Patch Library

Welcome to the Patch Library

Here you can find, create and share the coolest patches for your semi-modular synthesizer.
For now, this site features the Behringer Neutron, Model D and Crave, Moog DFAM and Mother-32, Make Noise 0-Coast and the Erica Pico System III.
You can also create a patch with multiple instruments by choosing the Rack.
If you want to see your synth supported here or if you have some other great ideas, please shoot me an email at zwippie at gmail dot com or visit the github repo.

Happy patching!

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More to come...

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Recent patches

Duo Patch Plexis

Snare FbHorse

Kick FbHorse

Alien swamp FbHorse

Adjust VCO1 pitch to create alien communications

Slow Blips Vaughtex

Good to turn on the VCA mode switch and just have a nice pulse drone.

Powerful Noisy Duophonic Rob McLoughlin

This is using the low note priority duophonic mode in firmware 2.0.

Massive patch 1 Goganishe

Terribly Ugly Emmanuel Miro

🔊 80s Bass Captain jd

Dual oscillator swing Philip

One envelope for each oscillator, set a little differently to sound like two different instruments. Delay is calibrated

🔊 Vargan Yesbird

Vargan-like sound with bzzzzz at the end. High velocity gives beeoooo on start.

Doppler Effect 1 Adaerus

- Use fine movement of the LFO rate and OSC Tune knobs to create a Doppler effect. - Use ATTENUATOR 1 to add timing ran

🔊 ACID NOISE DISLEXYC SOUNDS

MY FIRST PATCH - TWEAK ENV. DEPTH FOR MAX FUN! ENVELOPE1 CONTROLS OSCILATORS ENVELOPE 2 CONTROLS FILTER+LFO , TURN

ACID NOISE SIMPLE DARK TECHNO UNDERGROUND

dp Seq_01 donpetersen

good seq sound - 'reverse' attack/filter mod

sequencer arp short reverse

hi hat - cloned donpetersen

hi hat sequenzer + decay modulation

dp BD 01 donpetersen

Tri LFO becomes the main Osc adjust cutoff, lowpass/highpass, VCF Mod and pos/neg for cool variations Sustain is at '0',

bass drum kick bd perc drum

tubular bells 2 patrick

Smooth bass Patrick

Slow tempo bass!

Glitchy FM Rim Pattern Patricks

Long bass Patrick

Bird Pluck Patrick

soft sounding long pluck, nice with reverb.

Chime Arp dculture

Tune cutoff frequency until filter resonance is in unison with the VCO. Add lots of delay and reverb.

Soft Ambient Arp Bells

easy Psy Start Patch dI&dE

good starting point for Psy sounds. You can best moduate the sound with - changing Modulation Depth - changing the Fre

Tremolo with fade-in Martin Kutschker

Tremolo strength is controlled with ATT2. Fade-in time is controlled with SLEW. A longer tremolo fade-in (2 o'clock) wo

gliding bass line matthew

when designing some sounds to recreate the theme song to the 70s show cHIPS (don't ask), I came upon this and liked it.

Massive Kiiiiick gordon

Underwater Bass Chorus-Delay Reverby MrsProphet

hold one bass note while playing other notes - then release and listen to it dive LFO Rate changes the delay tempo The

bass delay modulation chorus reverb

Siimple Tom Tom Beek Apegood

Perc Drums toms simple record

Night Devil Valk

Patch found in Pandora's box Every peek into it will be a different evil I recommend Arp Midi input Also makes wonderfu

High Variance Experimental Bass

Bass/Trumpet Pad Delays MrsProphet

My first patch. Lover of all things delay. Smooth bass and high trumpets.

Dirty Lead 1 denkom

Simple oscillator sync lead with overdrive grit. Attenuator 1 controls vibrato. Envelope retrigger is set to staccato

Lead Sync Portamento

Acid bass Omni

Heavy Rain Scare Chords

This patch creates a rain like sound. Play around with the Filter and / or Modulation settings to create your desired ra

Air Raid Siren Daniel Sinagra

Add some reverb and turn to wet.

Effect zoom ms70 cdr particler and carbon delay

Lead Berlin school

Beatstep Pro 1-3-3-3 mummica

🔊 Power Bass Emmanuel Miro

Osc Mix to Delay In for open sound Move attenuator 1 & 2 for fun

Bouncing weird gordon

Play with lfo rate for fun stuffs

Bass with a soft "noise" attack (like a snare drum played with brushes) Martin Kutschker

ATT2 controls the volume of the noise. ENV1 A+D control the contour of the noise. ENV2 controls both the VCF and the VCA

Acid Wobble Beek Apegood

Dnb Acid Wooble Turn The Reso Knob

Hoover Terrible Beat

Tweak S on Env2 and Att 1 for sweet spot.

Thick Third Chord Ben_C

Dark Disco seq02 nou16

modurate vco2 cv to other lfo(triangle)

Dfam Miyako seq01 nou16

ajust pitch for darktone(like miyako scale) and add reverb

Insane Tempo Monero

I recommend playing an up/down 3 notes arpeggio.

Kick 1 Paul Cunningham

basic 01 gXand

Alien Cycle Lurch

LFO > both PW2 & Delay Time via Multi Aftertouch>Assign>Freq Mod Control/Tweak/Play: Delay- Mix and Repeats Freq Mod De

dark techno bass II: acid edition CheeseMeNow

midi from digitakt adjust LFO, res, and freq

Alba Ecstacy Patch of The Week 4 Goy

Sequence the following notes: F G G# A# D# C Add reverb + pan delay Take it up an octave to taste

Babble Lurch

Using osc 1 att1 to tweak pw2 Osc2 controls lfo rate

BASSLINE TECHNO Virtek

dark techno bass cheesemenow

midi from digitakt

🔊 Deep moving Bass Maveric

You can use the Attenuators to utilize more Waveforms.

Deep Bass Moving Sound

a little something 5d

No Stumbling Blocks - cloned Jos Cuzz

A rhythmic dynamic bass pedal interpolating variable percussive resonances. Switch Cut Off and change VCF Decay.

Snappy FM Patch Bay Mods Bass

Peace Bass - cloned Z

🔊 Basic Deadmau5 Sound Maveric

Play with the Tone amount to generate the sound of the Audio preview.

Deadmau5 Pad Clear Warm

No Stumbling Blocks Jos Cuzz

A rhythmic dynamic bass pedal interpolating variable percussive resonances. Switch Cut Off and change VCF Decay to intro

Snappy FM Patch Bay Mods Bass

techno hardcore random rhythm gegeartist

Trailing Pitch Rise Martin Kutschker

The sustain of ENV1 controls the interval of the pitch rise (0% is no rise at all). The tuning pot of OSC2 controls the

Bidirectional Autoglide (down then up) Martin Kutschker

Note will begin with pitch descending from then ascending to the played MIDI note. The depth can be controlled either d

pitch autoglide

LH theme bells aleksov

saving it for meself

mod my shape lukas kerf

Sine Bell Skarb

Strymon Timeline (Bank12A)

Learning Patch #1 - cloned Andrew

I'm not a musician, so I can't really describe what it's doing, but I think it sounds pretty wild. I'm very new to synt

S&H auto FbHorse

Volatile Steel Drum / Mbira Plucks ATW

I'll come back and fix the knob settings, this was generating some fun distorted plucks, a bit like a steel drum and thu

pluck mbira steel drums

Lead-2-Gabber DJ-RaY

Tweak the rate of the LFO... or Play around with the MOD DEPTH and ENV2 Parameters.... Maybe change the RESO and NOISE

Lead Gabber Hardcore

FM Bell George Ray (ed. Martin Kutschker)

Play very (!) short notes for bell sounds. Long notes and legato make weird noises :) ENV1 release controls sound lengt

First Patch CrazyGuy

Raspy lead Gharison

Osc 3 slightly detuned

Nebular Melodies - cloned Luca Crisi - Copied from the original from Jester Tears

Copy for the Behringer CRAVE of this wonderful patch by Jester Tears, originally made on a Moog Mother 32: https://www.y

generative Crave

Filterable bass Ambact

🔊 Mellotron cello-like sound Yesbird

Soft and warm, natural tembr like cello or human voice. Octaves 3,4. Try playing with PULSE WIDTH and VC MIX

Crave cello mellotron warm soft

🔊 English horn-like sound Yesbird

Warm and soft sound, best in 5-6 octaves. Try playing with PULS WIDTH, OSC MOD, VC MIX and of course VCF CUTOFF.

Crave horn soft warm

Multibass LifeforArt

Model-D Midi IN from Keyboard. Midi Thru to Neutron. Model-D Osc 1v/oct in from analog Sequencer and LC-Gate from Gate o

Behringer Neutron

🔊 Car Race Craziness kpatz

Crazy generative patch that sounds like a car race. Cars racing around the track, shifting gears, screeching tires and

SFX generative sync FM

analogue warmth rico

warm bass flip the sustain switch for more weight

crave warm organic

Nebular Melodies Luca Crisi (copied from Jester Tears)

Copy for the Behringer CRAVE of this wonderful patch by Jester Tears, originally made on a Moog Mother 32: https://www.y

🔊 Modulation Phin

Control de la vitesse du LFO par l'enveloppe 2

Tom Sawyer Lead Andy Skuse

Pretty basic Mini Moog lead sound. Getting the tuning of Osc 2 just slightly a hair detuned will help fatten up the soun

Rush Tom Sawyer Moving Pictures

Techno - Intro Setting globalwm

🔊 Rough Bass Maveric

-Connect OSC Pulse to OSC FM for a softer and warmer bass. Feel free to play with Cutoff, decay or attack

Bass Dark Rough

Square-Lead Detuned and SuperSAW-Styled Dj-Ray

LFO triangle+ LFO sqare(---->Sum--->Inv--->Att)--->MOD Source Low Output--->Ext in

Hurdygurdyish decarboxy

Somewhere between and organ and a hurdy gurdy. a bit of click on the attack. map assign out to aftertouch

🔊 Bass - Deep Bass Acid Drops

Give your deep track the bass it deserves. Almost only Osc1 and modifiers section are touched. by Acid Drops

Chunky acid roll T

Drop pitch on 1 and 5 too aprox 10o'clock, start to lower the pitch of 3 and 7, bringing the cutoff up

Reso Sequencer - ASSIGN Random Variation Tom

Octave 3 Von ASSIGN wird über MIX 2 der Regler VC MIX eingeschleift. Von VC MIX wird das Signal über MULTIPLE gesplittet

🔊 Arpeggios via delay time modulation Philip

I guess delay time modulation is old hat, but it's new to me. With this patch you can generate a variety of random arpeg

classic Mini Moog Lead Tom

fat Moog bass mit Filtermodulation Tom

🔊 Udu drum Yesbird

Udu drum sound. Tune it by playing with VC MIX and VCF CUTOFF. Octaves 4, 5 or more depentend on tuning.

