bass

Buzzsaw Distortion EisForErik

If you could play a buzzsaw as an instrument I imagine this is what it would sound like. Higher notes sound best & there

Ring Mongolator clonn

Vacumish sound, sounds nice in lower octaves. Can go crazy using Attn 1. Difficult to tune.

ring modulation bass lead

Coronafyer Sr.Aye

adjust manually lfo and s&h tempo, play with env1 release, lfo rate, att1 and freq

Nice Arp Lead mr_jonix

Nice lead for arpeggios

A.15 peura r3p

tweak : mod depth / reso

🔊 Paraphonic Magic (from Pete Midi) JLMAREST

I've found this patch from Pete Midi, well described in this video https://www.youtube.com/watch?v=G7HHHpegjn4 Pete sho

paraphonic two voices multitimbral

Van Halen Chris Liberti

pad evolving vanhalen

Sci Fi Chris Liberti

Evolving slow attack pulse sci fi pad

Scifi pad evolving pulse slow attack

🔊 Coltranius BC 3 Osc Lead Brandon Dorris

This patch is designed to be controlled by a wind controller, such as the Akai EWI series, Roland Aerophone, Yamaha WX S

breath control LFO audio rate

R2-D2 Julian Petkov

Paraphonica Soren Lemmike

This paraphonic patch makes use of the reverse sawtooth LFO to give a pumping/sidechained feel for held notes. The LFO i

paraphonic pumping sidechain

Bosques Sr.Aye

Cutoff, Reso, Env1 Release, Att1 and Att2

deep slow pad charlie

Dystopian future Avrilcadabra

Patch to accompany tutorial video here https://youtu.be/az9vCgpwfGM use the noise knob to control wind, and LFO rate to

vcacv generative

tweak : env/depth/reso/freq

🔊 Drifty 80s Lead - cloned Nikki Alexander (Cloned by JLMAREST)

Very, very 80s-ish lead sound. Add some chorus, fatten up the mids a bit with an EQ and you're ready to enter all your n

Little Grain Generator ApaulG

Magic is in the delay, mix all the way up for full effect (wet/dry) Use delay time and repeats to control density Att 1

🔊 Simple Bass JLMAREST

A simple bass. Play with Delay y Overdrive. First loop without any effeect. Second loop with external Reverb (Behringer

Polenta metálica clonn

No cables because yes.

Metal bass Lead

DRONE MACHINE novaenebulae

Drone pad with glitchy ticks from LFO Tweak Attenuators, Slew, LFO rate, mod depth and filter

drone glitch toomuchcable

155 WAVEY joanofaux

att1 makes the filter modulation less predictible att2 gives a bit extra unf and a bit more FMey sound lfo midi sync on

Dark pulse Chris Liberti

set delay to your liking, mess with shape, mod, reso, env, rate

arpeggio dark pulse repeat

🔊 Greetings From Keepler-A JLMAREST

Both Shapes modulated by LFO. Enjoy playing with VCF Freq and Reso, with LFO and with Att1

Key Split with Neutron - cloned Neutron Splitter

!Remember to turn on Key Split in the Neutron Software and the Note Priority to Hi/Lo! This Patch allows you to get 2 Vo

Key Split Sine Neutron Polyphonic

Techno Arp emanuele

🔊 UFO's Landing JLMAREST

Slow attack pad Chris Liberti

pad slow attack blade runner ambient

Krellies PL1

turn the knobs.... no keys needed, but is possible ;)

self generating

Key Split with Neutron Neutron Splitter

!Remember to turn on Key Split in the Neutron Software and the Note Priority to Hi/Lo! This Patch allows you to get 2 Vo

Key Split Sine Neutron Polyphonic

Blip dread, regen @qux

Use SH Rate, ATT1, ATT2 and LFO Rate to play around.

echo bass jons robot

trying for a drum and got this awesome plucky bass with delay

Shelter Opera Banshee Doc Fraktal

You can drone the sound with the VCA Bias open !

Drony Scream Horror SciFi Noisy

Scratched Vinyl rjjp

turn repeats up to max for badly scratched vinyl

Dirty Bass - cloned Mike

Line6 M5 : Tube Drive, Drive 60%, Bass 95%, Mid 5%, Treble 0%

Dirty Bass brnb

Line6 M5 : Tube Drive, Drive 60%, Bass 95%, Mid 5%, Treble 0%

Acid Sync Loco2 clonn

Now with more Loco. LFO synched with MIDI gate creating a nice choppy effect. Set Assign to velocity and play with atten

morping lead jj

afterwards play with porta time lfo freq filter legato-staccato playing paraphonic

B4L Little lai

A lead patch I made

155 PW SEQ joanofaux

unquantized lfo rate assign to velocity

Nasty Techno Lead Ida Bux

Move parameters like Overdrive Tone for more fun!

Techno Industrial Noise Distortion Raw

1 (Neutron side) 666

Patch Notes Neutron, DFAM, Pams, Rings, Maths, ErbeVerb, Marbles, Peaks, Kinks, qVCA, Mixer(w/fbloop) Neutron OSC

Solid GoAcid Lead Asmik

A cool oldschool-ish patch for making Goa/Acid Trance type of sound ( recommand to passe it trough stereo Delay / bitcru

Goa Trance Acid Lead Neutron

Krell_option Tom

Sample and hold split

Prowler Avrilcadabra

This patch is to accompany tutorial at https://youtu.be/LaJnc5PzIxE play it legato, tweak the cut off and lfo shape,, a

midigate delaytime

Maniac Bass Paul Kersey

This preset is designed to sound like the 2nd synth bass you hear in the theme to the 2012 remake of “Maniac”. The song

Iron Mallet Merlin

Using FM to create an iron mallet sounding patch. Microtweak the LFO rate, Att 1 and 2 for the best result.

Grit me when you come back Komiskos

Shape 1 is more triangle than saw. Shape 2 is base triangle moving to sine. Needs reverb.

Jarre on LSD clonn

Variation of crazy mod. Have fun with attn 1 / 2 + S+H + Mod depth.

pad modulation experimental

pad distor clonn

Skipping Filter Lazirae

Play with Delay time for a nice shmear.

Cyberpunk Ambient Skovronsky

For dirt tweak Delay Repeats to max from time to time. For note lenght randomnes use attenuator 1, also set rate a bit

Ambient Cyberpunk

Delayed Growl Glitch murky_fish

Env2 affects delay time and is triggered by the LFO, so sound will glitch out a bit not necessarily related to what you'

glorified krell FatBerg

shape 2 should bounce between sine and pulse zoom delay

AC Krell Patch - cloned AC

osc1 sq w, osc 2 sine w

Ultimate living alone synth Gordon

Attenuator 1 activate the LFO on the delay time Attenuator 2 activate the S&H on she Osc2 Shape You have also the "secr

krell 1.1 (6 cable easier version) avrilcadabra

I have run the S&H through Attenuator 1 to give more fine tuning to the patch, it was very difficult to replicate the vi

krell generative

Paraphonic Goodness Avrilcadabra

This patch is to accompany video found here https://youtu.be/RjNQ-PjJ-1g Try tweaking lfo rate to control PWM, mod dep

paraphonic square nocables

🔊 Duophonic Lo-fi Glitch Pad Moi Mono

Attenuator 1 is controlling the amount of S&H on SHAPE of osc 1. Attenuator 2 is controlling the amount of S&H on DELAY

paraphonic lo-fi pad glitch duophonic dark

Amansalocos clonn

Powerful kick, with a touch of glitch. Use Att 1 combined with Attn 1 and OSc 1 to control glitching.

kick percussion glitch

🔊 Auto vibrato speed (lower-to-upper rate) seb4242

The vibrato rate applied to OSC 2 starts slowly then speeds up automatically. Also, OSC 2 tuned 5th interval above OSC

🔊 Auto vibrato speed (lower-to-upper rate) seb4242

The vibrato rate applied to OSC 2 starts slowly then speeds up automatically. Also, OSC 2 tuned 5th interval above OSC

Forest Psy Bread and Butter lead with a little squelch Michael

Classic forest psy lead sound with a little squelch added. Adjust S&H and delay time/repeat to match it with your BPM, a

forest-psy psy lead

very slight detune sequence wobbler joanofaux

More Lead To Compute Robopop

Try to recreate the album's version of the synth hit from 'It's more fun to compute' by.... YOU KNOW ;-)!!!! Play with V

Lead Synth kraftwerk

S&H Bass Lead pandashake

Synced to a drumtrack, hold down a note, and you have your own randomized groove

sci-fi computer space sample and hold portamento

Dark Synthwave Avrilcadabra

This patch is shown and broken down here https://youtu.be/Q8YGk_opy9c Knobs that are good to tweak and any in filter s

Synthwave dark midigate lfo trig

Evolving Dark Pad PL1

original by Avrilcadabra https://youtu.be/IK3DlT5Kdzw turn the knobs .... that is what they are for ;)

AC Krell Patch AC Krell Patch

osc1 sq w, osc 2 sine w

🔊 Beginners friendly detuned snappy dark bass, drone and plug at once Phobik

For some too simple and stupid, but I think for some others a good starting point for darkish sounds, not just the bass

Bass Dark Plug Techno Drone

🔊 Wake Me Up Herijuana Jack

Great bass patch with Freq slightly up to create sweet grit. Slightly de-tuned OSC 2. Mid-long Release. Used on "Wake Me

Bass Lead Saw Herijuana Jack

BouncyBass brnb

TremoloPad brnb

It gets weird Connor

I've been using a sequencer around 130 BPM and this seems to give it about 30 seconds between freakouts.

🔊 PortaStruction iNi

Start with complete Cutoff Filter and mild Delay Mix and gradually open the Filter whilst backing down on the Delay, The

Industrial Aggressive

dnb vacuum clonn

set assign to velocity.