Crave drums ethno

Analog Toybell mit Sub-Oszillator Tom

Octave 7 Der LFO erzeugt einen Sub-Oszillator. Die LFO Rate ist auf max. Das Feintunig erfolgt über die Regler FREQUENCY

computer gegeartist

🔊 drumline mku485

- VSO1 FREQUENCY knob very sensitive - play with CUTOFF - put VCA EG to FAST for more snappy drums --> my first patch h

DFAM PERCUSSIVE POWERFUL

Fat Buzzy Snappy Bass Otto van Zanten

Based on Robert Ivers patch used in the intro of his video titled 'Behringer Neutron, An early 80’s exploration with a s

Fat Bass Buzzy Percussive

🔊 Wakeman-like classic sound Yesbird

Rick Wakeman's favorite Mini moog sound (almost). Octaves 3 and 4.

Crave lead synth lead

🔊 N3P0 ( No Patch Paraphonic Pluck Oscillator) Introvert Junkie

Turn ENV2 sustain to modulate filter sustain. Turn ENV1 sustain to modulate VCA sustain. Tips: 1.) The progression in t

🔊 Multi-timbral Split Adaerus

The idea for this patch was to separate the oscillators and the envelopes and route them to different voices in paraphon

Multi Timbral Voice Split Polyphonic Sequencing

Computergame Bell mit Sub-Oszillator Tom

Octave 5. Der LFO erzeugt einen Sub-Oszillator. Mit dem Regler VC MIX kann man den Sub-Oszillator beimischen. Die Tonhöh

Acid Solo Tom

Octave 4 Acid styled Solo mit leichter Filter Modulation, auch geeignet für Sequenzen. Die Modulationstiefe kann über de

Gliding Solo Tom

short Wind up Tom

kurzer ansteigender Wind für Patternübergang

Pulse Pluck mit Sub-Oszillator Tom

Octave 3 Der LFO Square erzeugt eine Sub-Frequenz und kann mit dem Regler Mix zugemischt werden. Mit der LFO Rate und de

Deep sub bass Tom

FX Sweep Down or Up Tom

Die LFO Rate ist vom Envelope abhängig. Mit den Regler ATTACK kann man die LFO Rate von Up und Down variieren. Effekt-V

Crave Talking Tom

Octave 6 Wenn man den Regler PULSE WIDTH zwischen 0 to 1/4 dreht, wird eine Stimme "Ja" erzeugt und mit kleiner Reglerdr

Haunted Geiger-Counter vaughtex

Creepy noise pad. Like a distant voice coming through an old CB radio. Use reverb and delay. The effect can be changed

noise pad creepy

Filter Movement vaughtex

Works really well with Octave 3. Sequence recommended. LFO assigned to the filter comes through with the Mix knob in the

Reso-Pluck vaughtex

Works really well with Octave 3. Sequence recommended. LFO (square) slightly comes through with the Mix knob in the OSC

Bassy McBassface vaughtex

Nice PWM acid style bass. Works better in lower octaves

Laser Gun Tom

Bassline Dan Lava

Good for Berlin Old Shool

Berlin Old Shool

LFO Pump Dietmar Schwenger

Sequenz Bass Dietmar Schwenger

short Brass Tom

Reso Sequencer - ASSIGN Random Variation Tom

Octave 3 Von ASSIGN wird über MIX 2 der Regler VC MIX eingeschleift. Von VC MIX wird das Signal über MULTIPLE gesplittet

Reso Sequencer - ASSIGN Random Variation - cloned Tom

Octave 3 Von ASSIGN wird über MIX 2 der Regler VC MIX eingeschleift. Von VC MIX wird das Signal über MULTIPLE gesplittet

Metal Drum Tom

Melody Synth Tom

Reso Seqeuncer - ASSIGN Random Variation Tom

Octave 3 Von ASSIGN wird über MIX 2 der Regler VC MIX eingeschleift. Von VC MIX wird das Signal über MULTIPLE gesplittet

Kick and Snare - ASSIGN Variation Tom

Kick Octave 1, Snare Octave 5 KB CV via MULTIPLE splittet das Signal. Ein Signal zum MIX CV schwingt zwischen PULSE VCO

Kick and Snare Tom

Kick Octave 1, Snare Octave 5 KB CV via MULTIPLE splittet das Signal. Ein Signal zum MIX CV schwingt zwischen PULSE VCO

deep synth bass Tom

E-Drum Toms Tom

Reso Trance Sequencer Tom

Octave 4, Variationen mit VCF MOD oder VC MIX

Trance Sequencer Tom

Octave 5, Variationen über VC MIX und Attack

nice Sequencer Tom

Octave 4, Filter-Variation mit VC MIX

80s Horror bass wobble drone Gordie Orange

Noisy deep bass Tom

Stangers coming 10T5

NOISE LVL+VCF MOD from M32 MULT1+2, VCO2 CV from Ableton, ADV from M32 GATE, VCO 2 to M32 EXT, PITCH to M32 MULT

Reso Bass Tom

slow spacious Lead Tom

Bajo doble filtro torotumbo

El vcf 1 y 2 se suman en sum 1 y van directamente a la distorsión (overdrive), se puede saltear este modulo conectando s

bass filter dual filter

Self-gen background ambient (for liveset) Mstislav Kazakov

Octaves, osc2 waveshape, mod./env. depth, s&h glide, att.1/2 amount are subjects to change also it is optional to put SL

ambient techno dark random krell berlin

Android Scape Analog Dreams

🔊 Res Bass 1 Paul Cunningham

Tweak the LFO rate and the Resonance, to get some interesting sounds, but sounds best when adding reverb with high decay

Random Thumbfreak

🔊 hi hat manuold

hi hat sequenzer + decay modulation

🔊 Dep sub bass manuold

oct- Big bass !

Krell - Generative Patch Soundmonk

Additional: Ovrtn (on spliter) --> Time

Generative Krell

TRK069 EXHIBITIONIST CORRUPT DRIVE

🔊 Beat + Melody Mastazi

With this patch, you get kick, hat and snare using only noise, LFOs from the MOD section and one of the LPGs, so you can

Rhythmic Kicks Hats Bass Lead Snare

Play with cutoff

Deep_1 Hawker_221

🔊 I.A.O Techno Emiliano Pennisi

lowering the speed the beat becomes less syncopated and more IDM

fat saw lead c.pitman

minimoog d model (cp lead2) like solaris Behringer D model same

moog d lead (cp lead2) same Behringer D

Phunky Bass/Lead Gus

Play with the External Input Volume and the filter frequency

Sequencer Random Step TonyAnt

Just a copy from here: https://www.youtube.com/watch?v=76YIsEuMvNI " Behringer Crave - Self generating patch Based on Mo

Sequencer Random

SID Chip Sound Pips

stellar steps Acclimation

Add delay and reverb to taste , assign to random .

bassrod moodrum

Acid Dub Irok81

acid dub sound. tweak cut off to get some acid gooiness

Phat Kick Jay

tweak the pitch 1-8

Deep Subby Bass Akyra (Italy)

Classic deepy sub bass

deep sub bass round soft subby house deephouse

+ MICROBRUTE ORKO

NEUTRON > MICROBRUTE (ATT2 > FILTER IN) DR55 > DFAM (CLOCK OUT > ADV/CLOCK) MICROBRUTE MOD MATRIX (LFO > SUB)

Techno growl Jay

twist cutoff from 20Hz and back to 200Hz for effect

🔊 Deep dark bass manuold

played with keyboard and aggressive in sequence.

Space Bass Jefffy

Cool spacy bass tonws

303 agressive EDBLive ( Erik de Boer )

https://soundcloud.com/erik-de-boer-1/a11-a2/s-mZKbS Play with freq, res, mod depth & env depth, and env 1 & 2, and of

Rough bassy lead Dan

FX Sweep Down or Up Whalespruce

Lfo rate depends on ADS. Play with attack decay and sustain to get sweep up or down effect

NY POLICE HEYIMHIDDEN

WHEN YOUR FRIEND SMOKE WEED ON STUDIO AND YOU WANT SCARED HIM

Stormy Sea Grebog

turn CutOff and dResonance for variation

808 Kick sports_drink

Find the resonance

Generative Techno (with Kicks, Hats and pseudo-sequenceable Bassline) - cloned 100yan

A self generative patch for Techno. Kicks, Hats and a pseudo sequenceable bass-line !!! You will need 2 more cables for

generative techno kicks hats bassline pseudo-sequencer

wubalub beat sports_drink

Drop the seq pitch mod from eco 1 & 2 to off then Turn VCO decay from 9 o'clock to 3 o'clock and back and flip the seq p

static grind sports_drink

🔊 Lead Shine on part 6-9 fredo

With a long delay and little reverb use mod wheel

Slow Buzz Tekhnekratos

Walking Head 10T5

M32 VC MIX OUT --> VCA DECAY ADV/CLOCK FROM ABLETON CV TOOLS M32 EG OUT --> VCF MOD

Music for Films - detuned lead Particledots

This patch seemed to work very nicely as a muted lead sound, I sent the sound one of my mix channels and slowly added so

ENO Particledots

tribal drums gabriel

VCO O 2 -> filter pole env

Acid crave Vazgen

Acid styled patch with vcf modulation

Neutron+Ocoast- Meditation Drone - cloned Soundmonk

Add 2 delays and reverb. Just Hold one midi note and send it thru Neutron and wait moment for what will happen. Audio

crunchy ambient lead ben

ambient lead sound tone knob for crunch

one sequence gabriel

Peace Bass Alex Mitchell

Snare drum Weder Clay

Generative Techno (with Kicks, Hats and pseudo-sequenceable Bassline) 100yan

A self generative patch for Techno. Kicks, Hats and a pseudo sequenceable bass-line !!! You will need 2 more cables for

generative techno kicks hats bassline pseudo-sequencer

12-pump 12-pump

🔊 Arpeggio Lead 2 Locke993

Tweak Mod Depth and Osc Mix to alter sound At the end I patched LFO -> Delay Time for fun sound

Angry robots patch (KorgSQ1) Soundmonk

Korg SQ1 ---> Ocoast CV 1---> Sum+ Gate 1-->Gate CV2 ---> Ovrtn SYN Out ---> (Spliter)Tempo And on Ocoast: Mltpl---> (

Krell-ish Mr SkipMonkey

Cloned from Potreba's Crude Krell patch.

Dirty Sanchez Dario Matić

Play with pitch for melody change. VCO1 level and EXT level are 2 separate kick drums that you can mix.