🔊 Deep space growly bass Lukáš Lülei

Assign = velocity Play with freq. mod Add reverb

deep space growl bass cinematic

Alien Soundscape 2 Otto van Zanten

Revisted my earlier patch, this time no (Uni) LFO to the Resonance, making it slightly different. Works great when run t

D-bass Gordon

🔊 Spacecurity Lo Scalpho

First official patch with my new Behringer Neutron. I've added some delay and reverb with thy mighty Alesis Quadraverb G

space obscurity deep darkness float loss

🔊 Bubblephobia Lo Scalpho

Here a little example, tweaking rate or Shape LFO are the most useful and the first thing I can suggest you to do to sta

water bubble apnea sea swimmingpool

Chewbacca growl/scream Lukáš Lülei

Rotate ATT1 to create the growl

Monster growl space sfw

Punchy Kick Charlie Gough

A punchy kick perfect for dnb, house or rave.

Kick drum 1 hit

Drum and Bass Charlie Gough

Harmonic bassline for dnb

Drum and Bass Bass Synth

Roobarb and Custard Charlie Gough

A patch that attempts to recreate the synth used for the introduction to the 70s BBC show Roobarb and Custard

Tv Show 70s BBC Overdrive

Metal Saw Cormac Callan

Lovely metal sounding saw

Strangerthings paraphonic accompany patch Avrilcadabra

This is the patch from this https://youtu.be/YxA1CDMGM9g youtube video. It is being sequenced by a digitakt in the vide

🔊 Chihuahua bark Lukáš Lülei

dog chihuahua bark sfx fun

Ambient delay CBD

Play with the cut off and LFO

GUSGUS OFF PLUCK JAKE909

moving bass seq Omer Liberman

SEND CV FROM A TURING machine to modwheel in vcvRack (assign - then assign-freq mod) or OR JUST INTERNAL SH TO. freq

Omer Liberman bass

Bass Flex Rate Depth Emmanuel Miro

Bass Lfo Keytrack

Show me Love Pluck NoizePurifier

pluck show me love robin s

Stranger things ARP Patchstore

preview - https://www.youtube.com/watch?v=dCuiAo1wRt4

ARP Syntwave Stranger things

Corona Isolation Bradox64

Blip luck Bradox64

Acid bass - cloned brnb

Punchy Kick clonn

based on Easy Tail Kick by SynthBarono

Cool Drone NG

Metal kick clonn

A fairly dry kick. Use att 1 and 2 to change color and noise level

Kick drum power noise

Lepra 03 clonn

Set assign to velocity. work in progress. Some crazy randomness

bass metallic resonance lead acid

Lepra 01 clonn

Set assign to velocity. Play with attn 1.

Acid bass brnb

Wind Whales Todd Williams

Just a very slow cycle with the odd chirp or moan coming in randomly assign = velocity

ambient evolving

Simple lead slarba

The usual VCA Freq

Basic_bass brnb

Line 6 M5 - Tube Drive / Drive 55, Bass 45, Mid 60, Treble 65, Output 85

Feedback madness (be careful!) clonn

Set assign to velocity. Be careful, this shit will fuck you up.

Noise feedback lead

fm patch joanofaux

Noise Bass/Tom Ac3falia

Very percussive and strong bass/tom patch, simple but effective. Nice for 80's basstom vibes.

Bass Tom Noise Aggressive

Thunders Potreba

LFO ⟶ OSC1 external attenuator OSC1 ⟶ OSC2 external attenuator Probably could be optimized in terms of attenuators,

Droneyboi Soular Order

1st Patch NG

Sliding Space Pulse RentonX

Play with ATT1 and ATT2 and MOD DEPTH

Sequence Pulse LFO

🔊 The siren scream JMC LAB

Adjust VCF freq to maximize resonance. Tune the 2 oscillators a perfect major third apart. Adjust delay repeat so it bar

aggressive scream huge fat sound

Quiet Drops 3 Todd Williams

more spacy than 1 zaq p2.9

Quiet Drops Todd Williams

mellow quiet day

ALKALINE 85 CORRUPT DRIVE

TWEAK ATT1 RES OVERDRIVE TONE

🔊 Shamanic Potreba

Kind of talking one shot sound

🔊 Bassy and throbby GregOctopus

morph between two different sounds with osc mix control. Osc 1 shape constantly changes, depending on lfo rate

bass drone filter

Blossom Calling Sr.Aye

Play with Cutoff and LFO rate.

Aggressive Pulse Bass Ac3falia

Tuning osc to the taste, open and close filter freq for max grit, moving attenuator 1 will change PW.

Bass Saturation Aggressive

Metalic Glitch Perc Ac3falia

Increase or Decrease Attenuator 2 for more glitchiness. Increase repeats for more tail. LFO Rate changes the sound a bit

Percussion Glitch Metalic

BleepyArp brnb

Glitchy MIDI-Synced S&H Rhythmic Bass Diado

Increase ATT1 to make S&H more apparent / harder. Change FREQ to change sound - lower gives a nice, subtle bass; higher

Glitchy Synced S&H Rhythmic Bass

🔊 Poly clash Locke993

🔊 Bass is swell Locke993

Play around with envelope 2 for fun times

Plucky Bass Goganishe

The curve girl Sr.Aye

Play with Cutoff, Porta Time and Osc Mix.

Galletano Synt Antek

Key Track On / Off

Overriden Sound Lios

[for use with particular setup] Att1 -> 2hp mix Output -> Pico dsp Invert -> Avert 40% positive side -> Att1 cv 2hp ha

Lead Bass Ambient 1 ïookem

Tweak VCF FREQ to have a more biting bass I used Lead Bass Ambient 1 on this track : https://youtu.be/l8vza4_5MGU

Bass Ambient Lead

🔊 Mr. Vain Synth Lead Mark S.

Call him Mr. Vain Original rebuild ;) ....have Fun

Techno Lead Eurodance Rave

Falling Rez Kick Todd Williams

kick resonant falling

Brassy Bass 2 brnb

BLACK SHEEP HAZAEL

REVERB : RAUM PLAY WITH FILTER + RES DELAY RATE AND OSC PITCH

DRONE NOISE HARSH HOWLING SCREAMING FEEDBACK

Retro / Synthwave wobbly bass - cloned Lui

Inspired by https://www.youtube.com/watch?v=PW9FiYaBHpQ play arund with VCF mod depth, env depth and freq to find the re

retro synthwave bass wobbly

black leather lestat

add chorus and delay

Wacoo Echo NoSit

(Mixxie Silver - Track 03) Play short notes, adjust LFO rate to Track BPM Adjust EVN1 Release to control fake Echo feedb

Choped Fake echo

🔊 Space Turntablist Jmmy

Match the LFO RATE to your BPM and then play with the FREQ knob

spacey filter fx lead trap dubstep 85bpm

🔊 Ancient Beacon Todd Williams

Really glitchy and noisy but sequence adds underlying rhythm..sequence with short and long notes for bursts of static. S

Placeholder Todd Williams

just trying this site out .. sorry if my basic patch is cluttering up the place although this was fun with flanger and d

Random synth TEzCla

“Space Whales Singing to a Pulsar” Generative Patch Hexed Press

Space! Madness! I love trying to create generative soundscapes. I stumbled across this— a lot of bubbling trills with i

generative ambient

Boiling Threat Chris Matchett

Set ASSIGN to MOD wheel and push the wheel up to switch to the tone pulse at will. Ignore ASSIGN to SHAPE1

dark loop PWmod

Broken Alarm Glide NoSit

glide between octaves, use ATT1 to soften ENV MOD (Mixxie Silver - Song 3)

ROBO High Synth NoSit

(Mixxie Silver - Track 3)

High modulated buzzing LFO

Fake 303 style Bass NoSit

(Mixxie Silver - Track 3)

Bass techno 303

🔊 Progressive House style Saw Pluck Milo Orlando

First half of the Audio Preview is the raw recording, 2nd half is with compression, reverb, dimension expansion and EQ

pluck chord saw vibrato house deadmau5 no mana

303 Patch - cloned WD

303 patch found on Reddit by user positivecentre. I (Nikki Alexander) am not taking any credit, just saving it here for

303 bass squelchy acid

Der Glöckner von Rotterdum PitaPunk

Song Speed is 122 bpm so that delay time fits.

Arp bell sequence

bull Chime 2.0 Yakkis

OSC1 = main tone OSC2 = inharmonics delay TIME = tweak for a good groove ATT2 = brightness

cowbell percussion

It Speak Yakkis

playing with TUNE & FREQ makes it speak evil things

Slow lead Stormofvisions

play with osc mix: higher notes -> osc1 lower notes -> osc2 play: mod depth, LFO rate USE WITH REVERB!!!

lead delay slow

Bull Chime Yakkis

1 milimeter knob tweak does a huge difference

cowbell percussion drum

SH LFO vnmb

Bleeps2 brnb

Line6 M5 Tube Drive Drive 40%, bass/mid/treb 50%, output 40%

Pulse Lfo Slow Sway Shattered Glass

Changing Mod Depth Great way to open up the sound or close it down

Bleeps brnb

Line 6 M5 Plate verb Decay 50%, 93ms, Tone 50%, Mix 50%

Arpeggio Lead 2 - cloned felipe

Tweak Mod Depth and Osc Mix to alter sound At the end I patched LFO -> Delay Time for fun sound

ambient Paraphonic patch by Rainclouds Pojo (original Rainclouds see YT link / notes)

https://www.youtube.com/watch?v=2_36sH7bQ4w assign Neutron assign in= velocity

Bass Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

Bridge Saw Lead Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

Triangle Lead Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

Main Melody Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

JUDDERNAUGHT CORRUPT DRIVE

att 1 start off. bring up subtly dist tone, start low

S&M S&H B1tCh CORRUPT DRIVE

add att2 for chorus effect

Melody Lead One Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

Lead Arpeggio Two Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

Lead Arpeggio One Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

Distorted bassoon cbz

Switch up the octave range on oscillator 2, play with the mod depth

BETRAYED DRONE HAZAEL

REVERB : RAUM, Native Instruments.