Mountain Horn Jamick

The VCmix knob adjusts the amount of vibrato, I recommend a large reverb;)

🔊 Bubbling stinger JBoy

Really cool glittery bubbling effect. Added auto pan and some ping-pong delay in cubase

Cat Dobkeratops

Play with cutoff for catsounds

Neutron+Ocoast- Meditation Drone - cloned Soundmonk

Add 2 delays and reverb. Just Hold one midi note and send it thru Neutron and wait moment for what will happen. Here i

067 BEN'S DEN CORRUPT DRIVE

FM bass squelch Robinson

tweak filter mod and OSC2 pitch to taste

Soft PWM Lead Vestra

Mess with LFO rate and Attenuator 1 to change characteristics, AT 1 is sensitive and makes it sound weird fast. Turn it

#PWM #Lead #Soft

Electro Bass Davy

Leadish lines AdmiralVint

Tweaked some patches here and found this cool lead sound that goes well with some nice beats.

let it bloop joanofaux

slew gives it a more grainy texture lfo rate gives it huge sound difference att1 controls amount of filter reso att2 con

Triad Payton Carter

Heavy Kick and Noisy Snare Sports_drink

- Turn up the VCO 1 Level for some deep dubstep warbles. Flip VCO 1&2 switch for high pitch note on beat 2 & 4 - Turn VC

🔊 Winter wind Jamick

White noise, like a winter wind. Sounds good with a big reverb

studying patch Cerulean

i use this patch as background noise while studying

Stro-Bot Alex Di Nuzzo

It's a patch for a bass/lead and for a sequence too. Use those external effects: - stereo chorus - stereo delay (time is

lead bass sequencer

🔊 Arpeggio Lead Locke993

Tweak Env Depth to change size of emphasis Tweak Osc2 Width to change sound

Simple sub bass Stormofvisions

Bass sub bass simple

🔊 Alien Invasion Locke993

War of the Worlds style

066 THE DIRTY BITCH CORRUPT DRIVE

DARK TECHNO DIRT TWEAK OVERDRIVE TONE START WITH LOW RESONANCE.. BUILD IN LATER

🔊 Crave Talking VolcaNiced

You can turn the Pulse Width from 0 to 1/4 and get a human voice saying "Ja" ... if you adjust the VCF MOD a bit you can

#volcaniced #yeah #speech #ja #human

LEADER OF THE PACK Brock Davisson

Just a nice lead sound I did. Sounds best with some added reverb/delay and possibly chorus.

lead synth lead

Pianish NoFeedback

Assign Source:0SC2 OSC Tune Pot Bypassed Medium Hall Reverb Compressor Thresh. -30.8 Ratio 2:6:1 Hard Knee Att. 1.1ms R

Test Patch Bob

Lately Bass KRZ

Dark Eighties guy

Oizone oliodnb

Move Math Attenuverter to change sound character.

drums of hell - cloned gabriel

Portable Head Macio

Rene to osc1+2, gate to e.gate1

Pleasant Pluck Catherine R

Adjust the maths section to make the plucks longer.

Crave pulse width osc bass JBoy

great for arpeggios across several octaves

Yoga Bass George Sundancer

I got the DFAM yesterday and experimenting with its possibilities.

techno slow bass

Rush lead Tommy J

This is a great Moog like lead synth reminds of Tom sawyer lead. If anyone can figure out how to add vibrato with mod wh

Lead Synth Fat Lead

high notes gabriel

classical synth patch

Big Bass RandomSkratch

A big bass patch.

Fat MOD Bass NoSit

Old School, Simple, very fat modulated Bass line with a 70's style sound. use the LFO rate to change the mod speed, VERY

bass Retro modulated LFO Old School fat

Shake what your Drummer from another Mother gave ya Jordan Pace

Bit of a funky one (pitch has to be exactly right)

Lead Heroic Jam965

Brass, Lead, etc

The first rule of Tecnho is... Jordan Pace

The kind of music you follow into the seedy underground

Ambient Cathedral spacedrifter1961 youambienttube channel

Route through a reverb box such as Strymon Blue Sky.

Ambient Choral Berlin school Reverb

PWM Bass Peter Gelderbloem

Hat Peter Gelderbloem

Snare Peter Gelderbloem

Kick Peter Gelderbloem

Cycling Cycle Macio

dunno really dunno

Hkhvd Dgjjjj

Ominous Echobass oliodnb

MIDI B CV receives notes controlling Slope's pitch MIDI B Gate receives modwheel data and is used to freeze the echo eff

drums of hell gabriel

for music tribe nicolas

Performance Patch 1 Cerulean

keystep midi in, gate to s/h clock play around until satisfied. works really well with a chorus pedal and a reverb ped

Rate SH Clicks Serhio Efremis

Use LFO Rate and SH Rate knobs for different rhytmic patterns, USE Delay Time

Dylan Brady Moog Dan

Intro of Dylan Brady Studio tour

Ambient Cathedral Patch spacedrifter1961 (youtube channel)

Increasing the VCA Bias will hold the sound while adjustments can be made to the Time and Repeats on Delay. Noise can al

Berlin school Orchestral Reverb trails Ambient patch

BASS for punchy grooves Chien

Play with the ext in volume to have the right distortion and tweak the cutoff frequency while playing.

just ticking over Darryl

Lase Wet Bass 01 Lase

Crude krell Potreba

Gleaming Maciej M

Escape_Alarm Dario Matić

Two melody patch. One melody is controled by pitch sequencer and other by velocity. Cheers. 5 start for MD Playing.with

DFAM Machinedrum

Talking D Marshall

This will give a talk box effect that sounds like it's saying "yyyiiiee"

Talk box effect

Sursum Chords Alex Di Nuzzo

This patch makes every note as a "sus2-chord" and it merges an e-organ (from Model-D) with an e-bass (from Neutron). It'

pad lead organ chords

Roundy Bass Extropic

Stranded Organ Shoe

Started as a strangled guitar, stranded as an organ...kind of. Play with Mod Depth as sand runs trough your hand...and

Organ Donor Copy

WuzzBuzz Shoe

Confusingly different for short and long notes.

Bass Wobble Short Long

dub groove 6s9

+ space echo + spring reverb

Devo's Planet Earth line Marshall

Mod depth LFO rate are important to give the effect. Listen to the song Planet Earth from their Freedom of Choice album

Berlin school-style lead patch Brunswick Green. spacedrifter1961

I used this patch in my track "Brunswick Green", uploaded to Youtube 17 November 2019. One can adjust the PWM's, Oscill

Berlin school Tangerine Dream Peter Baumann

dub click groove 6s9

+ delay + reverb

Echobass oliodnb

MIDI B CV se to LFO

Technical Bass 01 Lase

Heavy Electric Bass 02 Lase

Heavy Electric Bass 01 Lase

Chorus Patch Lukimon

Behringer Model D - Klaus Schulze Solo REV1 HansMs

Behringer Model D - Klaus Schulze Solo Rev1- tweak freq-att-dec-sus. The Klaus Schulze fan gets the idea.

Behringer Model-d Minimoog

Pulsating distorted march GGG

Press one Key cont. for the march. Modulate LFO Shape with S&H, then modulate the S&H rate (Like Noise -> S&H In) for ex

DRONE aa-rr-ay

Move VCO1 slightly to change tone Move VCO2 slightly to change tone Switch between Square/Sawtooth on VCO 1/2 Waves Alte

Echoes Calculator Alex Di Nuzzo

This patch can be used for a sequence

Steely Drums Edward Pants, Esq.

Playing staccato in higher registers works best...

Klaus Schulze_legato_solo HansMs

Klaus Schulze_legato_solo, tweak the reso and contour....if you are a Schulze fan you get the idea :-)

Klaus Schulze_legato_solo

techno bass TG

Fletch Bass HansMs

Fletch Movie Bass, tweak the Cutoff and have fun !!

Fletch Movie Bass

Noisy Fellow Bass Stuart Mitchell

MIDI B Gate: Note On Turn up Voltage Math Attenuator to bring in subtle noise Turn up Lin FM to make it even noisier (0

Wooden Thumb Kick Stuart Mitchell

Play low notes Voltage Maths Attenuator: set sharpness of the attack VCO Lin FM: increase dirt/distortion (0054)

Scratchy Oboe Bass Stuart Mitchell

set MIDI B Gate Output to Note On Gate (0053)

🔊 Lead SB1 ïookem

Tweak FREQ, ENV DEPTH and OSC MIX to OSC 2. Add some NOISE.

🔊 Bass SB2 ïookem

Tweak OSC MIX on OSC1 to get more bass and increase FREQ. Play with ENV DEPTH.

BOUNCY PLAYGROUND Brock Davisson

Just a bouncy cool thing I like, you may enjoy it. Throw some reverb and delay on it for more fun. Also play with the At

piano ep bouncy

🔊 Bassmeleon ïookem

bass herbie hancock chameleon

🔊 Bass Arp 1 ïookem

Use KEY TRK to switch between big bass sound and medium bass sound. Tweak FREQ, ENV DEPTH and NOISE.

ShadowPad Alex Di Nuzzo

This patch is a pad similar to synthetic strings, but it can be used also as a slow dark lead

SuperOrgan Alex Di Nuzzo

This sound Is similar to a 70s organ like Hammond. I advise to use an external effect like a chorus or a Leslie.

Organ Lead ElectricOrgan Massive

Lead for SQ-1 Mstislav Kazakov

NB! - Mult in is GATE OUT from your sequencer, so gate out goes into gate 1 (as usual), and to LFO rate as well! same is

Plucky bass Mstislav Kazakov

Mod/env depth to taste

Bass techno mids

BASS: ROYGBIV by BoC (Version 1) Mike S

Not quite there, but almost...

bass boards of canada roygbiv sh-101 boc

Neutron+Ocoast- Meditation Drone - cloned JM

Add 2 delays and reverb. Just Hold one midi note and send it thru Neutron and wait moment for what will happen.

Mono Synced Sequence Domicidre

Make sure you Sync the Lfo to the incoming BPM if you want that. Tweak the delay so that you have a rhythmic thing goin

🔊 Wobble Bass Locke993

Wednesday Square Reminiscence Stuart Mitchell

Adjust Balance to taste (0052)

Slow Attack Sequence Pluck Stuart Mitchell

Use for fast sequences with low and high notes use delay (0051)

FM Pluck Sequence

Talking Ghost ANORAK

With the velocity to tempo the steps play in different lenghts. Patch a clock into the trigger jack to be in sync with t

Fat Detuned Square Bass ElectroDude

External Evolution Oblivion Ratula

Feed the External In with something like samples from a Music Thing Radio Music or Phonogene/Morphagene. Does well sequ

inverte matthew

flog it Graham

ORGANTRONIC Brock Davisson

Some sort of organ like tone I made and enjoyed. Turn on OSC 2 to make it fatter and dirtier. Add some external reverb a

Easy Tail Kick SynthBarono

Play with the ENV2 - Decay and with the Attenuators 1

Blood flowing in your head or an ultrasound on a baby Stu M

Fun to play around with the mod depth, noise and frequency knobs. The diagram wont allow me to set the LFO knob correct

Heartbeat rush blood internal bodily headrush whomp ultrasound baby

🔊 Forbidden Squelch Highballz

Hit any note and play with the LFO Rate and Delay Time knobs.

Yazoo, don't go - loop HansMS

Yazoo, don't go - loop

Yazoo Disco Reso lead

Strangled Guitar StellaBubble

Same patch different knobs than Drifty 80’s lead from Nikki. Played with LFO and Frequency.

RING-A-DING Brock Davisson

Just something I came up with and like.. also kinda reminds me of the intro to Stabbing Westward "Drugstore" song. I'm u

FM ring mod phone ring

Vocal Chris Kahn

Assigned a ribbon to ASSIGN and it will force vocal-like transitions

Versace synth lead lanka2571

Trying to create the synth lead sound from the solo on Bruno Mars' "Versace on the Floor" which I think is a DX7. I have

Dirty Fuzz Bass 5ths lanka2571

Decent for a drone or pedal point. Adjust VCF knobs and Envelopes to change character. Pretty basic.

Bass Dirty 5ths

Voyager calling home lanka2571

Space probe! Adjust LFO rate for speed. VCF knobs will change octaves/frequencies. Also midi note input can change octav

FX Ambient Alien

Wobble Bass lanka2571

Wobbly bass. Think dubstep. Play with any knob in VCF to change sound character. Change LFO rate to adjust speed.

Bass Drum Fat&Hi Hat Stieler

Bass Drum Fat HiHat

Bass Drum Fat Stieler

Tonal Random Singing Serhio Efremis

+OSC MIX to OSC 1 for more radical sing

Drum and Snare ADC Warrior

Drum sounds with snare on down beat. Env controls Osc sound Env 2 controls noise sound Att1 noise level Att2 noise env

Birds Singing Serhio Efremis

No Midi keyboard, Turn LFO Rate by hand a little at 12 o`clock

psychy Cerulean

patch arturia keystep in to slew in, get a sequence playing mess around with the knobs

Random Squelchi Psy Patch - cloned Ollie Music

Please note : The Assign output is set to Velocity, so basically the velocity of the midi notes is modulating the filte

Psy Psychadelic psychedelic

House Bass 1 Rémi

Bass SB1 ïookem

Wubb Wubb Featherz

Pwm bass okrra

KICK DRUM okrra

Eliane Radigue is not on the moog today Stella Bubble

Simple but efficient. tuning of the Osc is quite delicate. Play around with the VCF and LFO. Accidentally had the Neutro

Krell Otto van Zanten

generative music krell patch

Endless war 666

Inception Jeremiah Cramer

Ominous Expressions Parallel Figure

Neutron->Spring Reverb->Zoia(Ping-pong Delay->Plate Reverb) Aftertouch-> Slew In Neutron "Assign" = Modwheel

Parallel Figure Ominous Expressive

DFAM BLOB #2 Blob

put pitch to full on for snare. alter step 8 to full for beat change or lower 7 and 3 for snare free section. I like wan

DFAM BLOB #1 Blob

Play with the cutoff, VCA delay, reduce NOISE/VCF MOD to zero, vary VCF DELAY between 10 and 1 o'clock, VCO DECAY -> ful

repetitive beat

🔊 Generative Filter Ping yellowmix

I find pulse waveform tuned all the way down gives a nice DC offset to feed the filter, better than a noise burst. Filte

generative filter ping resonance

Breathing Drone stoic

sf-sounds PL1

Birdy's PL1

my first patch started with Alien Soundscape by Otto van Zanten

SuperLead Alex Di Nuzzo

It's a specific lead for solos with a legato character.

Lead Legato Solo

Motorcycle Synth Dakota Estes

Patch to generate sounds for a motorcycle engine in my student game project

Sound Design Vehicle

Hardcore techno piktonus97m

Hardcore Techno

Rick Wakeman's Arthur - just copied from Kevin Furtado ArtOfNois

- Slightly detune oscillator 2 - On the final part of the song Arthur, be aware to adjust the glide accordingly to the

rick wakeman prog rock

low reed Giorgio De Fraia

Ominous Bass Otto van Zanten

Resonance is optional. So is Delay Mix. I like to start with both turned down and playing with both up to the levels the

Rick Wakeman's Arthur Kevin Furtado

- Slightly detune oscillator 2 - On the final part of the song Arthur, be aware to adjust the glide accordingly to the

rick wakeman prog rock

303 Patch positivecentre / Nikki Alexander

303 patch found on Reddit by user positivecentre. I (Nikki Alexander) am not taking any credit, just saving it here for

Square Lead atomsk

Play with Cutoff and Resonance. Add some Reverb

🔊 Kick hardcore 90's (thunderdome 9 )Wake Up Brooklyn off disto for punchy kick DjMmix

note is C3 and E3 i'm played on air

early hardcore kick 90's

🔊 Lead 90's hardcore 2 DjMmix

second patch, with connected modulation with the freq modulation ATT1in in modulation in keystep a lttile bite range i

lead hardcore lead hardcore 90's

🔊 Lead 90's hardcore DjMmix

This patch recreate the sound off 90's hardcore sound majors In ATT1 is modulation add in the keyboard with the cv (me

Hardcore Lead lead hard 90's

Noise perc GABRIEL

SEQ 1 PITCH -> VCO1 VELO :-> VELO GATE -> VCA DECAY SEQ 2 PITCH -> VCO2 GATE -> NOISE ext

Basst1 Basst

crashing fist gabriel

Alien Soundscape Otto van Zanten

Try turning up Att 2, turning down Width Osc 2 or removing the LFO Uni > Res patchcable and turning up Resonance to 3 o'

alien sound scape sfx fx weird bleeps bloops control panel

evolting sliding bells gabriel

Limping Disco Aerial Vew

Started with the kick/bass/snare patch that comes with the dfam. I really dig how the sequence changes a little bit each

krautedelia Psych Aerial View BPM Boys

Techno bassline Soren Lemmike

nice in 123 bpm add four to the floor kickdrum

analog raindrop machine kosmotix

OSC1 -> LFO RATE OSC MIX -> LFO SHAPE OUTPUT -> LFO TRIG play with freq, reso and mod depth or the delay knobs

Dreamy Reed Nikki Alexander

Gentle analog reed-like sound. Designed for an ethereal arpeggio (just add lots of shimmer verb and it sings), but also

Ozric Bubbles RabbitC

Ozric style fast descending bubble effects - descend on release. Att1 mutes oscillators, reso set to full for self-osci

effects ambient

Turning On/Off Organik Beats

Twist the VCO 1 EG Amount and the VCO 1 Frequency knobs a hair. Be ginger as the slightest touch will alter the sound dr

Tone/Sampling Purposes/Colour

Patch 01 - cloned12 max

🔊 Hang Bell Domicidre

Play with the filter to get it more or less dark. Add Some good reverb!

bell melodic ambient

paraphonic pulse width modulation kostas

based on hints from the manual. Envelope 2 controls pulse width, and LFO controls the pitch of the oscilators

pulse width lead pw

🔊 Unstable Personality yellowmix

Osc and LFO should be set to Blend. Osc 2 should be mainly on pulse, the double square light flickering rapidly. LFO is

Ploink de Luxe pojo

S&H -> att2 in Att1 -> lfo Freq att2 -> lfo shape ext mod wheel -> att1 in ((external modwheel (keystep) not neede

Pluck Emanuel Botelho

Heavy Dist Bell NoSit

a very distorted bell sound with rich harmonics and heavy bottom end (tune all 3 OSC to harmonize) very lite on the EXT

bell harmonics distortion

Patch 01 Skarb

Twinkle bell - cloned Mr. Randomizer

Twinkling bell sound (osc1 sine, osc2 pulse), best sounding with a hint of quality reverb.

KOMA KOMMANDER EFFECTS PROCESSOR Mikey slime

For use with the Koma Kommander CV/GATE motion controller Line in processing for guitar/mic GATE 2 To VCF IN CV2 TO EN

USE WITH GUITAR/MIC kommander komaelektronik

marbles matthew

porta time is optional.

iNtox-Z - The Dark Side Of Neutron. Vitalik Kuprin

Ok... if you need to check sound from this creation, check my video on YouTube. https://www.youtube.com/watch?v=AgfhO5f

Noise Ultra Distortion iNtox-Z Harsh High Gain High Resonance

Ethreal Synth anirudh

Give some glide / portamento for more magic and check volume level as the drive is high.

Lead Moog Ethreal

Guillotine Emanuel Botelho

Noise is on with the volume turned off in the initial settings so I can add it incrementally after I start opening the c

🔊 Scream for you Life! KastleRyne

Adjust EXT IN VOLUME to taste. I find that set to 1, you get some nice warble that sounds more voice like.

horror Scream Sound effect

🔊 VHS Horror KastleRyne

Now you're ready to score your shot-on-video slasherpiece. Don't forget to stock up on fake blood! The Mix to EXT cabl

horror distortion

🔊 Awakening the Krell KastleRyne

Sounds like something from Forbidden Planet. Increase the Mod Depth knob to engage the transporter beam.

ambient self-oscillating sci-fi

Nice ticking sound with PW-modulation Mr. Randomizer

Patch LFO to mult and then mult1 to PW1 and mult2 to invert in -> invert out to PW2.

#PW #modulation

Deep bass to rule 'em all Mr. Randomizer

Deep bass to take care of the low end.

Twinkle bell Mr. Randomizer

Twinkling bell sound (osc1 sine, osc2 pulse), best sounding with a hint of quality reverb.

very basic matthew

osc sync bass or lead matthew

decrease or increase the attack to suit.. I personally like a softer attack. also, play with delay time to your liking.

Pudding on the Floor the Spoon & the Milk

it just feels like a pudding on the floor. taste it, promise on the spoon and the milk. run a nice 4 step sequence.

Drifty 80s Lead Nikki Alexander

Very, very 80s-ish lead sound. Add some chorus, fatten up the mids a bit with an EQ and you're ready to enter all your n

Basic Snare Nikki Alexander

Simple snare patch based on the Layered Snare patch found on YouTube, limited by my as of yet extremely limited knowledg

Robot Vox Matt Marguerite

You can disconnect the patch cabe and tweak the shape of OSC2 in the mood and the tempo you want ! Enjoy ! M.

Mega Bass Mr. Randomizer

Fat bass based on OSC pulse and slow attack, suitable for long notes.

#bass #surftones #vintage

Screaming icy lead Mr. Randomizer

Tweak filter cutoff to get it twinkle...

#lead #surftones

Chordette Emanuel

Plantasia Intro Arp Dakota Estes

My attempt at recreating the opening synth sound from the first track of Mother Earth's Plantasia. Play around with the

Pluck Arp Recreation

Fat Talking Bass Otto van Zanten

https://youtu.be/ZON_kvIYWxM Patchcables are optional, patching the S&H to the Filter Cutoff adds some randomization.

Fat Talking Filter Bass

Bloatware LakeB

Play with the filter and the osc-3 tuning

Part 2 (Delay Overdrive) Jonathan Tremblay

Second part. MS-20 output goes to DELAY IN, OVERDRIVE OUT goes to mains.

Weird Alien Soundscape (Modulating Delay Time) Otto van Zanten

https://soundcloud.com/ottovanzanten/behringer-neutron-weird-alien-soundscape

alien soundscape strange modulating delay time envelope

Fun Stuff Jonathan Tremblay

Clock source is S&H, change rate to control the patch.

🔊 Flute Dokmai

Add or remove noise to taste. If you set OSC 2 to square wave, the tone softens when WIDTH is fully down

🔊 Forest Kingdom yellowmix

Jumping from tree branch to elevated hut. Use Attenuators, Drive, and Tone to rebalance. Mix in delay to taste. Uses sl

Percussive Slew

Oxygene 4 Mr. Randomizer

osc 1 = narrow pulse osc 2 = mid. pulse (slight detune) slight filter modulation Bit like Oxygene 4 main melody lead.