DRONE DARK AMBIENT

Spooky Lead 2 Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

🔊 SubBass Skrillex Phat Dirty Artemi

Try to rotate LFO shape while holding a note

Simple harmonic Filter BASS NoSit

pretty straight forward

bass filter harmonic simple

dark slow pulse bass Austin Longbine

sounds great sequencing octaves. set lfo rate faster and slow down clock for a deeper pulse

bass dark pulse

square/pulse bounce charlie

Saw Boom Bass Cory Bartlett

Basic saw bass; loved the low growl it gets when you hold down a key. Open the Freq. cuttoff to give it more edge. I als

🔊 Take the call Björn Ganslandt

LFO uni is controlling LFO shape leading to interesting feedback

noise generative drone

West Coast style lead Charlie

lead west coast square

Spooky Lead Robert Iver

https://www.youtube.com/watch?v=0X3tc-S_eB8

dynamic guitar decarboxy

Brassy Bass brnb

Krell R2D2 random

Thanks Kindread Project for Demonstration https://www.youtube.com/watch?v=L64i8-QDY4k Play with Mod Depth and Lfo Rate

Krell R2D2 Autogenerative

TRK077 CORRUPT DRIVE

Reese-ish ybot

Mess with Freq Cutoff and LFO

Brassy Bass brnb

Squirmy Dream Jake

Airy patch brnb

DAW midi clock synck @ 60 bpm slight variations of delay time Line6 M5 '63 Spring verb (delay 60%, 167ms, tone 50%, mix

PSYTRANCE BASS X-SIDE

https://soundcloud.com/x_sidemusic

PSYTRANCE X-SIDE

hella organ Yakkis

ASSIGN = OSC 2 CV

Generative Noise Patch Sean Garland

Playing with the VCA Bias all the way up. Tempo controlled by S&H. Sounds are a combination of high-pitched beeps with s

Quantum Loop Behringer

A Sub Sawtooth sound with VCF squelch. A sample & hold noise loop is added to give some movement to the sound. Try diffe

Edge Synth Behringer

A slow evolving sound using frequency modulation and wave shape blending to create either a screaming when the filter is

Out of this World Behringer

A Sci-fi style sound showing off the S&H function of the Neutron. Here, the VCF self-resonates and drops into wonderfull

Retro / Synthwave wobbly bass lipman

Inspired by https://www.youtube.com/watch?v=PW9FiYaBHpQ play arund with VCF mod depth, env depth and freq to find the re

retro synthwave bass wobbly

Bells & Bass aptk

Connect GATE output from your controller to MULT. Connect PITCH output from your controller to SUM 1(B). Use ATT2 at mi

bells bass behringer neutron trance progressive electronic

Weird Drone Rosseloh

Hold a note (low drone preferably) then mess with ATT1, Mod Depth, Resonance, Cutoff, and LFO Rate to get some funky har

bird seq1 PL1

Keystep MOD -> Mult

BliBlops Wanderbree

Stumble over this patch while using Alien swamp by FbHorse Wobble the Freq for nice Motion

Distorted Square Bass Goganishe

Insanely good-sounding bass square.

Paraphonic screech Chris Kahn

Send CV pitch arp output from Keystep to OSC1 input. ATT 1 adjusts rate of PWM, ATT 2 adjust depth.

Pulsating Lead Martin Kutschker

The sound is defined by the LFO modulating the PW. Play with different pulse widths, modulation depth (ATT 2) and speed

Duo Patch - Edit Plexis

Mellotron-ish Cam Navo

Mess w/ mod depth and LFO rate to get harmonic overtones

Bassline dI&dE

BassLine Acid Dark

Duo Patch Plexis

Snare FbHorse

Kick FbHorse

Alien swamp FbHorse

Adjust VCO1 pitch to create alien communications

Powerful Noisy Duophonic Rob McLoughlin

This is using the low note priority duophonic mode in firmware 2.0.

Massive patch 1 Goganishe

Dual oscillator swing Philip

One envelope for each oscillator, set a little differently to sound like two different instruments. Delay is calibrated

Doppler Effect 1 Adaerus

- Use fine movement of the LFO rate and OSC Tune knobs to create a Doppler effect. - Use ATTENUATOR 1 to add timing ran

🔊 ACID NOISE DISLEXYC SOUNDS

MY FIRST PATCH - TWEAK ENV. DEPTH FOR MAX FUN! ENVELOPE1 CONTROLS OSCILATORS ENVELOPE 2 CONTROLS FILTER+LFO , TURN

ACID NOISE SIMPLE DARK TECHNO UNDERGROUND

easy Psy Start Patch dI&dE

good starting point for Psy sounds. You can best moduate the sound with - changing Modulation Depth - changing the Fre

Tremolo with fade-in Martin Kutschker

Tremolo strength is controlled with ATT2. Fade-in time is controlled with SLEW. A longer tremolo fade-in (2 o'clock) wo

gliding bass line matthew

when designing some sounds to recreate the theme song to the 70s show cHIPS (don't ask), I came upon this and liked it.

Massive Kiiiiick gordon

Underwater Bass Chorus-Delay Reverby MrsProphet

hold one bass note while playing other notes - then release and listen to it dive LFO Rate changes the delay tempo The

bass delay modulation chorus reverb

Night Devil Valk

Patch found in Pandora's box Every peek into it will be a different evil I recommend Arp Midi input Also makes wonderfu

High Variance Experimental Bass

Bass/Trumpet Pad Delays MrsProphet

My first patch. Lover of all things delay. Smooth bass and high trumpets.

Dirty Lead 1 denkom

Simple oscillator sync lead with overdrive grit. Attenuator 1 controls vibrato. Envelope retrigger is set to staccato

Lead Sync Portamento

Air Raid Siren Daniel Sinagra

Add some reverb and turn to wet.

🔊 Power Bass Emmanuel Miro

Osc Mix to Delay In for open sound Move attenuator 1 & 2 for fun

Bouncing weird gordon

Play with lfo rate for fun stuffs

Bass with a soft "noise" attack (like a snare drum played with brushes) Martin Kutschker

ATT2 controls the volume of the noise. ENV1 A+D control the contour of the noise. ENV2 controls both the VCF and the VCA

Hoover Terrible Beat

Tweak S on Env2 and Att 1 for sweet spot.

Alien Cycle Lurch

LFO > both PW2 & Delay Time via Multi Aftertouch>Assign>Freq Mod Control/Tweak/Play: Delay- Mix and Repeats Freq Mod De

dark techno bass II: acid edition CheeseMeNow

midi from digitakt adjust LFO, res, and freq

Babble Lurch

Using osc 1 att1 to tweak pw2 Osc2 controls lfo rate

dark techno bass cheesemenow

midi from digitakt

🔊 Deep moving Bass Maveric

You can use the Attenuators to utilize more Waveforms.

Deep Bass Moving Sound

🔊 Basic Deadmau5 Sound Maveric

Play with the Tone amount to generate the sound of the Audio preview.

Deadmau5 Pad Clear Warm

Trailing Pitch Rise Martin Kutschker

The sustain of ENV1 controls the interval of the pitch rise (0% is no rise at all). The tuning pot of OSC2 controls the

Bidirectional Autoglide (down then up) Martin Kutschker

Note will begin with pitch descending from then ascending to the played MIDI note. The depth can be controlled either d

pitch autoglide

mod my shape lukas kerf

S&H auto FbHorse

Volatile Steel Drum / Mbira Plucks ATW

I'll come back and fix the knob settings, this was generating some fun distorted plucks, a bit like a steel drum and thu

pluck mbira steel drums

Lead-2-Gabber DJ-RaY

Tweak the rate of the LFO... or Play around with the MOD DEPTH and ENV2 Parameters.... Maybe change the RESO and NOISE

Lead Gabber Hardcore

FM Bell George Ray (ed. Martin Kutschker)

Play very (!) short notes for bell sounds. Long notes and legato make weird noises :) ENV1 release controls sound lengt

First Patch CrazyGuy

Filterable bass Ambact

🔊 Car Race Craziness kpatz

Crazy generative patch that sounds like a car race. Cars racing around the track, shifting gears, screeching tires and

SFX generative sync FM

🔊 Modulation Phin

Control de la vitesse du LFO par l'enveloppe 2

Hurdygurdyish decarboxy

Somewhere between and organ and a hurdy gurdy. a bit of click on the attack. map assign out to aftertouch

🔊 Arpeggios via delay time modulation Philip

I guess delay time modulation is old hat, but it's new to me. With this patch you can generate a variety of random arpeg

Fat Buzzy Snappy Bass Otto van Zanten

Based on Robert Ivers patch used in the intro of his video titled 'Behringer Neutron, An early 80’s exploration with a s

Fat Bass Buzzy Percussive

🔊 N3P0 ( No Patch Paraphonic Pluck Oscillator) Introvert Junkie

Turn ENV2 sustain to modulate filter sustain. Turn ENV1 sustain to modulate VCA sustain. Tips: 1.) The progression in t

🔊 Multi-timbral Split Adaerus

The idea for this patch was to separate the oscillators and the envelopes and route them to different voices in paraphon

Multi Timbral Voice Split Polyphonic Sequencing

Bajo doble filtro torotumbo

El vcf 1 y 2 se suman en sum 1 y van directamente a la distorsión (overdrive), se puede saltear este modulo conectando s

bass filter dual filter

Self-gen background ambient (for liveset) Mstislav Kazakov

Octaves, osc2 waveshape, mod./env. depth, s&h glide, att.1/2 amount are subjects to change also it is optional to put SL

ambient techno dark random krell berlin

TRK069 EXHIBITIONIST CORRUPT DRIVE

303 agressive EDBLive ( Erik de Boer )

https://soundcloud.com/erik-de-boer-1/a11-a2/s-mZKbS Play with freq, res, mod depth & env depth, and env 1 & 2, and of

Generative Techno (with Kicks, Hats and pseudo-sequenceable Bassline) - cloned 100yan

A self generative patch for Techno. Kicks, Hats and a pseudo sequenceable bass-line !!! You will need 2 more cables for

generative techno kicks hats bassline pseudo-sequencer

crunchy ambient lead ben

ambient lead sound tone knob for crunch

Generative Techno (with Kicks, Hats and pseudo-sequenceable Bassline) 100yan

A self generative patch for Techno. Kicks, Hats and a pseudo sequenceable bass-line !!! You will need 2 more cables for

generative techno kicks hats bassline pseudo-sequencer

🔊 Arpeggio Lead 2 Locke993

Tweak Mod Depth and Osc Mix to alter sound At the end I patched LFO -> Delay Time for fun sound

Krell-ish Mr SkipMonkey

Cloned from Potreba's Crude Krell patch.