#jarre #oxygene #lead

Triangle/Saw Bass Bart

The workers Portable

Env 1 - att1 - att1 - osc2- Os2 - att2-att2-pw1

Random Squelchi Psy Patch Ollie Music

Please note : The Assign output is set to Velocity, so basically the velocity of the midi notes is modulating the filte

Psy Psychadelic

Ambient Pluck Soren Lemmike

0-coast pluck sound. Nice with delay and reverb

INIT Patch Bart

Starting point fo a new patch

Quantum Loop 3ver

Also from the original manual: "Quantum Loop - A Sub Sawtooth sound with VCF squelch. A sample & hold noise loop is adde

from the manual Sub Sawtooth VCF squelch sample & hold

Edge Synth 3ver

Also from the neutrons manual: "A slow evolving sound using frequency modulation and wave shape blending to create eithe

FM wave shape bending evolving from the manual

Out Of This World 3ver

This is actually from the neutron manual: "A Sci-fi style sound showing off the S&H function of the Neutron. Here, the V

experimental from the manual self-resonance

50 Model D patches Visard Hing

https://www.youtube.com/watch?v=DwPNv-IPOIs&t

techno house psychedelia prog rock pop electro trance

Big Aggro Pad Daniel Staton

Good for long swells but cuts off once you let go

Fat Doubler Cello_789

Att 2 sets an envelope amount to att1 (which is how much the LFO affects the filter) With these settings, you get a thi

OB6 String Bass Thick Juicy Analog

Synth+Bass Tono & Harry Fader

sequenced by Korg SQ-1 cv A out to OSC 1+2 in gate A out to e.gate 2 in cv B out to freqMod in

Behringer Model D Sound Presets (Techno, Trance, House) + Preset Editor + Ableton Template - cloned Peter

Behringer Model D Sound Presets (Techno, Trance, House) + Preset Editor + Ableton Template https://gumroad.com/l/behring

behringer model d presets download

Distorientor Halidex

The LFO was set to switch not blend. The shape of OSC 2 is set to blend.

distortion saw bass lead

The Satisfier Adrian

🔊 Neutron 303 onionpsy

So it's just a simple emulation of the classic 303. I'm using the ring mod tricks. Obviously doesn't sound exactly like

303 bassline bass acid

basson FraZae

Neutron+Ocoast- Meditation Drone Soundmonk

Add 2 delays and reverb. Just Hold one midi note and send it thru Neutron and wait moment for what will happen.

Krell - Generative Patch - Neutron Soundmonk

Krell Generative Space Ambient

Neutron+Ocoast - Bass patch Soundmonk

Bass with rich overtones

Neutron+Ocoast Bass Ambient

Cute Vibrato Lead - cloned Ethan-William

Attach the Assign to the mod wheel in the Neutron Software for vibrato use. Mess with OSC 2 Tune

Lead Vibrato Saw

🔊 Pulse width Bass/Lead Mesa

Use attenuators 1

Bass Lead Pulse width modulation

SUPERGUITAR PSYELECTRIC STEREOPANIC

Just move cut off freq and combine with reso and you get lots of distortion

Bubbles Lurch

Works well with: Arturia Keystep sync out >>Delay time Sequence on Keystep A,G,F#,F, E

Kick Gomchen

Kick Variations -> Att1 + Filter + Env1 & 2 + Overdrive Thanks to Rishabh Rajan

VBR Brass Skarb

FM Sync Bass Adaerus

Attenuator 1 = Env FM amount

Confused Lead McMurphy

🔊 BASS ANIMAL

Cybery WOW Bass 0Day

Just a neat little 'wow' sounding bass. Playing with LFO shape makes some interesting changes to the bass, try toggling

🔊 jacobs ladder _martin__f_

control - tune1+2 speed - lfo rate

generative industrial noise

pluked Skarb

light dark bass for the sequencer

Ambientish 2th

Sequencer step Skarb

Pulsating Lead David Gallagher

Sounds good as a lead on both high and low octaves. After patching you can try some of the following to alter the sound

Pulsing electricity PanOS

Fully electrified pusle. LFO rate controls the pulse speed. OSC shapes the electricity :). Attenuator 2 the pulse width

Hand Clap Chris

Cute Vibrato Lead Vestra

Attach the Assign to the mod wheel in the Neutron Software for vibrato use. Mess with OSC 2 Tune

#Lead #Vibrato #Saw

Projet 1 Gigot Bitume

91319swellish M4D

🔊 Trip Hop Adrian Bond

Dial the pitch all the way up occasionally on 7 and 8 for snare variation.

Anhalt EBM Pagan Struck

connect cable in osc 1v / oct and do not connect it to any other input

EBM bass bassline

🔊 Volcanic eruption 　火山大爆発 Tomo

🔊 Drum and Bass Clank Adrian Bond

Dial Pitch 8 up and down.

LittleTroubleIn... McnamarasAirfield

Drummy wavy Oim

Use with sequencer, tweak lfo raye, here you go

happy winning theme mdvn

VCA BIAS for long base note

Wat e boetifoel noeus pojo

noise with choppers

noise random ambient

pojo own Lamentia 2 - cloned pojo

pad atmospheric dark

Alien Bass Ass Tacos NoSit

a fat Bass being played from an alien's ass after 3 tacos. adjust the ATK on ENV 2 to control the speed of the Shape Swe

bass FM Shape MOD Detune Short Stab

paraphowave matthew

🔊 Flickering Sequence Dr. Dicktitty

I used sequencer for the audio preview, but it's fun little patch without it as well.

Harley St waxwrx

A tribal rhythmical beat played at 4 on the Tempo. Crank it slowly up to between 6 and 7 to start the Harley up. Crank i

kick motorbike rumble

Shake it baby waxwrx

Quite a heavy shuffle that you can slightly tweak the velocity dials to build a nice rhythm. To add an outer space layer

Ultra Bass McMurphy

Lamentia 2 MFMAD

tweak the osc shape for viscosity of sound. Add a little bit of mod depth if you want some grit. have fun with it!

pad atmospheric

Lamentia MFMAD

distortion electric guitar delay

Thunder Storm 雷鳴 Tomo

🔊 Volcanic eruption 　火山大爆発 Tomo

Deadmau5 bass lead uncoder

Plucky Cerulean

plucky patch, play witch VCA BIAS, filter and noise to make it cooler

plucked strings

Solid/Lately Bass - cloned Patrick Muthler

As close as I could get to the DX family's famous preset. Get your oscillators are in tune with ATT1, or tweak with OSC

Lucky Man Solo - cloned Patrick Muthler

This sounds just like the synthesizer solo from Emerson, Lake, and Palmer's Lucky Man. Found the patch in the beginnin

Default Square Chad K

Initialized patching.

🔊 Intense AF Dr. Dicktitty

Noisy and unpredictable, yet melodic. Go crazy. Fiddle with mod depth and att2 for more cosmic fun. Control the amount

LFO Fun Geoff

The settings on the Model D don't matter. We only want some LFO. Play with The LFO on the Model D and the Neutron. Use

Bass with major 3 harmony mdvn

Perfect for short / plucky bass notes, with proper EQ enhancement can be made to a phat and funky sound. Long notes star

pop vengaboys earlyCalvinHarris

Bubbling Brook East Jackson

Behringer Model D Sound Presets (Techno, Trance, House) + Preset Editor + Ableton Template Model D

Behringer Model D Sound Presets (Techno, Trance, House) + Preset Editor + Ableton Template https://gumroad.com/l/behring

behringer model d presets download

TMRS DRONE DP

Ambient Life - Random S&H oscillator shapes and LFO self modulation Soren Lemmike

This patch sounds nice with semi-random sequenced midi notes in minor scale at a slow tempo with lots of reverb after th

ambient S&H slew delay reverb

🔊 Solid/Lately Bass David

As close as I could get to the DX family's famous preset. Get your oscillators are in tune with ATT1, or tweak with OSC

self playing Cerulean

Fat minimal techno Peter Hope

thumper with timbre and overtone giving depth and buzz play with lin fm for more thump slope fall moves the speed of the

pluck lead 1 - cloned pojo

pluck lead pluked lead

pojo ambient drops extra pojo

fine tune with vcf- freq and lfo-rate

ambient drops soundeffect

Idk but it sounds nice Parallel Figure

Shape 2 -> Arturia Keystep Velocity or Aftertouch Neutron "Assign" set to whichever is not affecting shape 2

Birds PanOS

This is a natural birds soundscape with the VCF resonance & LFO VCF IN is patched to nothing to mute the oscillators Use

🔊 997 psy gated lead Ceteract

In stead of Assign, use sequenced cv out from Deluge (or whatever) , then insert/remove the S&H jack in Sum 2(A) to togg

pojo-drops - cloned pojo

You need an attenuator between an osc and the VCF. Just open the att1 a little bit. Fine tune with...LFO rate, VCF fre

🔊 Kick hardcore DjMmix

Reproduction hardkick in 90's, 95's ,note play is a G0 and play seq is a C1 velocity in seq is 76

Hardcore Kick 90's

pluck lead 1 DjMmix

pluck lead pluked lead

🔊 different hithat DjMmix

E4,F4 and G4 tone is good for hithat, tune osc 1 and 2 on C4

pojo-drops pojo

0sc1 --> att1 in Vcf1 --> vca in att 1 --> VCF in You need an attenuator between an osc and the VCF. Just open the att

multiosc lfo DjMmix

use a différent lfo rate for fun !!!

Banger 逸厽

🔊 Alien drone LASUN

Static noise is from shitty usb hub. pls ignore.

Alien Drone bass drop low rumble

BoC ish matthew

Simple detuned waves with a dash of noise. Set the attack to a lower level for cool arpeggiations, or a higher attack f

Snare for DFAM Erudite_Alien

- Lfo rate in from DFAM velocity out - run/start in from DFAM trigger out -

Nice Kick Ariaz

play with the loudness contour decay

Space Cake Break Zemftee

I'm a complete beginner when it comes to synthesizers, so I'm not sure whether what I've done (e.g. the patch cables) ma

atmospheric ambient pad-ish

ModWheel-Lead ATI

ASSIGN output jack = ModWheel The patch is good for Lead with application of the ModWheels The Mod-Depth it is fixed. Th

Random Stutters Logarhythmic

This adds random "stutters" at varying rates. It works best with a sequencer, and the Sample and Hold being clocked by t

909 Kick HWO

It's like a 909 but not really but kinda but close enough

The Great Destroyer (NIN inspired) Jobst M. Feit

Tweaking Cutoff Freq, Filter Mod Depth and LFO Rate gives you some great results. The path is a little tribute to the so

noise s&h resonant drone

Times New Roman Adredd

🔊 Snare DjMmix

play the snare on a key note A for better snare

dance with me - cloned Globalwm

Flip of the Hard Sync (up) Add some Velocity 6 - and vary Velocity 2 for tonal variety. Adding some Velocity 8 picks up

Ticking Banging Electro Beat Globalwm

Slowly tweak some of the Velocity knobs that are currently turned off to create rhythmic variants that build on the basi

Industrial Beat DFAM+Neutron adredd

Rate on the Neutron LFO controls pitch

🔊 paraphonic drone - cloned Ceteract

You can keep a drone note which whill take osc1 and play a line over it with osc2 as it morphs.

paraphonic drone Ceteract

You can keep a drone note which whill take osc1 and play a line over it with osc2 as it morphs.