067 BEN'S DEN CORRUPT DRIVE

FM bass squelch Robinson

tweak filter mod and OSC2 pitch to taste

Soft PWM Lead Vestra

Mess with LFO rate and Attenuator 1 to change characteristics, AT 1 is sensitive and makes it sound weird fast. Turn it

#PWM #Lead #Soft

let it bloop joanofaux

slew gives it a more grainy texture lfo rate gives it huge sound difference att1 controls amount of filter reso att2 con

studying patch Cerulean

i use this patch as background noise while studying

🔊 Arpeggio Lead Locke993

Tweak Env Depth to change size of emphasis Tweak Osc2 Width to change sound

Simple sub bass Stormofvisions

Bass sub bass simple

🔊 Alien Invasion Locke993

War of the Worlds style

066 THE DIRTY BITCH CORRUPT DRIVE

DARK TECHNO DIRT TWEAK OVERDRIVE TONE START WITH LOW RESONANCE.. BUILD IN LATER

Pianish NoFeedback

Assign Source:0SC2 OSC Tune Pot Bypassed Medium Hall Reverb Compressor Thresh. -30.8 Ratio 2:6:1 Hard Knee Att. 1.1ms R

Dark Eighties guy

Portable Head Macio

Rene to osc1+2, gate to e.gate1

Rush lead Tommy J

This is a great Moog like lead synth reminds of Tom sawyer lead. If anyone can figure out how to add vibrato with mod wh

Lead Synth Fat Lead

Fat MOD Bass NoSit

Old School, Simple, very fat modulated Bass line with a 70's style sound. use the LFO rate to change the mod speed, VERY

bass Retro modulated LFO Old School fat

Ambient Cathedral spacedrifter1961 youambienttube channel

Route through a reverb box such as Strymon Blue Sky.

Ambient Choral Berlin school Reverb

Cycling Cycle Macio

Hkhvd Dgjjjj

Performance Patch 1 Cerulean

keystep midi in, gate to s/h clock play around until satisfied. works really well with a chorus pedal and a reverb ped

Rate SH Clicks Serhio Efremis

Use LFO Rate and SH Rate knobs for different rhytmic patterns, USE Delay Time

Ambient Cathedral Patch spacedrifter1961 (youtube channel)

Increasing the VCA Bias will hold the sound while adjustments can be made to the Time and Repeats on Delay. Noise can al

Berlin school Orchestral Reverb trails Ambient patch

just ticking over Darryl

Crude krell Potreba

Gleaming Maciej M

Stranded Organ Shoe

Started as a strangled guitar, stranded as an organ...kind of. Play with Mod Depth as sand runs trough your hand...and

Organ Donor Copy

WuzzBuzz Shoe

Confusingly different for short and long notes.

Bass Wobble Short Long

Berlin school-style lead patch Brunswick Green. spacedrifter1961

I used this patch in my track "Brunswick Green", uploaded to Youtube 17 November 2019. One can adjust the PWM's, Oscill

Berlin school Tangerine Dream Peter Baumann

Chorus Patch Lukimon

Pulsating distorted march GGG

Press one Key cont. for the march. Modulate LFO Shape with S&H, then modulate the S&H rate (Like Noise -> S&H In) for ex

🔊 Lead SB1 ïookem

Tweak FREQ, ENV DEPTH and OSC MIX to OSC 2. Add some NOISE.

🔊 Bass SB2 ïookem

Tweak OSC MIX on OSC1 to get more bass and increase FREQ. Play with ENV DEPTH.

BOUNCY PLAYGROUND Brock Davisson

Just a bouncy cool thing I like, you may enjoy it. Throw some reverb and delay on it for more fun. Also play with the At

piano ep bouncy

🔊 Bassmeleon ïookem

bass herbie hancock chameleon

🔊 Bass Arp 1 ïookem

Use KEY TRK to switch between big bass sound and medium bass sound. Tweak FREQ, ENV DEPTH and NOISE.

ShadowPad Alex Di Nuzzo

This patch is a pad similar to synthetic strings, but it can be used also as a slow dark lead

Lead for SQ-1 Mstislav Kazakov

NB! - Mult in is GATE OUT from your sequencer, so gate out goes into gate 1 (as usual), and to LFO rate as well! same is

Plucky bass Mstislav Kazakov

Mod/env depth to taste

Bass techno mids

BASS: ROYGBIV by BoC (Version 1) Mike S

Not quite there, but almost...

bass boards of canada roygbiv sh-101 boc

Mono Synced Sequence Domicidre

Make sure you Sync the Lfo to the incoming BPM if you want that. Tweak the delay so that you have a rhythmic thing goin

🔊 Wobble Bass Locke993

Fat Detuned Square Bass ElectroDude

inverte matthew

flog it Graham

Easy Tail Kick SynthBarono

Play with the ENV2 - Decay and with the Attenuators 1

Blood flowing in your head or an ultrasound on a baby Stu M

Fun to play around with the mod depth, noise and frequency knobs. The diagram wont allow me to set the LFO knob correct

Heartbeat rush blood internal bodily headrush whomp ultrasound baby

🔊 Forbidden Squelch Highballz

Hit any note and play with the LFO Rate and Delay Time knobs.

Strangled Guitar StellaBubble

Same patch different knobs than Drifty 80’s lead from Nikki. Played with LFO and Frequency.

Vocal Chris Kahn

Assigned a ribbon to ASSIGN and it will force vocal-like transitions

Versace synth lead lanka2571

Trying to create the synth lead sound from the solo on Bruno Mars' "Versace on the Floor" which I think is a DX7. I have

Dirty Fuzz Bass 5ths lanka2571

Decent for a drone or pedal point. Adjust VCF knobs and Envelopes to change character. Pretty basic.

Bass Dirty 5ths

Voyager calling home lanka2571

Space probe! Adjust LFO rate for speed. VCF knobs will change octaves/frequencies. Also midi note input can change octav

FX Ambient Alien

Wobble Bass lanka2571

Wobbly bass. Think dubstep. Play with any knob in VCF to change sound character. Change LFO rate to adjust speed.

Tonal Random Singing Serhio Efremis

+OSC MIX to OSC 1 for more radical sing

Drum and Snare ADC Warrior

Drum sounds with snare on down beat. Env controls Osc sound Env 2 controls noise sound Att1 noise level Att2 noise env

Birds Singing Serhio Efremis

No Midi keyboard, Turn LFO Rate by hand a little at 12 o`clock

psychy Cerulean

patch arturia keystep in to slew in, get a sequence playing mess around with the knobs

Random Squelchi Psy Patch - cloned Ollie Music

Please note : The Assign output is set to Velocity, so basically the velocity of the midi notes is modulating the filte

Psy Psychadelic psychedelic

House Bass 1 Rémi

Bass SB1 ïookem

Pwm bass okrra

KICK DRUM okrra

Eliane Radigue is not on the moog today Stella Bubble

Simple but efficient. tuning of the Osc is quite delicate. Play around with the VCF and LFO. Accidentally had the Neutro

Krell Otto van Zanten

generative music krell patch

Endless war 666

Inception Jeremiah Cramer

Ominous Expressions Parallel Figure

Neutron->Spring Reverb->Zoia(Ping-pong Delay->Plate Reverb) Aftertouch-> Slew In Neutron "Assign" = Modwheel

Parallel Figure Ominous Expressive

🔊 Generative Filter Ping yellowmix

I find pulse waveform tuned all the way down gives a nice DC offset to feed the filter, better than a noise burst. Filte

generative filter ping resonance

Breathing Drone stoic

sf-sounds PL1

Birdy's PL1

my first patch started with Alien Soundscape by Otto van Zanten

SuperLead Alex Di Nuzzo

It's a specific lead for solos with a legato character.

Lead Legato Solo

Motorcycle Synth Dakota Estes

Patch to generate sounds for a motorcycle engine in my student game project

Sound Design Vehicle

Ominous Bass Otto van Zanten

Resonance is optional. So is Delay Mix. I like to start with both turned down and playing with both up to the levels the

303 Patch positivecentre / Nikki Alexander

303 patch found on Reddit by user positivecentre. I (Nikki Alexander) am not taking any credit, just saving it here for

🔊 Kick hardcore 90's (thunderdome 9 )Wake Up Brooklyn off disto for punchy kick DjMmix

note is C3 and E3 i'm played on air

early hardcore kick 90's

🔊 Lead 90's hardcore 2 DjMmix

second patch, with connected modulation with the freq modulation ATT1in in modulation in keystep a lttile bite range i

lead hardcore lead hardcore 90's

🔊 Lead 90's hardcore DjMmix

This patch recreate the sound off 90's hardcore sound majors In ATT1 is modulation add in the keyboard with the cv (me

Hardcore Lead lead hard 90's

Basst1 Basst

Alien Soundscape Otto van Zanten

Try turning up Att 2, turning down Width Osc 2 or removing the LFO Uni > Res patchcable and turning up Resonance to 3 o'

alien sound scape sfx fx weird bleeps bloops control panel

analog raindrop machine kosmotix

OSC1 -> LFO RATE OSC MIX -> LFO SHAPE OUTPUT -> LFO TRIG play with freq, reso and mod depth or the delay knobs

Dreamy Reed Nikki Alexander

Gentle analog reed-like sound. Designed for an ethereal arpeggio (just add lots of shimmer verb and it sings), but also

Ozric Bubbles RabbitC

Ozric style fast descending bubble effects - descend on release. Att1 mutes oscillators, reso set to full for self-osci

effects ambient

🔊 Hang Bell Domicidre

Play with the filter to get it more or less dark. Add Some good reverb!

bell melodic ambient

paraphonic pulse width modulation kostas

based on hints from the manual. Envelope 2 controls pulse width, and LFO controls the pitch of the oscilators

pulse width lead pw

🔊 Unstable Personality yellowmix

Osc and LFO should be set to Blend. Osc 2 should be mainly on pulse, the double square light flickering rapidly. LFO is

Ploink de Luxe pojo

S&H -> att2 in Att1 -> lfo Freq att2 -> lfo shape ext mod wheel -> att1 in ((external modwheel (keystep) not neede

Twinkle bell - cloned Mr. Randomizer

Twinkling bell sound (osc1 sine, osc2 pulse), best sounding with a hint of quality reverb.

KOMA KOMMANDER EFFECTS PROCESSOR Mikey slime

For use with the Koma Kommander CV/GATE motion controller Line in processing for guitar/mic GATE 2 To VCF IN CV2 TO EN

USE WITH GUITAR/MIC kommander komaelektronik

marbles matthew

porta time is optional.

iNtox-Z - The Dark Side Of Neutron. Vitalik Kuprin

Ok... if you need to check sound from this creation, check my video on YouTube. https://www.youtube.com/watch?v=AgfhO5f

Noise Ultra Distortion iNtox-Z Harsh High Gain High Resonance

Ethreal Synth anirudh

Give some glide / portamento for more magic and check volume level as the drive is high.

Lead Moog Ethreal

🔊 Awakening the Krell KastleRyne

Sounds like something from Forbidden Planet. Increase the Mod Depth knob to engage the transporter beam.

ambient self-oscillating sci-fi

Nice ticking sound with PW-modulation Mr. Randomizer

Patch LFO to mult and then mult1 to PW1 and mult2 to invert in -> invert out to PW2.

#PW #modulation

Deep bass to rule 'em all Mr. Randomizer

Deep bass to take care of the low end.

Twinkle bell Mr. Randomizer

Twinkling bell sound (osc1 sine, osc2 pulse), best sounding with a hint of quality reverb.

very basic matthew

osc sync bass or lead matthew

decrease or increase the attack to suit.. I personally like a softer attack. also, play with delay time to your liking.

Pudding on the Floor the Spoon & the Milk

it just feels like a pudding on the floor. taste it, promise on the spoon and the milk. run a nice 4 step sequence.

Drifty 80s Lead Nikki Alexander

Very, very 80s-ish lead sound. Add some chorus, fatten up the mids a bit with an EQ and you're ready to enter all your n

Basic Snare Nikki Alexander

Simple snare patch based on the Layered Snare patch found on YouTube, limited by my as of yet extremely limited knowledg

Robot Vox Matt Marguerite

You can disconnect the patch cabe and tweak the shape of OSC2 in the mood and the tempo you want ! Enjoy ! M.

Plantasia Intro Arp Dakota Estes

My attempt at recreating the opening synth sound from the first track of Mother Earth's Plantasia. Play around with the

Pluck Arp Recreation

Fat Talking Bass Otto van Zanten

https://youtu.be/ZON_kvIYWxM Patchcables are optional, patching the S&H to the Filter Cutoff adds some randomization.

Fat Talking Filter Bass

Part 2 (Delay Overdrive) Jonathan Tremblay

Second part. MS-20 output goes to DELAY IN, OVERDRIVE OUT goes to mains.

Weird Alien Soundscape (Modulating Delay Time) Otto van Zanten

https://soundcloud.com/ottovanzanten/behringer-neutron-weird-alien-soundscape

alien soundscape strange modulating delay time envelope

Fun Stuff Jonathan Tremblay

Clock source is S&H, change rate to control the patch.

🔊 Flute Dokmai

Add or remove noise to taste. If you set OSC 2 to square wave, the tone softens when WIDTH is fully down

🔊 Forest Kingdom yellowmix

Jumping from tree branch to elevated hut. Use Attenuators, Drive, and Tone to rebalance. Mix in delay to taste. Uses sl

Percussive Slew

The workers Portable

Env 1 - att1 - att1 - osc2- Os2 - att2-att2-pw1

Random Squelchi Psy Patch Ollie Music

Please note : The Assign output is set to Velocity, so basically the velocity of the midi notes is modulating the filte

Psy Psychadelic

INIT Patch Bart

Starting point fo a new patch

Quantum Loop 3ver

Also from the original manual: "Quantum Loop - A Sub Sawtooth sound with VCF squelch. A sample & hold noise loop is adde

from the manual Sub Sawtooth VCF squelch sample & hold

Edge Synth 3ver

Also from the neutrons manual: "A slow evolving sound using frequency modulation and wave shape blending to create eithe

FM wave shape bending evolving from the manual

Out Of This World 3ver

This is actually from the neutron manual: "A Sci-fi style sound showing off the S&H function of the Neutron. Here, the V

experimental from the manual self-resonance

Fat Doubler Cello_789

Att 2 sets an envelope amount to att1 (which is how much the LFO affects the filter) With these settings, you get a thi

OB6 String Bass Thick Juicy Analog

Synth+Bass Tono & Harry Fader

sequenced by Korg SQ-1 cv A out to OSC 1+2 in gate A out to e.gate 2 in cv B out to freqMod in

Distorientor Halidex

The LFO was set to switch not blend. The shape of OSC 2 is set to blend.

distortion saw bass lead

🔊 Neutron 303 onionpsy

So it's just a simple emulation of the classic 303. I'm using the ring mod tricks. Obviously doesn't sound exactly like

303 bassline bass acid

basson FraZae

Cute Vibrato Lead - cloned Ethan-William

Attach the Assign to the mod wheel in the Neutron Software for vibrato use. Mess with OSC 2 Tune

Lead Vibrato Saw

🔊 Pulse width Bass/Lead Mesa

Use attenuators 1

Bass Lead Pulse width modulation

SUPERGUITAR PSYELECTRIC STEREOPANIC

Just move cut off freq and combine with reso and you get lots of distortion

Bubbles Lurch

Works well with: Arturia Keystep sync out >>Delay time Sequence on Keystep A,G,F#,F, E

Kick Gomchen

Kick Variations -> Att1 + Filter + Env1 & 2 + Overdrive Thanks to Rishabh Rajan

FM Sync Bass Adaerus

Attenuator 1 = Env FM amount

Confused Lead McMurphy

🔊 BASS ANIMAL

Cybery WOW Bass 0Day

Just a neat little 'wow' sounding bass. Playing with LFO shape makes some interesting changes to the bass, try toggling

🔊 jacobs ladder _martin__f_

control - tune1+2 speed - lfo rate

generative industrial noise

Ambientish 2th

Pulsating Lead David Gallagher

Sounds good as a lead on both high and low octaves. After patching you can try some of the following to alter the sound

Pulsing electricity PanOS

Fully electrified pusle. LFO rate controls the pulse speed. OSC shapes the electricity :). Attenuator 2 the pulse width

Cute Vibrato Lead Vestra

Attach the Assign to the mod wheel in the Neutron Software for vibrato use. Mess with OSC 2 Tune

#Lead #Vibrato #Saw

Projet 1 Gigot Bitume

91319swellish M4D

🔊 Volcanic eruption 　火山大爆発 Tomo

Drummy wavy Oim

Use with sequencer, tweak lfo raye, here you go

happy winning theme mdvn

VCA BIAS for long base note

Wat e boetifoel noeus pojo

noise with choppers

noise random ambient

pojo own Lamentia 2 - cloned pojo

pad atmospheric dark

Alien Bass Ass Tacos NoSit

a fat Bass being played from an alien's ass after 3 tacos. adjust the ATK on ENV 2 to control the speed of the Shape Swe

bass FM Shape MOD Detune Short Stab

paraphowave matthew

🔊 Flickering Sequence Dr. Dicktitty

I used sequencer for the audio preview, but it's fun little patch without it as well.

Ultra Bass McMurphy

Lamentia 2 MFMAD

tweak the osc shape for viscosity of sound. Add a little bit of mod depth if you want some grit. have fun with it!

pad atmospheric

Lamentia MFMAD

distortion electric guitar delay

Thunder Storm 雷鳴 Tomo

🔊 Volcanic eruption 　火山大爆発 Tomo

Plucky Cerulean

plucky patch, play witch VCA BIAS, filter and noise to make it cooler

plucked strings

Solid/Lately Bass - cloned Patrick Muthler

As close as I could get to the DX family's famous preset. Get your oscillators are in tune with ATT1, or tweak with OSC

Default Square Chad K

Initialized patching.

🔊 Intense AF Dr. Dicktitty

Noisy and unpredictable, yet melodic. Go crazy. Fiddle with mod depth and att2 for more cosmic fun. Control the amount

Bass with major 3 harmony mdvn

Perfect for short / plucky bass notes, with proper EQ enhancement can be made to a phat and funky sound. Long notes star

pop vengaboys earlyCalvinHarris

Bubbling Brook East Jackson

Ambient Life - Random S&H oscillator shapes and LFO self modulation Soren Lemmike

This patch sounds nice with semi-random sequenced midi notes in minor scale at a slow tempo with lots of reverb after th

ambient S&H slew delay reverb

🔊 Solid/Lately Bass David

As close as I could get to the DX family's famous preset. Get your oscillators are in tune with ATT1, or tweak with OSC

self playing Cerulean

pluck lead 1 - cloned pojo

pluck lead pluked lead

pojo ambient drops extra pojo

fine tune with vcf- freq and lfo-rate

ambient drops soundeffect

Idk but it sounds nice Parallel Figure

Shape 2 -> Arturia Keystep Velocity or Aftertouch Neutron "Assign" set to whichever is not affecting shape 2

Birds PanOS

This is a natural birds soundscape with the VCF resonance & LFO VCF IN is patched to nothing to mute the oscillators Use

🔊 997 psy gated lead Ceteract

In stead of Assign, use sequenced cv out from Deluge (or whatever) , then insert/remove the S&H jack in Sum 2(A) to togg

pojo-drops - cloned pojo

You need an attenuator between an osc and the VCF. Just open the att1 a little bit. Fine tune with...LFO rate, VCF fre

🔊 Kick hardcore DjMmix

Reproduction hardkick in 90's, 95's ,note play is a G0 and play seq is a C1 velocity in seq is 76

Hardcore Kick 90's

pluck lead 1 DjMmix

pluck lead pluked lead

🔊 different hithat DjMmix

E4,F4 and G4 tone is good for hithat, tune osc 1 and 2 on C4

pojo-drops pojo

0sc1 --> att1 in Vcf1 --> vca in att 1 --> VCF in You need an attenuator between an osc and the VCF. Just open the att

multiosc lfo DjMmix

use a différent lfo rate for fun !!!