Strange Voices Antithesis

This patch creates random voice like sounds that is both creepy and cool. I use a single note arpeggio as a trigger/gate

Wobble bass acid DjMmix

coupled with the beatstep pro CV in OSC1+2 , Gate in E.GATE1 and Velocity in ATT1IN in patch bay

bass techno Wobble bass acid

Huge Bass McMurphy

pojo-nerves pojo

s&h - att1in att1-lfo rate -------------- extern: (sq-1) Cv-a out - freq mod tweak with env dep (vcf) and decay (envelo

Flying Away The Doctor

Wobbly pad/lead sound. A touch of noise give a nice character you can avoid the Drive if you want a more mellow sound.

Detuned House Bass Blueshift

Detune OSC3 down very slightly from unison for this patch. Best range around C2-C3

House Bass Detuned Warm

night1 jfrey

First at patching something with the neutron.

Electro Style Bass ElectroDude

Play it with a simple delay.

#Electro #Bass #Techno

UK Square House Bass Blueshift

You know the sound. Nice, snappy and round. Change OSC1 range to 8' for flatter and 4' for rounder. Loudness contour at

bass house techno

Wobbler Factor Mason Hollis

If you like Dave Tipper you will like this

bass wobble crunchy

Clicky Bubbles Swan

Tweak LFO Rate, ENV Depth

Grunge Lead UL

Play slowly and low

Lead Noise Overdrive Delay

Metroid Prime Lead Swan

Sounds just like the lead synth in the opening song for Metroid Prime

Rack Testing zwippie

deepspacecamp - 0coast+m32 deepspacecamp

Deep linear bass Skarb

Belgian LFO Brass Burntweenie

Belgian Hoover with heavy LFO. Very funky when used in a quarter/eighth note sequence.

Random Chaos Bubbles Holger Rohmann

Self oscillating, no midi input needed Try changing - LFO Rate - VCF Resonance - VCF Modulation - Delay (all settin

random chaos noise bubbles

DEEP HOUSE/TECHNO BUZZ BASS & LEAD Henry Navarro SF

This is a great synth patch. I the EVENTIDE BLACKHOLE at 100%. Used in my song The Mask.

deep house techno tech house

Soothing Rhythmic Growl jdorwin

This makes a pleasant repeated growl noise. I included optional randomness; just turn up Attenuator 1 to randomly vary

ambient drone growl

Funny sadness Lux Mint

ants in my head Lux Mint

cv out set to lfo

I can't believe its not a Hang Drum Sam

Got to this sound on the way to a high hat, its almost like ring modulation

DEEP HOUSE/TECHNO 70'S MOOG LEAD Henry Navarro SF

This is your classic 70's Moog lead. Use a lot of delay and reverb to lush it out and it will sound huge in the mix. I p

deep house tech house techno hip hop solo lead

DEEP HOUSE/TECHNO TUBA BASS OR ZAP LEAD Henry Navarro SF

This patch is ideal for Deep House or Techno bass or leads.

deep house tech house techno

Bass Overdrive II McMurphy

mastroianni muhn max vicinelli

dance with me max vicinelli

My First Lead Fredd

Rythmic&Mélodie Head Return

(1) VCF MOD - VCO1 ou 2 ou VCA + VCA - NOISE ou EXT AUDIO (2) VCO2 - NOISE + CVA - CVF MOD (3) CVF MOD - CVA + NOISE

gen1.0 meadow

tunable random behaviours

Subterranean Steam Dream iAi

Mess with attenuator 1 for more LFO into the delay time, and attenuator 2 to put more S&H into the LFO shape. Filter res

Simple Square NoSit

very simple and deep square bass with just a little movement.

Simple Snare NoSit

a simple snare sound (Credit to "Graydon Audio" on YouTube)

Simple Kick NoSit

a very versatile basic Kick sound, play with the D&R of ENV2 and ATT1 to Make it beam like.

Bass Overdrive McMurphy

DEEP HOUSE, TECHNO or HIP HOP SUBBY BASSLINE Henry Navarro SF

DESCRIPTION: This is a simple patch, however it is a sure bet for any subby deep house, techno or hip hop/ trap track,

deep house house tech house techno sub hip hop trap subby minimal minimal techno

Nights Teaser Sound Adam King

Stranger Things Martin

Cmaj, B and C(+1) arp. Tweak the modifiers and LFO rate to taste.

bass stranger things arp sweep

Tryng Maurizio

Event Horizon bricky

Cello Sound jdorwin

Was creating a lead sound and accidentally ended up with a nice cello sound.

bass Ras Tumo

GD BASS 1 Estuardo

BRAK Adam King

Blade Runner Style - use loads of shimmer verb

Death Whistle/ Scream Jake Herrington

Can be extremley loud. Sounds best in a slighly higher octave. Go too low and it truly sounds like a fart.

noise scream whistle

TechLead ZlayReal

Bit crushed Talkbox

Euphoria 2 Monte Weber

🔊 Boards of Germany KKO

Better for bass leads. 2 slightly detuned oscillators are low-pass filtered with it's filter frequency being controlled

lead boards of canada analog

Retro Bleeps Potreba

Autoplaying patch. Similar to mwandishi intro

Shapeshifter Bass Potreba

Funky Bass. Velocity is Assign.

Starter Kick - cloned mike

Modifiers: VCF Freq, Reso, + Env Dep shape kick sound Try Env2 Decay to change Tone

Sci-Fi Sweeps TeknoRebel

Nice melodic drone as is. Pull the VCA in to start the crazy Sci-Fi sounding sweeps.

Saw flying Noname

Crazed jazz birdhouse Burntweenie

Sounds best with a short arp pattern or sequence. Fiddle with ATT 1, PW 1&2, FREQ, RES, LFO rate. Bizarre birdhouse with

Jazz bass crazed birdies

Eterna | Ambient Drone ALMANACS

Watch this patch playing: https://www.youtube.com/watch?v=I-RDvJBTZ5c

ambient lead drone pad

Telegram Style Bass liamwatkins

Cars Hard Sync hoggernick

Adjust ATT1 knob and OSC2 tune knob to adjust as needed.

Distorted Wind michal

use VCF KNOBS for fun

noise wind distorted lfo

self-evolving drone Kecap Tuyul

This patch create a slowly evolving drone full of harmonics without changing anything. Tweaking the OSC MIX value can ad

drone ambient experimental generative

MIDI Note Velocity with Overdrive bypass Bendy Bus

Lucky Man Solo jdorwin

This sounds just like the synthesizer solo from Emerson, Lake, and Palmer's Lucky Man. Found the patch in the beginnin

Classic Dubstep Wobble Swan

ATT2 to Mod Wheel to control LFO Rate Play with the envelope controls on ENV 2 and ATT 1 Knob

Rythmic BAss synth Matt Marguerite

synth rythmic S&H

Starter Kick Matt Clark

Modifiers: VCF Freq, Reso, + Env Dep shape kick sound Try Env2 Decay to change Tone

Silly Pet FUN_ENV

Funky brass shots! You can use the LFO (downwards saw wave) to cut the filter in addition to the envelope2 but you can

funky brass short VCF_Env comic

LFO to AMP "tremolo"• godolonky

LFO affects only VCA (amplitude) Control clean signal with ATT and tremolo with ATT2

lfo vca amplitude tremolo

Stefaan Van Hoof - Bodzin simple Stefaan

RED ALERT BLEECHN NEADLE

ezai Cicril

Hmm Interesting Bråkmaskin

Fun to play with a drone on a lower octave and short staccato lead on top.

absolutely shit dan

Self generative bliss Muzone

Self generative percussive bounce Muzone

wiggle the Math in the positive range

Self generative weirdness Muzone

Play with slope and contour settings

Boards of canada Lead/Bass - cloned - Beefier Nico Tdl

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Generative Patch Experiment, Krell inspired Relative Ability

Love to tweak all the parameters! Specially delay repeats, filter, both oscillator tune and envelopes. Sometimes a bit o

Generative Krell

TD flute spacedrifter1961

Play through reverb and delay. spacedrifter1961 Youtube channel

ambient Berlin School

Cruel World Jonny Schwanz

VCF Sub-Oscillator Jason

1. Tune the Cutoff to achieve desired sub-oscillation 2. Tune the Frequnecy 3. Set desired Mix

Dual Rising Suns JAsh

Needs MIDI input; 1 octave down ::natch::. Get the ATTACKs close, but not the same, and play with the SUSTAINs to get a

Space Kitties Parallel Figure

Mess with the delay time knob to get better meows

Dusty Casino Acid Twist Gore Nix

Adjust Mix and VC mix Credits: boxcaraudio

Synthetic Rain Percussion Gore Nix

*Turn up the "decay" and VC mix to give it more body and punch *Turning up the VC will give it evolving darker bassline

Forbidden Planet/50's sci-fi style spacedrifter1961

Provides an ideal background soundscape for Berlin School-style sequences. Slow adjustments can be made to the followin

Space Dark Ambient Self-generating

4 voice drone NTRMN

Tune OSC2 to a low root, OSC1 to a 5th below, LFO to an octave, and adjust the FREQ resonance to whatever you feel like.

drone self generating 4 voices

Forbidden Planet/50's sci-fi style Spacedrifter1961/youtube channel

Provides an ideal background soundscape for Berlin School-style sequences. Slow adjustments can be made to the followin

Space Dark Ambient Self-generating

evolving drone henk

this patch uses an arturia microbrute as external LFO. patch the LFO out of the microbrute to OSC1. use reverb (a lot!)

drone selfgenerating dark

Hoover Bass ElectroDude

Osc. 2 slightly detuned Play with Att. 1 and Envelope 2 Sustain Chorus as effect

#Techno #Hardcore

🔊 Growling Shape Changer JohnD

Adjust Shape 1 knob so it cycles between tone mod and triangle spending roughly the same amount of time on each shape.

🔊 NoisiaStyle Declan Knapp

Use Very slight adjustments to VCO 1 & 2 Frequencies to vary the tone. Also nice to play with VCF Decay & VCF EG Amount.

dirty pseudosequence ernie

Rather a raw one here. Also add sync out from your Keystep or whatever to LFO Shape in to sync with external clock. Whe

Beating Pulsar (Credit to CHI) NOSIT

i played around with CHI's awesome Patch and added a little LFO and envelope movement. the LFO is modulating OSC1's Sha

ambient evolving delay

🔊 Boards of canada Lead/Bass - cloned WH

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Boards of canada Lead/Bass WH

Adjust cutoff to taste. Attenuator 1 knob gives S&H over cutoff aswell Attenuator 2 knob modulates resonance adding a

Boards of canada mono lead bass synth

Formant "Pony" Bass NTRMN

This is tricky and it's all about messing around with the LFO rate, FREQ, RESO, MOD DEPTH, and ENV DEPTH until it's just

formant vocal bass ginuwine

An alternative to using up an attenuator to tame the oscillators. You can use the VCA (distortion on part of the AD) or

OD to VCF V.Stegeman

Playing with routing to lower the overdriven input to the VCF, as well as putting the OD before the VCF so that gets fil

"VCF In" "Overdriven VCOs to VCF" "S&H to Delay"

Organiser Wiel

ceva ceva teknetium.23

a bit of buzz and a bit of crack, i need more patch cables

Ambient Para phonic

bleep Jerem Wlderz

play with attenuator 1 / Noise and Mod Depth #DON'T PATCH ATT1 -> OSC1# (can't remove the cable on the website)#

bleep sequence phone dark

Auto lifeForms - electro jungle Mileto

___________ You can listen this patch (plus obviously just a little of reverb) @ https://soundcloud.com/user-339685912/

FLOYD_rpm72_SQ_1 Richard

32 step sequence. Use 5 different notes.