🔊 Alien drone LASUN

Static noise is from shitty usb hub. pls ignore.

Alien Drone bass drop low rumble

BoC ish matthew

Simple detuned waves with a dash of noise. Set the attack to a lower level for cool arpeggiations, or a higher attack f

Space Cake Break Zemftee

I'm a complete beginner when it comes to synthesizers, so I'm not sure whether what I've done (e.g. the patch cables) ma

atmospheric ambient pad-ish

ModWheel-Lead ATI

ASSIGN output jack = ModWheel The patch is good for Lead with application of the ModWheels The Mod-Depth it is fixed. Th

Random Stutters Logarhythmic

This adds random "stutters" at varying rates. It works best with a sequencer, and the Sample and Hold being clocked by t

909 Kick HWO

It's like a 909 but not really but kinda but close enough

The Great Destroyer (NIN inspired) Jobst M. Feit

Tweaking Cutoff Freq, Filter Mod Depth and LFO Rate gives you some great results. The path is a little tribute to the so

noise s&h resonant drone

🔊 Snare DjMmix

play the snare on a key note A for better snare

🔊 paraphonic drone - cloned Ceteract

You can keep a drone note which whill take osc1 and play a line over it with osc2 as it morphs.

paraphonic drone Ceteract

You can keep a drone note which whill take osc1 and play a line over it with osc2 as it morphs.

Strange Voices Antithesis

This patch creates random voice like sounds that is both creepy and cool. I use a single note arpeggio as a trigger/gate

Wobble bass acid DjMmix

coupled with the beatstep pro CV in OSC1+2 , Gate in E.GATE1 and Velocity in ATT1IN in patch bay

bass techno Wobble bass acid

Huge Bass McMurphy

pojo-nerves pojo

s&h - att1in att1-lfo rate -------------- extern: (sq-1) Cv-a out - freq mod tweak with env dep (vcf) and decay (envelo

Flying Away The Doctor

Wobbly pad/lead sound. A touch of noise give a nice character you can avoid the Drive if you want a more mellow sound.

night1 jfrey

First at patching something with the neutron.

Electro Style Bass ElectroDude

Play it with a simple delay.

#Electro #Bass #Techno

Wobbler Factor Mason Hollis

If you like Dave Tipper you will like this

bass wobble crunchy

Clicky Bubbles Swan

Tweak LFO Rate, ENV Depth

Grunge Lead UL

Play slowly and low

Lead Noise Overdrive Delay

Metroid Prime Lead Swan

Sounds just like the lead synth in the opening song for Metroid Prime

Belgian LFO Brass Burntweenie

Belgian Hoover with heavy LFO. Very funky when used in a quarter/eighth note sequence.

Random Chaos Bubbles Holger Rohmann

Self oscillating, no midi input needed Try changing - LFO Rate - VCF Resonance - VCF Modulation - Delay (all settin

random chaos noise bubbles

Soothing Rhythmic Growl jdorwin

This makes a pleasant repeated growl noise. I included optional randomness; just turn up Attenuator 1 to randomly vary

ambient drone growl

I can't believe its not a Hang Drum Sam

Got to this sound on the way to a high hat, its almost like ring modulation

Bass Overdrive II McMurphy

My First Lead Fredd

gen1.0 meadow

tunable random behaviours

Subterranean Steam Dream iAi

Mess with attenuator 1 for more LFO into the delay time, and attenuator 2 to put more S&H into the LFO shape. Filter res

Simple Square NoSit

very simple and deep square bass with just a little movement.

Simple Snare NoSit

a simple snare sound (Credit to "Graydon Audio" on YouTube)

Simple Kick NoSit

a very versatile basic Kick sound, play with the D&R of ENV2 and ATT1 to Make it beam like.

Bass Overdrive McMurphy

DEEP HOUSE, TECHNO or HIP HOP SUBBY BASSLINE Henry Navarro SF

DESCRIPTION: This is a simple patch, however it is a sure bet for any subby deep house, techno or hip hop/ trap track,

deep house house tech house techno sub hip hop trap subby minimal minimal techno

Nights Teaser Sound Adam King

Event Horizon bricky

Cello Sound jdorwin

Was creating a lead sound and accidentally ended up with a nice cello sound.

bass Ras Tumo

GD BASS 1 Estuardo

BRAK Adam King

Blade Runner Style - use loads of shimmer verb

Death Whistle/ Scream Jake Herrington

Can be extremley loud. Sounds best in a slighly higher octave. Go too low and it truly sounds like a fart.

noise scream whistle

🔊 Boards of Germany KKO

Better for bass leads. 2 slightly detuned oscillators are low-pass filtered with it's filter frequency being controlled

lead boards of canada analog

Retro Bleeps Potreba

Autoplaying patch. Similar to mwandishi intro

Shapeshifter Bass Potreba

Funky Bass. Velocity is Assign.

Starter Kick - cloned mike

Modifiers: VCF Freq, Reso, + Env Dep shape kick sound Try Env2 Decay to change Tone

Sci-Fi Sweeps TeknoRebel

Nice melodic drone as is. Pull the VCA in to start the crazy Sci-Fi sounding sweeps.

Crazed jazz birdhouse Burntweenie

Sounds best with a short arp pattern or sequence. Fiddle with ATT 1, PW 1&2, FREQ, RES, LFO rate. Bizarre birdhouse with

Jazz bass crazed birdies

Eterna | Ambient Drone ALMANACS

Watch this patch playing: https://www.youtube.com/watch?v=I-RDvJBTZ5c

ambient lead drone pad

Cars Hard Sync hoggernick

Adjust ATT1 knob and OSC2 tune knob to adjust as needed.

Distorted Wind michal

use VCF KNOBS for fun

noise wind distorted lfo

self-evolving drone Kecap Tuyul

This patch create a slowly evolving drone full of harmonics without changing anything. Tweaking the OSC MIX value can ad

drone ambient experimental generative

MIDI Note Velocity with Overdrive bypass Bendy Bus

Classic Dubstep Wobble Swan

ATT2 to Mod Wheel to control LFO Rate Play with the envelope controls on ENV 2 and ATT 1 Knob

Rythmic BAss synth Matt Marguerite

synth rythmic S&H

Starter Kick Matt Clark

Modifiers: VCF Freq, Reso, + Env Dep shape kick sound Try Env2 Decay to change Tone

Silly Pet FUN_ENV

Funky brass shots! You can use the LFO (downwards saw wave) to cut the filter in addition to the envelope2 but you can

funky brass short VCF_Env comic

LFO to AMP "tremolo"• godolonky

LFO affects only VCA (amplitude) Control clean signal with ATT and tremolo with ATT2

lfo vca amplitude tremolo

Stefaan Van Hoof - Bodzin simple Stefaan

RED ALERT BLEECHN NEADLE

Hmm Interesting Bråkmaskin

Fun to play with a drone on a lower octave and short staccato lead on top.

Boards of canada Lead/Bass - cloned - Beefier Nico Tdl

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Generative Patch Experiment, Krell inspired Relative Ability

Love to tweak all the parameters! Specially delay repeats, filter, both oscillator tune and envelopes. Sometimes a bit o

Generative Krell

TD flute spacedrifter1961

Play through reverb and delay. spacedrifter1961 Youtube channel

ambient Berlin School

Cruel World Jonny Schwanz

Dual Rising Suns JAsh

Needs MIDI input; 1 octave down ::natch::. Get the ATTACKs close, but not the same, and play with the SUSTAINs to get a

Space Kitties Parallel Figure

Mess with the delay time knob to get better meows

Forbidden Planet/50's sci-fi style spacedrifter1961

Provides an ideal background soundscape for Berlin School-style sequences. Slow adjustments can be made to the followin

Space Dark Ambient Self-generating

4 voice drone NTRMN

Tune OSC2 to a low root, OSC1 to a 5th below, LFO to an octave, and adjust the FREQ resonance to whatever you feel like.

drone self generating 4 voices

Forbidden Planet/50's sci-fi style Spacedrifter1961/youtube channel

Provides an ideal background soundscape for Berlin School-style sequences. Slow adjustments can be made to the followin

Space Dark Ambient Self-generating

evolving drone henk

this patch uses an arturia microbrute as external LFO. patch the LFO out of the microbrute to OSC1. use reverb (a lot!)

drone selfgenerating dark

Hoover Bass ElectroDude

Osc. 2 slightly detuned Play with Att. 1 and Envelope 2 Sustain Chorus as effect

#Techno #Hardcore

🔊 Growling Shape Changer JohnD

Adjust Shape 1 knob so it cycles between tone mod and triangle spending roughly the same amount of time on each shape.

dirty pseudosequence ernie

Rather a raw one here. Also add sync out from your Keystep or whatever to LFO Shape in to sync with external clock. Whe

Beating Pulsar (Credit to CHI) NOSIT

i played around with CHI's awesome Patch and added a little LFO and envelope movement. the LFO is modulating OSC1's Sha

ambient evolving delay

🔊 Boards of canada Lead/Bass - cloned WH

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Boards of canada Lead/Bass WH

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Formant "Pony" Bass NTRMN

This is tricky and it's all about messing around with the LFO rate, FREQ, RESO, MOD DEPTH, and ENV DEPTH until it's just

formant vocal bass ginuwine

An alternative to using up an attenuator to tame the oscillators. You can use the VCA (distortion on part of the AD) or

OD to VCF V.Stegeman

Playing with routing to lower the overdriven input to the VCF, as well as putting the OD before the VCF so that gets fil

"VCF In" "Overdriven VCOs to VCF" "S&H to Delay"

Organiser Wiel

ceva ceva teknetium.23

a bit of buzz and a bit of crack, i need more patch cables

Ambient Para phonic

bleep Jerem Wlderz

play with attenuator 1 / Noise and Mod Depth #DON'T PATCH ATT1 -> OSC1# (can't remove the cable on the website)#

bleep sequence phone dark

Auto lifeForms - electro jungle Mileto

___________ You can listen this patch (plus obviously just a little of reverb) @ https://soundcloud.com/user-339685912/

Drone Swell Pad duilio pasquale

adjust lfo to match swell to length of note. current rate setting calibrated to four bars @ 125 bpm

drone pad ambient dark

Space Bubble Riser duilio pasquale

use vca bias & lfo rate for space generator

drone riser ambient pad

Living Crunch Lead Conversion

Screaming Lead or Harsh Pad. Ride Mod Depth Knob. Filter cutoff can be adjusted subtly for accentuation of relevant fre

MultiLead deejef

2 osc 2 leads Attenuator 1 for OSC pitch LFO

Ambient 2 CarlJaz

TWO MINUTES REMAINING @pthelo

DO NOT USE AS SHOWN!! The patch was created using a HOSA Knucklebones 5>1Splitter. In the real patch, I've connected t

pthelo.patch001 OM SHAPTA Drone Knucklebones Delay

3rd Oscillator LFO drone NTRMN

Patching an audio rate LFO into the filter then the VCA and it acts kinda like a higher "harmonic" drone. Tune the LFO w

ambient feedback heavy delay drone

Deep PWM Zone1Music

Beautiful undulating PWM patch. Deep with big swells.

Kick 1 tomachiavelli

kick bassdrum d&b

🔊 Strange SAW Matt Klam (klamecki)

inspired by strange things

Test Stefaan

elysion Philipp

Generative I - Krellesque tomachiavelli

generative krell

Blips Philipp

To be controlled via Step Sequencer at around 90BPM 1/16 notes. Creates nice sounds. External Reverb could be added (I u

Flowers Love Lead - cloned Author

Lead of "Flowers Love" from Joel Fajerman , a try to get close. 2 sawtooths with sync A BP filter with resonance and

Flowers Love Lead John lois

Lead of "Flowers Love" from Joel Fajerman , a try to get close. 2 sawtooths with sync A BP filter with resonance and

Neutron as External Signal Processor (Guitars, Vocals, Other Synths) SpontaneousLightBulb

1. Plug your external signal source into the Input Jack of the Neutron with a TRS cable.* 2. Open and close the Filter

External Signal Processing Guitar Vocals Filter Only MIDI

Organic BP PW sweep John lois

A slow LFO modulating a resonant BP filter and the PW of both oscillators with slight detune. And a little random modula

D-Drive SofaKissen

OSC's, Filter and LFO to Model-D: OSC-Mix to Model-D FC-Gate; LFO-Uni to Model-D LC-Gate; ATT1 to Model-D Ext Change Rh

Exoteristic Talk carsten.p

Play any Key and listen

🔊 Effervescent pad/lead wmbrchmby

A bubbly pad sound with the Sample & Hold section playing a starring role. OSC 2 tuned a fifth above OSC 1. Increase

industrial 1 killeragnew

Ambient 1 CarlJaz

Separate the keyboard by using the editing APP

broadcast halidex

in the software the LFO depth is set to around 18% and the assignable out it set to mod

Delayed Arp Kvn Kvn

could use for techno, adjust lfo for bpm to match ~16 bars

Self generating weirdness - updated Staubi

The sample and hold (S&H) is used to generate ramdom voltages. The S&H is triggered by the LFO. The random voltages cont

self generating

Winter Organ (Bass/Lead) Der Stresssenat

Use Reverb in large and meaningful doses. Fiddle with Filter, Resonance, Envelope 1 Attack/Release.

Moody Organ Noise Atmospheric

BsPro prj05 ext clock midiMe

siqqqbass yotoss the batch

wowe, start with just one oscillator then mix both, play arounud with PW of both for some gnarly waves, don't forget abo

Sweeping Grit Generator 2 The Chad

FM AcidBass - ed Manu ponce

play with both oscillators play with att2 play with att1 to modulate Osc2 Fm Shape with Env2 for a more drastic mod Env

🔊 FM AcidBass Manu Ponce

play with both oscillators play with att2 play with att1 to modulate Osc2 Fm Shape with Env2 for a more drastic mod

Self generating weirdness Staubi

The sample and hold (S&H) is used to generate ramdom voltages. The S&H is triggered by the LFO. The random voltages cont

self generating

Sweeping Grit Pulse The Chad

Skinny Fat Lead Kvn Kvn

Mess with LFO rate (11 and 3 for best results IMO) and Attenuators for character. Do w/e you wanna with the second OSC,

Filter AM Macio

Contoured Pad spontaneouslightbulb

Working with this Patch: This patch attempts to create a complex pad through the use of harmonics and an almost constant

pad monophonic delay patch shimmer aftertouch

8-bit NTRMN

Adjust ATT2 to give you that rhythmic "trill" you hear in those classic games.

8-bit video game lead

Pulswaermer SofaKissen

play with all the knobs. needs a nice sequencer like StepPolyArp

Sustained NeuOrgan spontaneouslightbulb

Tuning: OSC 1 and OSC 2 are tuned 3 octaves away from each other. Tune knob OSC1 until it is at C5. Tune knob OSC2 un

patch hold organ monophonic

Electric Bell KangiSapa

Has a nice low, resonant sustained bell tone quality with a soft, almost percussive sound at key release.

HELLS BELLS HAZAEL

DARK AMBIENT GENERATIVE PATCH USE WITH LOT OF REVERB/SHIMMER REPLIKA (vst) Dotted 1/8 Mix 55/45% feedback : 60% ST MOD

GENERATIVE DRONE NOISE DARK AMBIENT

Kick hardcore Didi

Boards Of Canada Style Bass Infatuation.PSA

Play with the OSC mix & tone of the overdrive to change up the sound. Make sure the attenuator (1) is almost closed for

Boards of Canada

Rusty Breathing The Chad

gritty atmospheric

Dirty Pulse The Chad

OSC MIX to the left to add more dirt.

Marimba with an LFO Jonathan

Great for rhythmic melody lines. Similar to a marimba or clavinet sound but with variations. Change Env 2 Decay setting

keyboard classic staccato

Fast Sequence Mr.Randomizer

Patch for fast (1/32 notes) sequences. S&H randomizes osc1. Twiching resonance, envelope depth and both envelope paramet

#s&h #fast sequence

Inverted LFO waveshapes NTRMN

Increase ATT1 if you want a larger spread across the waveshapes. And mess around with the OSC MIX if you want more or le

drone paraphonic waveshape

🔊 Sleepy Phatland shtreebun

Tweak ENV DEPTH for sharpness

LFO S&H fun Wim Wijnhoven

LFO in to S&H and from there to the osc 1&2 and Att2 to the gate. Play with LFO rate, S&H rate, and Attenuators. See vid

Thunderiser Jan Sominka

Square Electro Bass ElectroDude

Put a chorus effect on it.

Sin titulo1 CL

Rain Bricky

Run through tape echo effect & reverb

Purring Bass Arkadiusz Stawicki

Don`t tweak reso above half of the knob - headphone alert

Laser Blaster Sides

Quick note release for best results. Play around w/ mod depth & LFO shape for variations

Experimental FX

🔊 Black Hole Confusion Ari Ahrendt

S&H triggered patch with LFO rate modulation, pitch variation and a dry sounding reso filter. LFO also modulates Delay T

Effects S&H Atmo

Naked City Mstislav Kazakov

At some point it would remind tunes of John Zorn's noise-project Naked City. Play with octaves, frequency and resonance,

noise experimental pseudosax metallic scratching falling john zorn

Adjustable muted bass mdwrfld

Big Horn Vansun

Important! Use external effect reverb in logic or ableton on the soudn form neutron synth.

Techno Horn Neutron reverb

Bouncing ball Theo Carbo

Tweak envelope 2 (decay), sample and hold glide, mod. depth

Saxy Violin Infatuation.PSA

Keyboard pitch to OSC 1+2, keyboard gate to a MALT then to E. Gate 1 & 2

Sax Violin Sax Violijn

Day Cold Glass Talons

Adjust OSC 2 width to taste.

Lead Grit Raspy

a sound w/ext.res ctrl

Space Insects Dushan

Sunn 0))) Ghoulcaller

Mess with the res and cutoff for harmonics/feedback

Drone feedback noise doom

Trigger Bass Zetmech

Bass sound that triggers from LFO Keys not used Freq mod depth is dramatic Can patch OSC2->LFO TRIG instead Play with OS

Ambient Short Delay Modulated LFO

Modbass Zetmech

EBM short MIDI patched

OM Drohn bricky

twist osc shape / osc mix, s&h, att1knobs. reverb reccomended

drone ambient generative

Square and rhythm 2 players

Add a cable from the pitch cv out of a keybord to the osc1+2 in

unreveal Beanz

adjust mod depth for a bass sound adjust vca bias for highpass resonance

United Kecap Tuyul

a resonating beat, used without keyboard Variations : tweaking osc2 width, disconnecting LFO -> FREQ MOD

PWM Delay allcaps

a bit of pwm movement into the delay, good for 16 step loops

Kick/Bongo/Xylophone schwiz

Tweak Att1 and LFO rate/shape to go from a kick like sound to more of a bongo or even piped xylphone sound

Woblywop Snugglio

BlurbleBlipSnaplyPlimps Eric Bertrand

The audio example is just the patch and me turning the attenuator 1, frequency and resolution of the VCF and the osc mix

weird generative sizzle

view Kecap Tuyul

For variations, disconnect OSC MIX -> OSC1+2 or LFO -> VCF IN play with OSC 1 while disconecting OSC1 -> OSC2

Creamy Roller Adam S

Use this with some nice external distortion and delay (Soundtoys radiator and echoboy for example). Sidechained to the k

Lusca Lusca

techJam seq Wim Wijnhoven

Nice tech jam base sequence, so use a sequencer, as seen here: https://www.youtube.com/watch?v=_KKqmeyBVt4

techno Sequencer

Kinda Pad Francesco Gentile

Crunchy up and down Alan E

Using an outboard mult for the att1 out

Oscilating Crunchy

🔊 Bass-ic Eric Eaton

Basic bass patch using the second envelope to allow for some harmonic variation within a held note. If you switch the At

2 independent voices Omri Cohen

Like this you can send different pitch information to each oscillator, and also trigger them with 2 different sequences

Destructive Playground R. Gerritsen

Use the FREQ, and LFO controls, and experiment with the waveshapes of the 3340 VCO's. Adding noise with another slow LFO

Curious Swell bricky

fiddle with the s&h, osc shapes, resonance etc. hold paraphonic until blinky

ambient generative

industrial harmonics bricky

hold osc sync til blinking, play with ocs waves, s&h

generative ambient

Bass Lead Pulse Michi

Bass to Lead Bass

Pluck Piano Gameboy Michi

Play it with Reverb or Delay! Have Fun!