Sequence 32 steps

Kick 1 tomachiavelli

play around with frequency, vco wave, tempo, lfo rate, mix, cutoff, resonance, vcf amount. keep a short attack

Electric Drum Roro

Drone Swell Pad duilio pasquale

adjust lfo to match swell to length of note. current rate setting calibrated to four bars @ 125 bpm

drone pad ambient dark

Space Bubble Riser duilio pasquale

use vca bias & lfo rate for space generator

drone riser ambient pad

SLightly Bouncy Octaved Bass Stab Conversion

Bread and Butter Patch

Living Crunch Lead Conversion

Screaming Lead or Harsh Pad. Ride Mod Depth Knob. Filter cutoff can be adjusted subtly for accentuation of relevant fre

MultiLead deejef

2 osc 2 leads Attenuator 1 for OSC pitch LFO

Irritating Beep Hilltree

Even at the original mini it's bugs people a lot. Where does it comes from ?... OMG, my half hour search for that annoyi

perfect pitched beep

Ambient 2 CarlJaz

TWO MINUTES REMAINING @pthelo

DO NOT USE AS SHOWN!! The patch was created using a HOSA Knucklebones 5>1Splitter. In the real patch, I've connected t

pthelo.patch001 OM SHAPTA Drone Knucklebones Delay

3rd Oscillator LFO drone NTRMN

Patching an audio rate LFO into the filter then the VCA and it acts kinda like a higher "harmonic" drone. Tune the LFO w

ambient feedback heavy delay drone

Deep PWM Zone1Music

Beautiful undulating PWM patch. Deep with big swells.

Kick 1 tomachiavelli

kick bassdrum d&b

🔊 Strange SAW Matt Klam (klamecki)

inspired by strange things

Test Stefaan

🔊 Deep Sea clocktrick

manQuant 65 Anti P

Insekten retten

techno synth antilophobia

play with cutoff add reverb (i used neunaber immerse)

elysion Philipp

Generative I - Krellesque tomachiavelli

generative krell

Blips Philipp

To be controlled via Step Sequencer at around 90BPM 1/16 notes. Creates nice sounds. External Reverb could be added (I u

Flowers Love Lead - cloned Author

Lead of "Flowers Love" from Joel Fajerman , a try to get close. 2 sawtooths with sync A BP filter with resonance and

Synthwave Bass Mister Grinch

punchy, short bass... good for pulsating synthwave kind of things

Dub Flûte Fab

Play Through Delays and tape saturation !

Blank patch Sapphyr

No connections at all and default settings

OOTB - Out of the box

Flowers Love Lead John lois

Lead of "Flowers Love" from Joel Fajerman , a try to get close. 2 sawtooths with sync A BP filter with resonance and

Neutron as External Signal Processor (Guitars, Vocals, Other Synths) SpontaneousLightBulb

1. Plug your external signal source into the Input Jack of the Neutron with a TRS cable.* 2. Open and close the Filter

External Signal Processing Guitar Vocals Filter Only MIDI

Kick & Synth Rhythm 01 Radd Berkheiser

Some evolving tweaks for performance, try one at a time for breakdowns & movement: VCO 1 +/- quarter turn VCO 2 - quart

Organic BP PW sweep John lois

A slow LFO modulating a resonant BP filter and the PW of both oscillators with slight detune. And a little random modula

Drive-D SofaKissen

use together with Neutron Patch Drive-D! connect - Neutron OSC-MIX to Model-D FC-Gate; - Neutron ATT1 to Model-D EXT;

D-Drive SofaKissen

OSC's, Filter and LFO to Model-D: OSC-Mix to Model-D FC-Gate; LFO-Uni to Model-D LC-Gate; ATT1 to Model-D Ext Change Rh

Tauben Anti P

Wow i am the first

Deep Wobble Bass

🔊 Experiment 01 Radd Berkheiser

VCO Decay has some nice values between 0 and halfway. FM Amount can be lightly added. Some breakdown type variations can

🔊 Experiment 02 Radd Berkheiser

A riff on "Kick + Noise, optional Drone from VCO2" by RiF. Good tweaks can be had on VCO 2, Cutoff, Resonance, VCF Decay

Exoteristic Talk carsten.p

Play any Key and listen

🔊 Effervescent pad/lead wmbrchmby

A bubbly pad sound with the Sample & Hold section playing a starring role. OSC 2 tuned a fifth above OSC 1. Increase

ELECTRO THRUMP Fab

PITCH -> VCF MOD

TRIBAL DRUMS Fab

PITCH -> VCO DECAY

KICK - BASS & snare Fab

PITCH -> VCF MOD VCO EG -> NOISE LEVEL

TUBULAR BELLS Fab

PITCH -> VCO 1 CV

BIG BOTTOM BASS Fab

industrial 1 killeragnew

Ambient 1 CarlJaz

Separate the keyboard by using the editing APP

broadcast halidex

in the software the LFO depth is set to around 18% and the assignable out it set to mod

Delayed Arp Kvn Kvn

could use for techno, adjust lfo for bpm to match ~16 bars

Self generating weirdness - updated Staubi

The sample and hold (S&H) is used to generate ramdom voltages. The S&H is triggered by the LFO. The random voltages cont

self generating

Winter Organ (Bass/Lead) Der Stresssenat

Use Reverb in large and meaningful doses. Fiddle with Filter, Resonance, Envelope 1 Attack/Release.

Moody Organ Noise Atmospheric

BsPro prj05 ext clock midiMe

siqqqbass yotoss the batch

wowe, start with just one oscillator then mix both, play arounud with PW of both for some gnarly waves, don't forget abo

Sweeping Grit Generator 2 The Chad

FM AcidBass - ed Manu ponce

play with both oscillators play with att2 play with att1 to modulate Osc2 Fm Shape with Env2 for a more drastic mod Env

🔊 FM AcidBass Manu Ponce

play with both oscillators play with att2 play with att1 to modulate Osc2 Fm Shape with Env2 for a more drastic mod

Self generating weirdness Staubi

The sample and hold (S&H) is used to generate ramdom voltages. The S&H is triggered by the LFO. The random voltages cont

self generating

Sweeping Grit Pulse The Chad

Skinny Fat Lead Kvn Kvn

Mess with LFO rate (11 and 3 for best results IMO) and Attenuators for character. Do w/e you wanna with the second OSC,

Filter AM Macio

Contoured Pad spontaneouslightbulb

Working with this Patch: This patch attempts to create a complex pad through the use of harmonics and an almost constant

pad monophonic delay patch shimmer aftertouch

8-bit NTRMN

Adjust ATT2 to give you that rhythmic "trill" you hear in those classic games.

8-bit video game lead

Pulswaermer SofaKissen

play with all the knobs. needs a nice sequencer like StepPolyArp

Bass Monster calnyc

Sustained NeuOrgan spontaneouslightbulb

Tuning: OSC 1 and OSC 2 are tuned 3 octaves away from each other. Tune knob OSC1 until it is at C5. Tune knob OSC2 un

patch hold organ monophonic

Electric Bell KangiSapa

Has a nice low, resonant sustained bell tone quality with a soft, almost percussive sound at key release.

HELLS BELLS HAZAEL

DARK AMBIENT GENERATIVE PATCH USE WITH LOT OF REVERB/SHIMMER REPLIKA (vst) Dotted 1/8 Mix 55/45% feedback : 60% ST MOD

GENERATIVE DRONE NOISE DARK AMBIENT

Kick hardcore Didi

Boards Of Canada Style Bass Infatuation.PSA

Play with the OSC mix & tone of the overdrive to change up the sound. Make sure the attenuator (1) is almost closed for

Boards of Canada

Rusty Breathing The Chad

gritty atmospheric

Dirty Pulse The Chad

OSC MIX to the left to add more dirt.

Marimba with an LFO Jonathan

Great for rhythmic melody lines. Similar to a marimba or clavinet sound but with variations. Change Env 2 Decay setting

keyboard classic staccato

Fast Sequence Mr.Randomizer

Patch for fast (1/32 notes) sequences. S&H randomizes osc1. Twiching resonance, envelope depth and both envelope paramet

#s&h #fast sequence

Inverted LFO waveshapes NTRMN

Increase ATT1 if you want a larger spread across the waveshapes. And mess around with the OSC MIX if you want more or le

drone paraphonic waveshape

🔊 Sleepy Phatland shtreebun

Tweak ENV DEPTH for sharpness

LFO S&H fun Wim Wijnhoven

LFO in to S&H and from there to the osc 1&2 and Att2 to the gate. Play with LFO rate, S&H rate, and Attenuators. See vid

Thunderiser Jan Sominka

Square Electro Bass ElectroDude

Put a chorus effect on it.

Sin titulo1 CL

Rain Bricky

Run through tape echo effect & reverb

Purring Bass Arkadiusz Stawicki

Don`t tweak reso above half of the knob - headphone alert

Laser Blaster Sides

Quick note release for best results. Play around w/ mod depth & LFO shape for variations

Experimental FX

🔊 Black Hole Confusion Ari Ahrendt

S&H triggered patch with LFO rate modulation, pitch variation and a dry sounding reso filter. LFO also modulates Delay T

Effects S&H Atmo

Naked City Mstislav Kazakov

At some point it would remind tunes of John Zorn's noise-project Naked City. Play with octaves, frequency and resonance,

noise experimental pseudosax metallic scratching falling john zorn

Adjustable muted bass mdwrfld

Big Horn Vansun

Important! Use external effect reverb in logic or ableton on the soudn form neutron synth.

Techno Horn Neutron reverb

Bouncing ball Theo Carbo

Tweak envelope 2 (decay), sample and hold glide, mod. depth

Saxy Violin Infatuation.PSA

Keyboard pitch to OSC 1+2, keyboard gate to a MALT then to E. Gate 1 & 2

Sax Violin Sax Violijn

Day Cold Glass Talons

Adjust OSC 2 width to taste.

Lead Grit Raspy

a sound w/ext.res ctrl

Space Insects Dushan

Sunn 0))) Ghoulcaller

Mess with the res and cutoff for harmonics/feedback

Drone feedback noise doom

Trigger Bass Zetmech

Bass sound that triggers from LFO Keys not used Freq mod depth is dramatic Can patch OSC2->LFO TRIG instead Play with OS

Ambient Short Delay Modulated LFO

Modbass Zetmech

EBM short MIDI patched

OM Drohn bricky

twist osc shape / osc mix, s&h, att1knobs. reverb reccomended

drone ambient generative

Square and rhythm 2 players

Add a cable from the pitch cv out of a keybord to the osc1+2 in

unreveal Beanz

adjust mod depth for a bass sound adjust vca bias for highpass resonance

United Kecap Tuyul

a resonating beat, used without keyboard Variations : tweaking osc2 width, disconnecting LFO -> FREQ MOD

PWM Delay allcaps

a bit of pwm movement into the delay, good for 16 step loops

Kick/Bongo/Xylophone schwiz

Tweak Att1 and LFO rate/shape to go from a kick like sound to more of a bongo or even piped xylphone sound

Woblywop Snugglio

BlurbleBlipSnaplyPlimps Eric Bertrand

The audio example is just the patch and me turning the attenuator 1, frequency and resolution of the VCF and the osc mix

weird generative sizzle

view Kecap Tuyul

For variations, disconnect OSC MIX -> OSC1+2 or LFO -> VCF IN play with OSC 1 while disconecting OSC1 -> OSC2

Creamy Roller Adam S

Use this with some nice external distortion and delay (Soundtoys radiator and echoboy for example). Sidechained to the k

Lusca Lusca

techJam seq Wim Wijnhoven

Nice tech jam base sequence, so use a sequencer, as seen here: https://www.youtube.com/watch?v=_KKqmeyBVt4

techno Sequencer

Kinda Pad Francesco Gentile

Crunchy up and down Alan E

Using an outboard mult for the att1 out

Oscilating Crunchy

🔊 Bass-ic Eric Eaton

Basic bass patch using the second envelope to allow for some harmonic variation within a held note. If you switch the At

2 independent voices Omri Cohen

Like this you can send different pitch information to each oscillator, and also trigger them with 2 different sequences

Destructive Playground R. Gerritsen

Use the FREQ, and LFO controls, and experiment with the waveshapes of the 3340 VCO's. Adding noise with another slow LFO

Curious Swell bricky

fiddle with the s&h, osc shapes, resonance etc. hold paraphonic until blinky

ambient generative

industrial harmonics bricky

hold osc sync til blinking, play with ocs waves, s&h

generative ambient

Bass Lead Pulse Michi

Bass to Lead Bass

Pluck Piano Gameboy Michi

Play it with Reverb or Delay! Have Fun!

Paraphonic Pluck Piano

papatch pipitch

Harley cycle engine sound Saint Drew

Play subtle with the knobs of the both envelopes. Tweak the Vcf (freq). I have used slow tempo low sequencer notes. BTW

#Envelope #Foleysound

Declining LFO Ricardo di Lago

Mechanical sounding, Hi to low speed LFO.

protect Kecap Tuyul

Play with OSC MIX (drone provided by OSC 1, ryhtmic sound by OSC 2)

Kick + Noise, optional Drone from VCO2 RiF

VCO1 plays kind of a Kick drum. The noise (like a dark hh pattern) can be controlled with the PITCH sequencer row. VCO2

generative sound vargan or voice OlegSlu

OSC1 - voice frequency control (optimally 186 hertz) OSC2 - speed control

generative vargan

Won't You Kecap Tuyul

patch used for playing without keybaord Variations adjust OSC2 and FREQ values to your taste changing RESO values and so

THX Deep Note Joseph Rapisardi

As seen/heard in this video: https://youtu.be/NvVsvsufZRQ OSC1 and 2 are slightly detuned. Attenuator 1 sets the starti

Robot Indgestion bricky

play with envelopes, attenuator knobs and s&h to get some funky glitch on inspiration: https://youtu.be/GjfUUWPYrxI

glitch generative

LMNOFKick Seabearho

In C. Pick a lower octave (C0 or less). Adjust Envelope 2 Decay, Attenuator 1, Tone, Freq, to dial it in.

I just called Kecap Tuyul

Another patch for an experimental song played without keyboard Variations Unplugging OSC MIX -> OSC2 Playing with VCOs a

Drone I - cloned Pedrothe_Communist

Saddle: changes with the attenuator 2 Dramatic MOD DEPTH + RESO Output from the patch bay (Avalanche Run, Normal Rev

Drone Experimental

Basse les roses 2019 Deejef

Drone I Pedrothe_Communist

Saddle: changes with the attenuator 2 Dramatic MOD DEPTH + RESO Output from the patch bay (Avalanche Run, Normal Rev

Drone Experimental

If you were Kecap Tuyul

I Used this patch in a song with minimal playing (no keyboard used) Tweaks : playing with FREQ & RESO of the filter unpl

Auto Fm obscuroz

Auto Fm obscuroz

Beep-s and glicths obscuroz

Control on e.gate 1 for diferent taste

Control on decay, change bands on filter for different tastes

Basic Kick Drum MONO-X

Analog Kick Drum

BöserSynth MONO-X

Externer Sequencer & ARP-UP im Einsatz

Lebendiger Synth Sound

hardstyle kick wizai

A basic hardstyle kick. turn Freq knob and att1 to adjust the sound,

R El Bass rhzm

Fatty Saw Bass rhzm

probe1 lalo

bass cj polyakoff

соединить дополнительно !!! e gate2+lfo trig, lfo shape+att1 in

TwoTone Brian

Alternating oscillators sound like european police siren at low speed.

Inverter thru-zero PWM

🔊 SL Neutron Moving Bass SEQ Andy Franke

Made to be played by an arpeggiator. LFO MIDI Sync is on in this Patch. OSC 1 tuned to C, OSC 2 tuned to G. Move the sh

🔊 SL Neutron Snare Andy Franke

SL Neutron Kick - cloned Andy Franke

Simple Kick patch with a minimum of filter modulation, so every hit is slightly different. Made it to build a round-robi

Kick Andy Franke Drums

🔊 Binary Star Snig Fargle

This is a description of the patch used on the "Binary Star - Neutron Ambient" track by Snig Fargle on YouTube.

Ambient Delay S&H

You name it Dushan

Shape Osc control Karadok

Different variants : Simple : S&H to MULT and MULT1 ->ATT1 -> SHAPE1 ; MULT2 -> SHAPE2 ( VCF1 -> VCA ; LFO UNI -> ATT 1

bar led bar

SuperSaw - cloned luis

A supersaw with 3 saw+sq oscillators. The LFO is used for the 3rd osc. LFO key rate track should be enabled (hold lfo ke

Bassmeleon ïookem

bass herbie hancock chameleon

🔊 Random Dark Jorge Avendaño

1.- Set the oscillators on the note C3 via midi. 2.- Tune the oscillators as shown in the diagram. 3.- Open the VCA BIAS

Ambient Jam Semi-Modular

🔊 SL Neutron Kick Andy Franke

Simple Kick patch with a minimum of filter modulation, so every hit is slightly different. Made it to build a round-robi

Kick Andy Franke

Lost in Space Xiny6581

Tweak the VCF and VCA Bias for some crazy depth. Also cross fade the LFO for organic changes.

Stranger sounds

Random Seq fall Cigno Sound

Open up Lfo rating to get sound and turn down the Lfo rate when there is sound

Neuro recording Drum and Bass Reese

Wah-bull bass El Lumpo

Assign to mod wheel. Mod wheel opens wah-like filter and pushes in a bit of vibrator on osc-2, which is synced at a litt

Tom's Egg - cloned Ey

Inspired by Tom Waits distorted shaker on "All stripped down". Very noisy with a small bouncing or screaming note (OS

Tom's Egg fruktkonfekt

Inspired by Tom Waits distorted shaker on "All stripped down". Very noisy with a small bouncing or screaming note (OS

Attenuated Filter > Attenuated VCA beto_t

Reduces clipping of Osc Mix into the VCF, and clipping of VCF into VCA.

Promenade sur Triton ïookem

Test different combinations of OSC1 & 2 tunes with OSC MIX. VCA BIAS maximum, trigger some notes with low velocity. Then

Mécanique rouillée ïookem

Fishy El Lumpo

Assign to mod wheel.

Yee Yay Yoy El Lumpo

Playing second notes while holding first note down in paraphonic mode with sync on gives sort of wah sounding toggles. A

PWM MOD-y Breath Control - BD Brandon Dorris

Aftertouch breath patch. PWM with attenuated LFO modulating pulse width on each oscillator in opposite directions.

pwm breath lead

Basic Aftertouch Breath Control - BD Brandon Dorris

This patch is for basic breath control from a MIDI controller such as the Akai EWI4000s.* Neutron Assign must be configu

aftertouch assign modulate frequency midi to cv

🔊 Pigmented lead ariander

Assign = midi velocity input

9/8 arpeggiator Petri

Using olegtron to alter the osc2 shape

Generative StruKtur

Stacked FM jowala

Wide palette of FM sounds by tweaking OSC2 tune, OSC mix, LFO rate, ENV2 sus, and attenuaters. Enable LFO key tracking.

Essexual inspace Audio

play with both ENV use a ARP sequence Bit of a UK garage vibe.

Vibrato Mod jowala

Use mod wheel (CC1) to add vibrato. Set ASSIGN to mod. ATT 1 and 2 slightly up.

Ramdrones Marcelo Machaczko

Generative Drones sonund Main Waveform SIN, a little Triangle could be used. Rate an ATT1 modifies speed

Drones Generative

FM Shape Phin

R2D2 Marcelo Machaczko

The Voice of R2-D2

SuperSaw jowala

A supersaw with 3 saw+sq oscillators. The LFO is used for the 3rd osc. LFO key rate track should be enabled (hold lfo ke

Default patch - to check everything is 'working' Graeme

In your Bass AE

You can decrease the attackand the sustain of ENV 1 for more clicky bass And of course play with the FREQ and RESO

DFAM Emulation Attempt 1 Neutron Noob

I have velocity modulating cut off frequency. Osc2 is ignoring incoming note info, which I believe is called Hold(as op

Belly Bell Fruktkonfekt

Play around with sh-rate, vcf freq/mode and res, shape2 Ok to turn down delay

S&h machine Gibson

Play with the s&h

Simple kick Gibson

Play with the decay(env1 and ev2) and the attenuator 1 to reach the kick you want. Use a low note.

Easy simple kick

Overdrive Bypass Will

Patch for overdrive bypass

overdrive bypass

Woaw Bass Evolutive Alex

Simple Bass Move Alex

Basic Kick AE

Play with OSC type Slight move on : - ATT 1and ENV 2 Decay

Screaming vox AE

Play with ENV 1 Release for madness

Basic - Acid AE

Play with ENV DEPTH

Lead - Simple Acid

Drone Karadok

Use Att1 & 2 for rate & shape LFO ( Mode blend ) Assign : VCO1

New Toys FM

Bionic Detune Xiny6581

To change the detune use Attenuator2 and S&H. Small values will make huge impact. Also play around with the LFO to chang

variabass deejef

AK47 Drone Blancman

Adjust ENV 1 for more extreme madness :o)

Mean Machine Toni Stolt

twk filter frequency and envelope depth

Double Delay moth

Regular Neutron's delay on top of Mod Freq pseudo delay effect. LFO Rate controls pseudo "delay" rate (note KEY SYNC on

Gory Eyes Blancman

Can't get much simpler.... Adjust Reso mod and env depth to taste :o)

🔊 Stuttiklang fruktkonfekt

OSC mix slightly for adding sluggish noise unplug and replug LFO shape for rhythm variations

Attenuated Overdrive Klar Kinelis

Attenuated oscillators balanced with the Overdrive. NOTE: Set 'Attenuator 1' knob to 50% (twelve) Use SUM1 [B] as (sec

Skip Overdrive II Klar Kinelis

Use SUM1 [B] as (second) VCA IN.

Skip Overdrive Klar Kinelis

nasty Mr scary