Paraphonic Pluck Piano

papatch pipitch

Harley cycle engine sound Saint Drew

Play subtle with the knobs of the both envelopes. Tweak the Vcf (freq). I have used slow tempo low sequencer notes. BTW

#Envelope #Foleysound

Declining LFO Ricardo di Lago

Mechanical sounding, Hi to low speed LFO.

protect Kecap Tuyul

Play with OSC MIX (drone provided by OSC 1, ryhtmic sound by OSC 2)

generative sound vargan or voice OlegSlu

OSC1 - voice frequency control (optimally 186 hertz) OSC2 - speed control

generative vargan

Won't You Kecap Tuyul

patch used for playing without keybaord Variations adjust OSC2 and FREQ values to your taste changing RESO values and so

THX Deep Note Joseph Rapisardi

As seen/heard in this video: https://youtu.be/NvVsvsufZRQ OSC1 and 2 are slightly detuned. Attenuator 1 sets the starti

Robot Indgestion bricky

play with envelopes, attenuator knobs and s&h to get some funky glitch on inspiration: https://youtu.be/GjfUUWPYrxI

glitch generative

LMNOFKick Seabearho

In C. Pick a lower octave (C0 or less). Adjust Envelope 2 Decay, Attenuator 1, Tone, Freq, to dial it in.

I just called Kecap Tuyul

Another patch for an experimental song played without keyboard Variations Unplugging OSC MIX -> OSC2 Playing with VCOs a

Drone I - cloned Pedrothe_Communist

Saddle: changes with the attenuator 2 Dramatic MOD DEPTH + RESO Output from the patch bay (Avalanche Run, Normal Rev

Drone Experimental

Basse les roses 2019 Deejef

Drone I Pedrothe_Communist

Saddle: changes with the attenuator 2 Dramatic MOD DEPTH + RESO Output from the patch bay (Avalanche Run, Normal Rev

Drone Experimental

If you were Kecap Tuyul

I Used this patch in a song with minimal playing (no keyboard used) Tweaks : playing with FREQ & RESO of the filter unpl

Auto Fm obscuroz

Auto Fm obscuroz

Beep-s and glicths obscuroz

Control on e.gate 1 for diferent taste

Control on decay, change bands on filter for different tastes

Basic Kick Drum MONO-X

Analog Kick Drum

BöserSynth MONO-X

Externer Sequencer & ARP-UP im Einsatz

Lebendiger Synth Sound

hardstyle kick wizai

A basic hardstyle kick. turn Freq knob and att1 to adjust the sound,

R El Bass rhzm

Fatty Saw Bass rhzm

bass cj polyakoff

соединить дополнительно !!! e gate2+lfo trig, lfo shape+att1 in

TwoTone Brian

Alternating oscillators sound like european police siren at low speed.

Inverter thru-zero PWM

🔊 SL Neutron Moving Bass SEQ Andy Franke

Made to be played by an arpeggiator. LFO MIDI Sync is on in this Patch. OSC 1 tuned to C, OSC 2 tuned to G. Move the sh

🔊 SL Neutron Snare Andy Franke

SL Neutron Kick - cloned Andy Franke

Simple Kick patch with a minimum of filter modulation, so every hit is slightly different. Made it to build a round-robi

Kick Andy Franke Drums

🔊 Binary Star Snig Fargle

This is a description of the patch used on the "Binary Star - Neutron Ambient" track by Snig Fargle on YouTube.

Ambient Delay S&H

You name it Dushan

Shape Osc control Karadok

Different variants : Simple : S&H to MULT and MULT1 ->ATT1 -> SHAPE1 ; MULT2 -> SHAPE2 ( VCF1 -> VCA ; LFO UNI -> ATT 1

bar led bar

SuperSaw - cloned luis

A supersaw with 3 saw+sq oscillators. The LFO is used for the 3rd osc. LFO key rate track should be enabled (hold lfo ke

Bassmeleon ïookem

bass herbie hancock chameleon

🔊 Random Dark Jorge Avendaño

1.- Set the oscillators on the note C3 via midi. 2.- Tune the oscillators as shown in the diagram. 3.- Open the VCA BIAS

Ambient Jam Semi-Modular

🔊 SL Neutron Kick Andy Franke

Simple Kick patch with a minimum of filter modulation, so every hit is slightly different. Made it to build a round-robi

Kick Andy Franke

Lost in Space Xiny6581

Tweak the VCF and VCA Bias for some crazy depth. Also cross fade the LFO for organic changes.

Stranger sounds

Random Seq fall Cigno Sound

Open up Lfo rating to get sound and turn down the Lfo rate when there is sound

Neuro recording Drum and Bass Reese

Wah-bull bass El Lumpo

Assign to mod wheel. Mod wheel opens wah-like filter and pushes in a bit of vibrator on osc-2, which is synced at a litt

Tom's Egg - cloned Ey

Inspired by Tom Waits distorted shaker on "All stripped down". Very noisy with a small bouncing or screaming note (OS

Tom's Egg fruktkonfekt

Inspired by Tom Waits distorted shaker on "All stripped down". Very noisy with a small bouncing or screaming note (OS

Attenuated Filter > Attenuated VCA beto_t

Reduces clipping of Osc Mix into the VCF, and clipping of VCF into VCA.

Promenade sur Triton ïookem

Test different combinations of OSC1 & 2 tunes with OSC MIX. VCA BIAS maximum, trigger some notes with low velocity. Then

Mécanique rouillée ïookem

Fishy El Lumpo

Assign to mod wheel.

Yee Yay Yoy El Lumpo

Playing second notes while holding first note down in paraphonic mode with sync on gives sort of wah sounding toggles. A

PWM MOD-y Breath Control - BD Brandon Dorris

Aftertouch breath patch. PWM with attenuated LFO modulating pulse width on each oscillator in opposite directions.

pwm breath lead

Basic Aftertouch Breath Control - BD Brandon Dorris

This patch is for basic breath control from a MIDI controller such as the Akai EWI4000s.* Neutron Assign must be configu

aftertouch assign modulate frequency midi to cv

🔊 Pigmented lead ariander

Assign = midi velocity input

9/8 arpeggiator Petri

Using olegtron to alter the osc2 shape

Generative StruKtur

Stacked FM jowala

Wide palette of FM sounds by tweaking OSC2 tune, OSC mix, LFO rate, ENV2 sus, and attenuaters. Enable LFO key tracking.

Essexual inspace Audio

play with both ENV use a ARP sequence Bit of a UK garage vibe.

Vibrato Mod jowala

Use mod wheel (CC1) to add vibrato. Set ASSIGN to mod. ATT 1 and 2 slightly up.

Ramdrones Marcelo Machaczko

Generative Drones sonund Main Waveform SIN, a little Triangle could be used. Rate an ATT1 modifies speed

Drones Generative

FM Shape Phin

R2D2 Marcelo Machaczko

The Voice of R2-D2

SuperSaw jowala

A supersaw with 3 saw+sq oscillators. The LFO is used for the 3rd osc. LFO key rate track should be enabled (hold lfo ke

Default patch - to check everything is 'working' Graeme

In your Bass AE

You can decrease the attackand the sustain of ENV 1 for more clicky bass And of course play with the FREQ and RESO

DFAM Emulation Attempt 1 Neutron Noob

I have velocity modulating cut off frequency. Osc2 is ignoring incoming note info, which I believe is called Hold(as op

Belly Bell Fruktkonfekt

Play around with sh-rate, vcf freq/mode and res, shape2 Ok to turn down delay

S&h machine Gibson

Play with the s&h

Simple kick Gibson

Play with the decay(env1 and ev2) and the attenuator 1 to reach the kick you want. Use a low note.

Easy simple kick

Overdrive Bypass Will

Patch for overdrive bypass

overdrive bypass

Woaw Bass Evolutive Alex

Simple Bass Move Alex

Basic Kick AE

Play with OSC type Slight move on : - ATT 1and ENV 2 Decay

Screaming vox AE

Play with ENV 1 Release for madness

Basic - Acid AE

Play with ENV DEPTH

Lead - Simple Acid

Drone Karadok

Use Att1 & 2 for rate & shape LFO ( Mode blend ) Assign : VCO1

New Toys FM

Bionic Detune Xiny6581

To change the detune use Attenuator2 and S&H. Small values will make huge impact. Also play around with the LFO to chang

variabass deejef

AK47 Drone Blancman

Adjust ENV 1 for more extreme madness :o)

Mean Machine Toni Stolt

twk filter frequency and envelope depth

Double Delay moth

Regular Neutron's delay on top of Mod Freq pseudo delay effect. LFO Rate controls pseudo "delay" rate (note KEY SYNC on

Gory Eyes Blancman

Can't get much simpler.... Adjust Reso mod and env depth to taste :o)

🔊 Stuttiklang fruktkonfekt

OSC mix slightly for adding sluggish noise unplug and replug LFO shape for rhythm variations

Attenuated Overdrive Klar Kinelis

Attenuated oscillators balanced with the Overdrive. NOTE: Set 'Attenuator 1' knob to 50% (twelve) Use SUM1 [B] as (sec

Skip Overdrive II Klar Kinelis

Use SUM1 [B] as (second) VCA IN.

Skip Overdrive Klar Kinelis

nasty Mr scary

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